Sentences with phrase «young feminist artists»

Hebron's project engages artists in a new campaign to count representation of women, and Women's Inc., a group founded by young feminist artists and artworkers in a secret Facebook group, has created a riotously funny lexicon of portmanteaux poking fun at the art world's continued, pervasive sexism.

Charlotte Jansen writes: «Simultaneously sexy and imperfect, Hannah Wilke's SOS Stratification Object Series (1975) recalls the body - hair flouting tactics and censor - defying use of nudity and menstrual blood of young feminist artists, such as Molly Soda.»

Not exact matches

From a feminist perspective, Collins's «70s work, which consists almost exclusively of films and photographs of the artist staring at attractive young women, can look like one long, unapologetic, unredeemable celebration of the male gaze.

Betty Tompkins at P.P.O.W, ADAA: The Art Show Though the American artist has been a pioneer in feminist art since the»70s, lately, her themes like sexuality and desire have only grown more timely, drawing younger fans like Petra Collins.

Perhaps the most surprising work of this trio and the one that looks the most disconcertingly new — as if painted by a young zombie formalist feminist artist — is «Voyage,» in which appliquéd bits of textile melt into the surface while other textile patterns appear as silhouettes, not literally collaged on but, rather, spray - painted.

How she's teaching younger artists from a younger generation and building these communities that are cross generational, building these communities that are about marginalized communities, these feminist collectives.

Yet it excludes not just one young artist, but also the Marilyn Monroe movies, distant longings, feminist hopes, and trashy, shredded self - displays on which she and so many recent installations thrive.

In the tradition of feminist trailblazers such as Judy Chicago and Marina Abramovic, the transatlantic collective functions as an experimental arts community, working to inspire intelligent conversation, creativity, and expression, while ushering in a renaissance for a new generation of young female artists.

The University of Sussex's Art Society Journal describes how feminists in the 1980s influenced the female members of the Young British Artists» artwork through the strategy of subverting feminine stereotypes.

While not overtly political (though it could be argued that, with the underrepresentation of women in tech, just working with technology as a woman artist is a feminist act), these works act as historical precedents to the more biting commentary by younger artists.

Some younger scholars were included — Carrie Lambert - Beatty and the artist Wangechi Mutu, for instance — and there was also a desire to hear from people who have only recently started working on feminist art, so we invited Richard Meyer and Helen Molesworth.

She was an artist, pure and simple, and resisted all attempts to be classified as some kind of feminist, artistic beacon for younger generations.

The gallery has also hosted exhibitions with artists of older generations such as Michelangelo Pistoletto and Gianfranco Pardi and represents the works of British conceptual artist Stephen Willats, American feminist artist Mary Beth Edelson and Syrian born painter and sculptor Simone Fattal who have been showing since the 1960's and have greatly influenced many of the younger generation of artists.

Miralles, a vital contributor to feminist art practices in the 1970s, reminds us that although Beuys supported women's liberation, his female contemporaries did not always receive him well, and that younger women artists have drawn from his practice in highly selective ways.

• YOUNG BRITISH ARTISTS (YBAs)(1990s) Tracey Emin (b. 1963) British postmodernist artist, noted for shocking feminist pictures.

Features a dynamic group of young queer feminist lesbian artists.

The film and related archive provide first - person histories of the pioneering individuals and key founding members of the feminist art movement in the United States, along with younger generation of artists influenced by them.

With Leslie Labowitz - Starus, she created «The Performing Archive» at 18th Street, which traveled to the Yerba Buena Center for the Arts in San Francisco and the Haus der Kunst in Berlin, and which she describes as «an important exchange» in which «young women artists... encounter an extensive paper and image archive of feminist performance art.»

Recalling my own first eye - opening encounter with feminist work as a young artist, the paintings are full of forms that resonate with the strangeness and preliterate opaqueness of archaic sculpture.

An example of Conceptual as well as feminist art, from a leading Young British artist.

It is hard to mention each artist equally, there are so many great women artists who emerged from the feminist struggles in the 1970s but also from the younger art generation nowadays.

A young artist who in recent years has been working with such respected galleries as Chicago's Rhona Hoffman Gallery and New York's Fredericks & Freiser, Natalie Frank has a growing base of international collectors who are riveted by the way she applies her exceptional painterly technique to disturbing, often violent subject matter — always with an eye to feminist critique.

The exhibition includes a site - specific installation by feminist pioneer Mary Beth Edelson, part of an ongoing series of collage projects initiated years after her renowned collage posters of the 1970s; a series of preparatory collages by Marlene McCarty produced for her large - scale drawings of young women who committed patricide; and a series of mixed - media collages by veteran feminist artist Anita Steckel that places the artist within drawings by Tom of Finland, exploring the possibility of alternate forms of cross-gender desire and visual pleasure.

In the curated gallery sections, Focus features presentations by galleries aged 12 years or younger; Live is a space for performance and participation works; and new for 2017, Sex Work: Feminist Art & Radical Politics showcases female artists working at the extreme edges of feminist practice since the 1970s.

Perpetually inventive with new materials, shapes and ideas, never conceited, and always true to her feminist roots, Benglis continues to inspire other much younger artists and remains one of America's most significant living female artists.

It includes pioneer feminist artists, such as Carolee Schneemann and Hannah Wilke, next to younger artists, such as Giordanne Salley.