Sentences with phrase «young audiences too»

A lot of women, a lot of folks working on books with large or primary female audiences, and young audiences too.

Not exact matches

The result — a tale of a young teenage boy who believes his epic sci - fi novel has been stolen for use by one of his writer heroes, and the battle that ensues between them — is a movie that this time might be too strange for a mainstream audience, but based on the Hesses» track record, could very well gain a cult following for years.

We decided to skip the Science Museum since it was a little too much for our young audience and also there is just so much stimulation kids can take in...

In fact, one of the mothers - to - be who found Gemma's candid YouTube videos reassuring was her younger sister Emily, 21, who decided that she, too, would share the birth of her daughter Indiana, now 16 months, with a worldwide audience.

Once again, the filmmakers too often fall back on easy pop - culture gags, many of no consequence to a younger audience.

The sheer goofiness of the concept makes Michael Sucsy's film more enjoyable than most young - adult movies, but I can imagine members of its target audience responding to its dreamy, kind - hearted emotionalism too.

It means that a lucrative younger audience who might be unfamiliar with the original won't feel intimidated by joining a franchise too late and for genre fans who prefer to keep their villains in the dark, it results in a lack of overwritten backstory.

Let the target audience of young adults make their own judgments, particularly young women who might identify not necessarily with anorexia but with some other problems they have like too many zits, or whatever.

It's also likely that audiences other than the very young will find the action too restricted and too repetitive.

The themes in this screenplay may be too mature for young audiences, especially with the depictions of self - harm and bloody wounds.

The film relies far too heavily on sophomoric audience indictments, double flashbacks (Robert Forster and Mary Kay Place are fantastic as young Nathan's terrifying parents), and three stale narrative testimonial forms (the police station confession, the testimony before Congress, the dead man in Heaven) that are each wildly distracting and atonal.

Younger audiences will likely find The Debt too slow for their liking, but what it lacks in realistic casting it gains in meatily plotted espionage and weighty drama.

The trouble is that these sequences are at times a little too cartoony for their own good and while they may appeal to younger viewers who are not quite ready to grapple with the headier ideas regarding how dangerous mere words can be to the social order, older audience members will find themselves waiting impatiently for the next visual poem to begin.

Yet the strong performances, and the charming depiction of young Wes (I had a child who made papier - mâché friends too), will likely resonate with audience members who have also felt loss and lost.

While the story builds sympathy for their fears, it never becomes too scary for even the youngest of audiences.

Even with a PG rating, in turn telling families the film is suitable for younger audiences, families may stay away for fears that ParaNorman is too dark and could induce nightmares.

Although too frightening for younger audiences to support its G - rating, «The Lion King» is a children's movie that holds up over time.

As much fun as you can get watching robots hit each other but way too long for a film aimed at younger audiences.

Pulling its punches, turning its gaze discreetly, The Girl Next Door has already been savaged for pandering to audiences ostensibly too young to see it when it should really be savaged for not delivering the goods for audiences of an appropriate age.

They all try too hard, but the most non-discerning of audiences, the younger the better, probably won't mind a bit as director Jake Kasdan has ramped this all up to a fevered pace that doesn't allow for much more than non-stop gags and largely un-amusing setups.

Special effects are nearly non-existent (save for a glance at an odd creature swimming in Loch Ness) and the script never stoops to the typical silliness that pervades far too many products aimed at young audiences.

For all those worried about it being too juvenile and not up to the dramatic standard of Wall - E or Up... you are failing to see that the trailers are meant to sell the film to the biggest possible audience and the first people they need to rope in are the younger crowd.

This content may be disturbing for adult audiences and downright terrifying for children too young to appreciate the circumstances being represented.

Nevertheless, the film never gets too dark for its young audience and indeed it is during one of the big carnage scenes that the filmmakers very comically reveal Astro discovering that he has machine guns in his butt.

