Sentences with phrase «young contemporary artists like»

The work anticipated some of the interests that Fluxus artists would soon begin exploring in New York and Europe in the 1960s, and it feels very much in tune with works by young contemporary artists like Ragnar Kjartansson, who in 2011 staged a critically acclaimed 12 - hour performance of the denouement of Mozart's «The Marriage of Figaro,» by opera singers.

Early 1960s works by Argentine artist Antonio Berni anchor a gallery featuring such familiar modernists as Diego Rivera, Frida Kahlo and Roberto Matta as well as one devoted to much younger contemporary artists like Teresa Margolles and Oscar Muñoz.

In this area, his effect on younger contemporary artists like Christopher Wool (b. 1955) is clear.

Not exact matches

The contemporary collectors who cut their teeth on younger artists are going back to wonderful figurative painters like Neel.

The range is fantastic, and I think indicative of contemporary trends within the medium: angular figures and aggressively colorful compositions in a New Objectivity vein from very young, non-German artists including Anna Navasardian (Armenian but New York - based, showing with Galerie Andreas Binder, Munich) and Pawel Sliwinski (Polish, showing with Beers Contemporary, London); representational works in thick, gestural impasto, both in Kim Dorland's grand, en plein air style (Angell Gallery, Toronto), and in Bobby Mathieson's intimately scaled portraiture (Lyons Wier Gallery, New York); and abstraction both super-reductive (like Clare Grill, showing with FRED.GIAMPIETRO, New Haven) and cosmically colorful (Jennifer Lefort, showing with Patrick Mikhail Contemporary, Ottawa); plus every conceivable stylecontemporary trends within the medium: angular figures and aggressively colorful compositions in a New Objectivity vein from very young, non-German artists including Anna Navasardian (Armenian but New York - based, showing with Galerie Andreas Binder, Munich) and Pawel Sliwinski (Polish, showing with Beers Contemporary, London); representational works in thick, gestural impasto, both in Kim Dorland's grand, en plein air style (Angell Gallery, Toronto), and in Bobby Mathieson's intimately scaled portraiture (Lyons Wier Gallery, New York); and abstraction both super-reductive (like Clare Grill, showing with FRED.GIAMPIETRO, New Haven) and cosmically colorful (Jennifer Lefort, showing with Patrick Mikhail Contemporary, Ottawa); plus every conceivable styleContemporary, London); representational works in thick, gestural impasto, both in Kim Dorland's grand, en plein air style (Angell Gallery, Toronto), and in Bobby Mathieson's intimately scaled portraiture (Lyons Wier Gallery, New York); and abstraction both super-reductive (like Clare Grill, showing with FRED.GIAMPIETRO, New Haven) and cosmically colorful (Jennifer Lefort, showing with Patrick Mikhail Contemporary, Ottawa); plus every conceivable styleContemporary, Ottawa); plus every conceivable style in between.

We've had works by female contemporary artists working today whether it's someone who could have had a long career like Howardena Pindell or artist Kara Walker or someone very young like Xaviera Simmons, the photographer.

The exhibition considers works by famed Nouveau Réalisme artists such as Arman and Raymond Hains alongside the likes of American counterparts Robert Rauschenberg and Richard Artschwager, as well as a younger generation of contemporary artists who came of age in the wake of Pop Art.

For more than fifty years, the American multidisciplinary artist David Hammons has astounded and enlightened audiences with his diverse, incisive, and conceptually brilliant artworks, many of which have since become icons of contemporary art history and lodestones for younger artists like Hank Willis Thomas and Rashid Johnson who continue to explore race in their work.

«I feel like a lackey of the contemporary art establishment forced to repeatedly apologise to my board for failing to beat the Chisenhale Gallery in showcasing an entire younger generation of post-Internet artists who jokily yet unnervingly use a cut - and - paste, horizontally - dispersed aesthetic in a dilettante fashion.»

Artist and educator Lubaina Himid, Professor of Contemporary Art at the University of Central Lancashire and winner of the Turner Prize 2017, and collaborators will explore how learning to think like artists can open up fresh ways for young people to perceive the world and their place in it.

Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.

This space with an all - caps name is the New York branch of a gallery in Brussels, Belgium, and like the home office, the Brooklyn shop focuses on contemporary art by an international roster of young emerging artists with up - to - the - minute sensibilities.

