Sentences with phrase «young curators including»

A generation of young curators including Tinari, who is in his mid-30s, came of age in the era of superstar artists like Hirst and are less inclined to look down on business savvy.

Not exact matches

The departure was short - lived, however, ending when Hoptman returned to the city as a senior curator at the New Museum, bringing in works by painters like Elizabeth Peyton, George Condo, and Tomma Abts while also organizing seminal exhibitions including «Unmonumental: The Object in the 21st Century» — the influential show of provisional - looking sculpture that famously included a lot of paint — and «Younger than Jesus,» the first iteration of the museum's Triennial.

We see that in the breadth of people included in major recurring exhibitions, in the interests of younger artists, critics and curators, in the editorial choices made by the most current magazines, in the increasing visibility of artists emerged in the 60s and 70s, but did not enter the canon.

We are considered to be a pioneering arts organisation having worked with notable and now influential academics, artists, curators and writers including Professor Stuart Hall (Iniva's founding Chair), Professor Kobena Mercer, Okwui Enwezor, Professor Sonia Boyce, Judith Butler, Keith Piper, Sarat Maharaj, Chris Dercon, Isaac Julien and Baroness Lola Young to name but a few.

Past jurors have included Prospect.1 Founder and Curator Dan Cameron, Museum Director Billie Milam Weisman, Collector and Philanthropist Beth Rudin DeWoody, MacArthur Fellow John Scott, Whitney Trustee and Ballroom Marfa Co-founder Fairfax Dorn, NOMA Director Susan Taylor, artist Tony Fitzpatrick, Director of the Andy Warhol Museum Eric Shiner, Director of the National Art Gallery of the Bahamas and Founder and Artistic Director of the VOLTA Fair Amanda Coulson, Dishman Art Museum Director Megan Koza Young, ArtBridge Curator Jordana Zeldin, and Collector and MoMA Board Member Lawrence Benenson.

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

The first panel, on the history of long - neglected artists includes Sharon Spain, associate director of the Asian American Art Project; Mark Johnson, professor of art at San Francisco State University and curator of Asian / American / Modern Art: Shifting Currents, 1900 — 1970 at the de Young Museum; Karin Higa, adjunct senior curator of art at the Japanese American National Museum; and Gordon Chang, professor of history at Stanford University.

It's focus is to provide visibility to young art, particularly for lesser known visual artists to showcase their work to an international audience which includes artists, galleries, museums, curators and others interested in art.

Exhibitions that Stephanie has curated include One, Another, 2011, at FLAG; Losing My Religion in Young Curators, New Ideas IV, Meulensteen Gallery, New York, NY (2012); and Space Between, co-curated with Louis Grachos at FLAG (2015).

She has organized numerous events to benefit the arts community, including: panels on Women in the Arts in Miami, London & Paris, 2014 & 2015; a panel on the «Legacy of Gordon Parks» at artMRKT San Francisco with Julian Cox (Founding Curator of Photography for the Fine Arts Museum of San Francisco and former Chief Curator at the de Young Museum); Art Gallery Week (10 Days: 36 Galleries) in San Francisco and Oakland 2012; frequent art walks in San Francisco and Chelsea 2010 - 2012.

In an exclusive interview with D / railed's editor - in - chief Deianira Tolema, Kohn Gallery's Josh Friedman discusses the challenges of staging an exhibition today, including the challenges, pitfalls, and what young curators should avoid when preparing for exhibitions.

The Gift of Art micro-exhibition also included selections from Gay - Young Cho (Member, Smart Museum Board of Governors), Alan Fern (Former Director, National Portrait Gallery, Smithsonian Institution; Life Member, Smart Museum Board of Governors, and Peter Parshall (Former Curator of Old Master Prints, National Gallery of Art)

¬ † Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Mus √ © e d'art contemporain de Montr √ © al; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

Many of those featured artists have contributed personal statements reflecting on the work, its meaning and the social scene that surrounded it, including Lynda Benglis, Mel Bochner, Roy Colmer, Mary Corse, David Diao and Peter Young, Guy Goodwin, Harmony Hammond, Mary Heilmann, Cesar Paternosto, Howardena Pindell, Dorothea Rockburne, Carolee Schneemann, Alan Shields, Joan Snyder, Franz Erhard Walther and Jack Whitten, as well as one curator and one critic, Marcia Tucker and Robert Pincus - Witten.

