Asked about his advice for
young filmmakers looking to make money from their work, Carpenter responds, «Find a time machine and come back when I started.»
It's a film that still bears the mark of
a young filmmaker looking for his voice (Scott largely based the photography on what Kubrick did in Barry Lyndon), but this tale of two military officers and their decade - long rivalry is thrilling nonetheless.
Not exact matches
Like «American Honey» (2016), from another key British
filmmaker, Andrea Arnold, «Lean on Pete» uses its
young protagonist as a kind of search engine,
looking for answers to his own fate and to the inequities at the heart of our nation.
Another holdover from the fall festival circuit that will finally reach American theaters this year, the latest from highly regarded
filmmaker Olivier Assayas (Summer Hours, Carlos) is a semi-autobiographical
look at
young French activists in 1971 Paris.
Theoretically, this could be quite salutary, as Reygadas is developing into one of the world's most interesting and consistently surprising directors; his Post Tenebras Lux is easily one of the most anticipated Cannes competition films (and happens to be my advance pick as most likely to win the Palme d'Or), and
younger Mexican and South American
filmmakers unabashedly
look to Reygadas as a model of artistic independence to follow.
Are there
young filmmakers following in your footsteps who we should
look out for in the next few years?
As a
young man, with his thin sandy hair, elongated simian features and prominent dimpled chin, he
looks a bit like Ed Begley, Jr.; the more old - age facial putty the
filmmakers apply, the closer he edges toward James Woods.
«Smithereens» (Oct. 9 at the Music Box Theatre; www.musicboxtheatre.com) Three years before she directed Madonna in 1985's «Desperately Seeking Susan,»
filmmaker Susan Seidelman's debut feature was this raucous
look at a
young woman in New York with a messy love life and punk rock aspirations.
Other high - profile titles screening at the festival, which opens Friday, include «Ginger and Rosa,»
filmmaker Sally Potter's coming - of - age drama with Elle Fanning; «Midnight's Children,» director Deepa Mehta's adaptation of the novel by Salman Rushdie, who wrote the screenplay; and «Frances Ha,» a black - and - white
look at a
young dancer directed by «The Squid...
A family movie about a
young girl who tries to show she's more grown - up than her parents realise when she attempts to
look after a horse, Flicka did not attract very favourable reviews, and its box office take must have disappointed the
filmmakers.
Jon Foster is one of those
young actors not enough people know about, so he
looks promising as the creatively unfulfilled
filmmaker who pokes around where he shouldn't.
Though he's widely considered the father of contemporary independent filmmaking, John Cassavetes isn't a particularly good role model for
young independent
filmmakers looking to make a name for the...
«It's a delicate script,» Martin Scorsese praised, as he was the first one who urged the
young Austin, Texas
filmmaker to
look into the project.
The film didn't emerge from Tony Richardson and John Osborne's Woodfall Films, which produced «Saturday Night and Sunday Morning», «A Taste of Honey» and «The Loneliness of the Long Distance Runner», but it was very much part of the same movement of
filmmakers coming to drama from documentaries and theatre, and
looking to represent the lives of
young working - class men and women more truthfully.
I've come through as a
filmmaker, having convinced myself that my sort of movie is a form of painting, that it would not have happened without
looking at paintings as a
young visitor to MoMA, or then studying with Hans Hofmann and my admiration for the Abstract Expressionists.