The Daros Collection includes outstanding works by European and North - American artists of the second half of the twentieth century, for instance Sigmar Polke, Andy Warhol, Cy Twombly, or Robert Ryman, while the Daros - Latinamerica Collection concentrates on positions of Latin - American art, from pioneers like Hélio Oiticica or Lygia Clark to young contemporary artists.

During the last decade however, the collection has concentrated on younger American contemporary artists like Paul Chan, Nate Lowman, Dan Colen, Frank Benson and Trisha Donnelly.

In addition, we present works by important Norwegian artists like Mari Slaattelid, Bjarne Melgaard, Ida Ekblad, Matias Faldbakken and Gardar Eide Einarsson This illustrates the collection's focus on the younger generation on the international contemporary art scene.

Back in 2010, I stood before a painting by Anselm Kiefer (b. 1945) at the BALTIC Centre for Contemporary Art and asked a young German artist whether he liked it.

Exhibitions have showcased numerous contemporary art movements such as Minimalism, Neo-Expressionism, and Britart by Young British Artists, as well as avant - garde art from China, while featured artists have included outstanding figures like Andy Warhol (1928 - 87), Phillip Guston (1913 - 80), Richard Serra (b. 1939), Anselm Kiefer (b. 1945), Gerhard Richter (b. 1932), Donald Judd (1928 - 94), Damien Hirst (b. 1965), and Tracey Emin (b. 1963), among many Artists, as well as avant - garde art from China, while featured artists have included outstanding figures like Andy Warhol (1928 - 87), Phillip Guston (1913 - 80), Richard Serra (b. 1939), Anselm Kiefer (b. 1945), Gerhard Richter (b. 1932), Donald Judd (1928 - 94), Damien Hirst (b. 1965), and Tracey Emin (b. 1963), among many artists have included outstanding figures like Andy Warhol (1928 - 87), Phillip Guston (1913 - 80), Richard Serra (b. 1939), Anselm Kiefer (b. 1945), Gerhard Richter (b. 1932), Donald Judd (1928 - 94), Damien Hirst (b. 1965), and Tracey Emin (b. 1963), among many others.

If you're looking for exciting emerging artists, then look no further than VANGUARD GALLERY (Building 4A), which has been actively engaged in discovering and promoting young artists who are vanguards of contemporary art - much like their namesake.

Other contemporary Installation artists include: the Norwegian Olafur Eliasson, whose works include The Forked Forest Path (1998, Towner Art Gallery, Eastbourne); Young British Artists like Damien Hirst (b. 1965) and Tracey Emin (b. 1963); and the Koreans Nam June Paik (1932 - 2006), noted for his videop art and Do - Ho Suh, noted for his composition Some / One (2002) featuring thousands of nickel military dogtags, at the Serpentine Gallery, artists include: the Norwegian Olafur Eliasson, whose works include The Forked Forest Path (1998, Towner Art Gallery, Eastbourne); Young British Artists like Damien Hirst (b. 1965) and Tracey Emin (b. 1963); and the Koreans Nam June Paik (1932 - 2006), noted for his videop art and Do - Ho Suh, noted for his composition Some / One (2002) featuring thousands of nickel military dogtags, at the Serpentine Gallery, Artists like Damien Hirst (b. 1965) and Tracey Emin (b. 1963); and the Koreans Nam June Paik (1932 - 2006), noted for his videop art and Do - Ho Suh, noted for his composition Some / One (2002) featuring thousands of nickel military dogtags, at the Serpentine Gallery, London.

Called «If I Live I'll See You Tuesday,» the sale was organized by Loic Gouzer, a 33 - year - old expert in contemporary art, and included a mixture of hot, younger artists alongside established superstars like Andy Warhol, Jean - Michel Basquiat, Richard Prince and Jeff Koons.

Just as a young man hanging out at the mall performs black masculinity through his look, walk and speech, artists like Kerry James Marshall, Wangechi Mutu and Yinka Shonibare are cast in the role of «black contemporary artist» — a role they pilot with dexterity and finesse.

This style of sculpture is revisited with renewed confidence in the final room — probably the strongest in the show — in which younger artists use what they see as politically - charged «black» materials to create what feel like anthropological objects from the contemporary street.

The roster of talent that Gagosian has exhibited reads like a who's who of modern and contemporary art, including the likes of Jeff Koons, Richard Prince, Ed Ruscha, Richard Serra, and Cy Twombly, younger artists such as Taryn Simon and Urs Fischer, and iconic masters such as Francis Bacon, Constantin Brancusi, Roy Lichtenstein, Pablo Picasso, Jackson Pollock, Robert Rauschenberg, and Andy Warhol, among others.