The anthology is augmented by a series of extended interviews with leading figures in art and performance, including Tim Griffin of the Kitchen, New York; MoMA's Kathy Halbreich; choreographer and curator Ishmael Houston - Jones; artist William Kentridge; experimental playwright Young Jean Lee; and dancer and choreographer Yvonne Rainer.

More socialite mayhem, this time sponsored by Dom Pérignon and hosted by young socialites including curator Alex Dellal, Stavros Niarchos (yes, Paris Hilton's ex) and Vito (son of artist / director Julian Schnabel, Thursday, December 1st at WALL at W South Beach.

The most recent exhibitions he co-curated include «Mobile M +: Live Art», «Tsang Kin - Wah: The In nite Nothing» and «Samson Young: Songs for Disaster Relief» (consulting curator), Hong Kong's participations in the Venice Biennale in 2015 and 2017 respectively.

The invited speakers were performance curators from important American institutions including the Dia Art Foundation, Performa, Danspace Project, and MoMA; local projects like FD13 Residency (Sandra Teitge) and The Bindery Projects (Nate Young); as well as artists whose work is linked to the above mentioned institutions and projects (Ralph Lemon, Maria Hassabi, Pope L., Charles Atlas, Rashaun Mitchell).

Alongside work by the older artists, curator Beth Citron has included work by an international cohort of younger artists, including Meagan Boody, Hasan Elahi, Isca Greenfield - Sanders, Marc Handelman, Byron Kim, Lisi Raskin, Seher Shah, and Janaina Tschäpe.

By this ethereal selection of works, the curator Eva Fabbris explores the space between public and private, design and art, and includes painting, sculpture and photography with prototypes for everyday objects, furnishings and wallpapers, confirming Marc Camille Chaimowicz's role as increasingly influential for younger generations of artists.

With a seminal essay by Donald Kuspit and a conversation between the artist and curator Dede Young, the book is invaluable in defining Gornik's vivid contribution to American Luminist painting, whose practitioner - mystics include Albert Pinkham Ryder, Frederic Edwin Church, and Martin Johnson Heade.

The first edition of the New Museum's signature Generational Triennial, «Younger Than Jesus,» is organized by Massimiliano Gioni, Director of Exhibitions, Laura Hoptman, Senior Curator, and Lauren Cornell, Director of Rhizome and adjunct curator, and includes fifty artists from twenty - five countries all born afteCurator, and Lauren Cornell, Director of Rhizome and adjunct curator, and includes fifty artists from twenty - five countries all born aftecurator, and includes fifty artists from twenty - five countries all born after 1976.

These have included the Rua Red young curators project, with the OPW, Art Trolley in Rua Red, Artist in school with «Art school», a project by curator Jennie Guy and artist in the community with Clondalkin youth service.

SITE Santa Fe's Young Curators would like you to submit artwork in all media that explores the concept of illusions, including but not limited to dreams, nightmares, lucid dreams, deja - vu, apparitions, optical illusions, shadows, surrealism, and extrasensory perception.

Image: Russell Young Event curators The Future Tense have assembled an eclectic roster of 30 original works valued at over $ 1m from some of the world's most exciting, dynamic and sometimes controversial artists, including painting, photography, sculpture and a large - scale public installation in downtown Dallas by streetartist Ben Eine.

SITE Santa Fe's Young Curators would like you to submit artwork in all media that explores the concept of illusions, including but not limited to dreams, nightmares, lucid dreams, deja - vu, apparitions, optical illusions, shadows, surrealism,... read more

As curator of the landmark 1993 exhibition, Coming to Power: 25 Years of Sexually X-plicit Art by Women, Cantor highlighted a dialogue between the female artists of the 60's and 70's who boldly incorporated explicit imagery in their work, including Louise Bourgeois, Lynda Benglis, and Alice Neel, and the younger generation of female artists, such as Cindy Sherman, Nan Goldin, and Marilyn Minter, who, like Cantor, continued to develop this concept.

In conjunction with the exhibition, Blum & Poe will publish a catalogue that will include new essays by curator Pedro Alonzo and conflict resolution and reconciliation activist Tim Phillips, along with new works of poetry by Tisa Bryant, Danielle Legros Georges, Robin Coste Lewis, and Kevin Young.