(For the record, I nearly always identify with the «victim» when watching horror films, and I think most of the audience does, too — teenaged girls, especially, flock to movies like the Scream series or I Know What You Did Last Summer for three reasons: they like to see strong actresses in the lead roles, they enjoy watching the cute young guys cast opposite the girls, and finally, they want to be scared.)

The film is almost certainly too much for very young audiences, but viewers who revel in slightly darker fare and those with fond»80s childhood memories of the film will enjoy and should be pleased with this fine DVD release, which rises above the out - of - print previous Anchor Bay release.

Writer director Mond leaves it up to the audience to judge the redemption of the lad (or not) in a slow - moving film filled with regular outbursts from a young man of privilege who has been sponging on the family far too often.

There are moments that are too childish to entrance a teenage audience, but too dark and meaningful for a young one to fully grasp.

Warning: The recording may be too much for younger audiences.

Because of the frightening images, metaphorical moral messages too mysterious for even adults to confidently interpret, depictions of cruelty, an implied beating and possible justification for vandalism, this movie isn't appropriate for younger audiences.

While minimal profanities are included, some intense moments of peril as well as several off - screen murders, committed by an entirely unrepentant character, will make this film too frightening for many younger audience members.

Too many of the movies this year are aimed at a younger male audience like (December's) «Anchorman 2: The Legend Continues»,» Shaw said.

Since the movie is rated PG - 13, the director does a great job not to be too graphic or gory for younger audiences, because the brutality isn't the focus, the love story is.

Then there's the fish - out - of - water English boy abroadBen (Hugo Johnstone - Burt — actually Australian and another Home and Away alumni), and his pubescent younger brother Ollie (Art Parkinson), both thrown in to appeal to the younger members of the audience and to create a little teenage angst in this rather messy, too - heavy - on - the - CGI (which is very ropey in places), cheesy dialogue - laden, Michael Bay-esque monster of a disaster movie.

The episode yields a mute baby sister named Saoirse, though Ben is too young to comprehend why or how this happened, and Moore reveals the entire sequence in short, dreamlike bits so as to align the audience with his awestruck confusion.

The drama in these scenes sometimes works, but more often than not the confrontations feel too transparently educational, with the young actors essentially explaining their mental disorder for those of us in the audience who don't understand it.

The essence of Ms. Healy's case against «Sesame Street» is that it is designed to capture and hold attention, that it is entertaining, that it is visual in nature, and that information is presented too rapidly for its young audience.

These titles contain content and / or art that is considered too explicit for younger audiences.

And I personally know a few authors, young ones, too, who have much smaller audiences yet they have published incredibly successful books.

Perhaps it was my stubborn insistence that the subjects and themes I'd been preparing to put into a literary context were too complex and bold for a younger audience.

«Seinen,» however, has a lot of different connotations; while ostensibly denoting a comic For Mature (male) Readers, the banner can encompass basically anything from borderline porn to stories aimed at 40 - year old salarymen, or — in the case of some of the material in Weekly Young Jump — shonen manga with just a little too much sex or violence, or even just plain vanilla shonen manga the editors figure will have a better shot with a slightly older audience.

I acknowledge that this game is probably targeted at a younger audience but I feel that some obstacles, especially near the end of the game, may be too frustrating and demanding for less experienced players.

Its probably best not to think too much about that one, it reminded me of The Prestige film... While quick and easy, the game is aimed at a younger audience.

But this one seems like it really may be a little too plain, and for a much younger audience than Yoshi titles are typically for.

Mark Lawson: «The Book Of Mormon proved too much for frontline British critics, but a younger audience has made it a huge hit»

There was nothing, too, like the audience for art, the hundreds tromping around Brooklyn with me — notably younger on average than in Chelsea and far more native to the city than on the High Line.

When I working on Regis and Kelly (sometimes at Millionaire I helped out on sister productions), I was on set one day, working with the EP on the resolution of a live on - air contest in front of the audience, Kelly questioned my credentials, claiming I looked too young to be a lawyer.

Some of our earliest memories of romantic relationships likely reflect those all too ideal versions only found in Disney movies or television series with a target audience consisting mainly of young teens.