These principles are to be found in her impressive self - portraits as well as in numerous works in which she draws on motifs of important old masters such as Hans Holbein the Younger and El Greco or contemporary artists like Constantin Guys.

CA: Many contemporary artists work with sound nowadays, and additionally there is a long tradition of sound art; just think of pioneers like John Cage or LaMonte Young.

Stamps of a Decade features pieces by avant - garde and contemporary Mexican masters, such as Gilberto Aceves Navarro, José Luis Cuevas, Irma Palacios, and Demián Flores, and works by younger artists, like Lucía Prudencio and Daniel Berman.

Young contemporary artists (like Lvoff, Lucien Smith, and Hayal Pozanti) can be viewed alongside more established contemporary artists (like Carrie Mae Weems, Agus Suwage, and Andrea Fraser), artists in the later years of life (Clark, Huguette Caland), recently deceased (Singleton, Terry Adkins), and some that are historical (Paul Gauguin, Tarsila do Amaral).

They include giants like Braque, Miro, Jasper Johns, Georgia O'Keeffe and Edward Weston; video - art pioneer Nam June Paik; contemporary German sculptor Katharina Fritsch; Bay Area sculptor Gay Outlaw; and young artists whose careers may get a boost from this show.

When I was in art school in the late»70s, I saw it begin, but the young painters today, unlike my generation of painters, find it almost impossible to locate truly inspiring contemporary artists for whom painting's meaning can be derived from what a painting looks like.

A Miro - like abstraction by young Brazilian - born artist Christian Rosa sold for 25,000 euros ($ 34,000) at Contemporary Fine Arts.

The Fenton Gallery has a reputation for hosting big names like Tony O'Malley, Barrie Cooke and Dorothy Cross, as well as contemporary shows featuring younger Irish artists, and several mixed themed shows.

Together with a group of young artists — including Robert Longo, Barbara Kruger, Sherrie Levine, Richard Prince and Louise Lawler — Sherman was critical about contemporary image culture and the rise of image consumerism that both drove emerging mass media like television and was celebrated in it.

As we cycle through avatars in our online lives, we are discovering a new appreciation for the artist of many identities: a figure like Cindy Sherman, with her parade of photographic personae, or the younger contemporary artists Kalup Linzy and Tamy Ben - Tor, who inhabit multiple characters in their satirical videos.

Such overlaps surprise us because older artists like Monet often settle into the background in their extended years, sharing no more than the calendar with their younger contemporaries.

Interest, Rosenfeld says, has developed incrementally around an older generation of artists like Barbara Chase - Riboud and Alma Thomas, who served as inspiration for a younger generation of better - known contemporary artists.

♦ A Miro - like abstraction by young Brazilian - born artist Christian Rosa sold for 25,000 euros ($ 33,870) at Berlin's Contemporary Fine Arts gallery.

At Marlborough Contemporary, artist Ivana Bašić — a generation younger than Barry — shows spindly sculptures that look like aliens bursting from yellowish placentas.

A strange kind of disconnect, this, that sees almost 5 million visitors a year pour into Tate Modern, and a young wave of contemporary art galleries around Britain, like the Hepworth in Wakefield and Turner Contemporary in Margate, connecting their local communities to the work of artists like ncontemporary art galleries around Britain, like the Hepworth in Wakefield and Turner Contemporary in Margate, connecting their local communities to the work of artists like nContemporary in Margate, connecting their local communities to the work of artists like never before.

I like the idea of recontextualizing work by the old guys and giving some weight to the work of younger artists, but maybe the mix should be more contemporary, sloppier, and sexier — especially with all the excellent female painters exploring abstraction today.

His eccentric and sublime drawing, mordant wit and Surrealist admixture of mutant shapes and scrawls can put you in mind of works by various contemporaries, among them Cy Twombly, Terry Winters, Carroll Dunham and even younger artists like Christian Schumann and Matthew Barney.

By 1992, Saatchi was not only Hirst's principal patron, he was also the biggest sponsor for other Young British Artists - a second group of whom had appeared, via shows like «New Contemporaries,» «New British Summertime,» and «Minky Manky», and included artists such as TraceArtists - a second group of whom had appeared, via shows like «New Contemporaries,» «New British Summertime,» and «Minky Manky», and included artists such as Traceartists such as Tracey Emin.