Curated by Ann Gallagher, director of Collections (British Art) and Lindsey Young, curator of Contemporary British Art, the exhibition will bring together some of the artist's most recognisable work, including Untitled (One Hundred Spaces) 1995 and Untitled (Stairs) 2001 alongside new pieces that are yet to be exhibited.

The Mellon survey found when «younger» employees born in the 1960s, 1970s, 1980s, and 1990s were isolated, the share of minority employees in the category including curators and leadership grew to 27.5 percent.

Lively interviews with some of the most significant artists of our time — including Francis Alÿs, Tamy Ben - Tor, Jesper Just, Marina Abramovic, Gelitin, Laurie Simmons and Mike Smith — appear alongside context - setting essays by some of our most inspired young curators.

Perched at one of the magazine booths, I watched a succession of tribes go by: a blur of men in white thobes; Eungie Joo and her crew from Sharjah (including M + curator Doryun Chong and the artists Danh Vo, Haegue Yang, and Eric Baudelaire); and the designer Rick Owens surrounded by five black - clad beauties — men, women, expertly draped, drifting slow figure eights around Michèle Lamy, Owens's strikingly face - tattooed and arm - bangled partner, and a young lanky soul, totally androgynous, lagging behind in a pink leather ball gown.

Over the course of a week, eight young artists nominated by a nationwide group of artist - run spaces will participate in an intensive series of tutorials, workshops, reading groups, studio and gallery visits and seminars led by artist Doug Fishbone and guest artists including Turner Prize winner Elizabeth Price, Turner Prize nominees Marvin Gaye Chetwynd and Mark Titchner, and Matthew Darbyshire as well as Zabludowicz Collection curators.

Panelists include collector Jordan D. Schnitzer and Richard Benefield, curator of the Hockney exhibit at de Young and Deputy Director of the Fine Arts Museums of San Francisco.

Varola has invited a range of internationally recognized artists, curators, galleries and non-profits to designLAb including LAND, Alex Israel, Piero Golia, Diana Thater, Walead Beshty, Will Ryman, Peter Zellner, Tejo Remy, Patrick Painter, Blum & Poe, Paul Young, Christopher W Mount, Industry, Nobuo Sekine, Elena Manfredi, Honor Fraser, Tracy Williams and Christopher Grimes.

That pop - up show of works by 16 young artists including Mr. Hirst, Sarah Lucas and Gary Hume was visited by influential curators and collectors.

The artist recipient of the 2020 Prize will be announced in July 2018, chosen by this year's independent advisory committee, which includes: Ian Berry, Dayton Director of The Frances Young Tang Teaching Museum and Art Gallery and Professor of Liberal Arts at Skidmore College, Saratoga Springs, NY; Lauren Haynes, Curator, Contemporary Art at Crystal Bridges Museum of American Art, Bentonville, AR; Eungie Joo, Curator of Contemporary Art, San Francisco Museum of Modern Art, San Francisco, CA; Helen Molesworth, critic; and Lilian Tone, Assistant Curator, Department of Painting and Sculpture, The Museum of Modern Art, New York, NY; along with institutional advisors Heather Pesanti, Chief Curator and Director of Curatorial Affairs at The Contemporary Austin, and Stephanie Roach, Director of The FLAG Art Foundation.

This data is in the public domain and available for anyone to sort and analyze — answering questions such as how many exhiitions included work by a particular artist, which exhibitions were organized by a particular curator, who was the youngest artist to have a solo show, or which artists are most frequently exhibited with another artist.

Young London artists were selected from nominations received through V22's existing network, including artists from the collection, industry professionals, academics, young curators, and the Young London alYoung London artists were selected from nominations received through V22's existing network, including artists from the collection, industry professionals, academics, young curators, and the Young London alyoung curators, and the Young London alYoung London alumni.

About the curator The artists included in this exhibition are the true choice of a young collector — for collectors of his generation.

This year's panel included renowned author and design critic, Alice Rawsthorn, Rose Carrarini, founder of Rose Bakery, Bella Younger of Deliciously Stella, Harriet Thorpe of Wallpaper * and Daniela Puga, Architecture Curator at the Barbican.