Sentences with phrase «young filmmakers working»

Why it could succeed: I think that it's undeniable that Jason Reitman is one of the best young filmmakers working today... at the very least, I find him to be the one of the best, so the combination of him and one of my favorite author's novels makes for a project that I couldn't be anticipating more.

Not exact matches

Well just this morning I was listen to CBC's Information Morning radio show (Young Halifax filmmaker gets big break with Einstein) according to the filmmaker on the topic of Einstein, in the interview he suggests, this perspective of» working backwards» is how Einstein thought... not bad «likeminded» company to find yourself in!

Social impact «residents» that have been placed in coworking centres by All Good Work include BASE, which develops co-living residences for young adults with learning differences; RiF, which supports refugees and asylum seekers arriving in New York City; and AdaptLab — a team that helps filmmakers with autism and learning differences to work on productions and gain valuable skills for sustainable employmWork include BASE, which develops co-living residences for young adults with learning differences; RiF, which supports refugees and asylum seekers arriving in New York City; and AdaptLab — a team that helps filmmakers with autism and learning differences to work on productions and gain valuable skills for sustainable employmwork on productions and gain valuable skills for sustainable employment.

This weekend, Fuse will air the new documentary from filmmaker Dan Parris about the aftermath of the killing of Michael Brown, the Ferguson protests and how young activists are working for change.

But if the filmmaker managed to work up at least an inkling of pathos for that young man's horrifying plight, no such compassion is extended toward the two teenagers at the heart of Yoga Hosers: Colleen C. (Lily - Rose Depp) and Colleen M. (Harley Quinn Smith), the two indifferent convenience - store clerks who briefly appeared in Tusk.

In addition, one of the organization's core values is identifying new talent and nurturing young filmmakers by awarding promising talent with «Directorial Debut» and «Breakthrough Actor» awards as well as grants to rising film students and by facilitating community outreach through the support of organizations such as The Ghetto Film School, Reel Works Teen Filmmaking, and Educational Video Center.

The filmmaker's attempt to balance social satire and farce doesn't always work, but While We're Young is smart and funny enough to overcome its flaws.

In The Stolen Man (El hombre robado), Argentine filmmaker Matías Piñeiro's 2007 debut feature, a young woman navigates her way through two different schemes: the stealing and subsequent selling of artifacts from the museum she works at and a series of encounters with friends and lovers that she aims to manipulate towards an ambiguous endgame.

«I wanted to try working with younger filmmakers who were cutting their teeth and trying...

In it, the filmmaker details his childhood fascination with the occult, and how he decided to pair that with a recurring image in his mind of a young, alone, female foreigner working in Paris.

With Lorne Michaels as a producer and a screenplay by three young TV - seasoned up and comers, various in - demand comedy stars gladly signed up to work with the Utah - based Mormon filmmaker despite his spotty track record.

On some level, perhaps the filmmaker has exhausted his capacity for cruelty; if Greenberg took that quality of his work to its outer limit, While We're Young offers a more charitable, less caustic vision of growing older.

As such, it's not outside the realm of possibility for the Academy to recognize another young filmmaker for a daring piece of work, and J.C. Chandor certainly fits that bill.

Few working filmmakers are as in tune with the curious predicament of being young and capable yet too lazy to bother fighting an uphill financial battle, and still fewer that manage to casually assert their cine - literacy without making a show of it (see the one - two punch of Sansho the Bailiff and Butch Cassidy and the Sundance Kid visual quotations that close the film).

It was especially poignant to see Robinson, a lesbian filmmaker who's been working in the industry for years on various projects including The L Word, present such a radical film to both older audiences who were familiar to the character and young audiences who are growing up with the chance to see a complex women - centric narrative propelled by her.

Not that any of the young filmmakers at the Overlooked were trying to claim their work was on par with these cinematic masters, but you could tell from their films that Ozu and Bresson really mean something to these guys, their influences genuinely and thoroughly absorbed into the cinematic sensibilities of another generation.

They recently received a grant to continue their work, so all of their time is spent in the lab with two fellow technicians (Peters and Glover) and a young filmmaker (Bolger) who's documenting their whole process.

McGarry, a first - time filmmaker, spent five years in production on Code Black while simultaneously working the hectic schedule of a young doctor in training.

Sleight is both written and directed by young filmmaker J.D. Dillard, making his feature directorial debut after working in the kitchen at J.J. Abrams» Bad Robot.

The four main characters are stellar personalities, and each one stands out for a different reason: Becca is the young filmmaker who takes her work very seriously, carefully crafting frames and cinematic scenes for her documentary; Pop Pop takes extreme pride in being a strong farmworker, but struggles greatly with his increasing age; Nana is kind and fun - loving, baking cookies and playing hide and seek with her grandchildren, but fights to retain control of her faculties in the evening.

The Argentine filmmaker discusses his critically acclaimed debut feature, The Human Surge, which follows young people working, exploring, and connecting...

Eastwood had initially intended to direct it himself but was impressed enough by Cimino's work co-writing Magnum Force that he gave the young filmmaker a chance to take the helm.

The «Academy Originals» videos highlight women filmmakers — including Ava DuVernay and Aileen Brosh McKenna — and other women working in film to show how their considerable contributions inspire young girls to become filmmakers.

Jason Reitman declares without a doubt that he's among the most talented filmmakers working today and Diablo Cody proves she's far from a one trick pony with the delightfully awkward black comedy «Young Adult».

Japanese master filmmaker Hirokazu Kore - eda might be the best director of young actors working today: Films like Nobody Knows and I Wish have explored childhood and adolescence with grace, wit and extraordinary emotional depth.

One of two big surprises is that this gentle, humanistic tale of an illiterate young man making his own way in southern India isn't the work of a native South Asian filmmaker, but an American.

Jim Jarmusch is a filmmaker whose work helped to define me as a young cinephile twenty - five years ago.

The three Mexican filmmakers honed their craft together as young burgeoning directors in Mexico and have frequently offered notes on each other's work throughout the years, so it's kind of a beautiful thing that these three visionary directors would all go on to earn the top prize in their craft.

The Australian filmmaker has previously served as a producer and creative designer for Will Young Live in London and worked on the visual effects for...

The Australian filmmaker has previously served as a producer and creative designer for Will Young Live in London and worked on the visual effects for quite a few projects.

A nasty piece of work in which the spirit of the bushman traveller escalates his penchant for opportunistic crime from sheep stealing to stalking and stabbing, Scott's twisty deconstruction of slasher pic tropes is as good a calling - card pic as we've seen from a young Aussie genre filmmaker since Damien Power's similarly sinister Killing Ground in 2016.

The one that has survived most in recent years is the Director's Cut, a 165 - minute edit preferred by Peter H. Hunt, a young first - time filmmaker who worked in television for most of his subsequent career.

However, I fell in love with Ms. DuVernay's work and put her at the top of my list of filmmakers to watch after 2012's Middle of Nowhere, her breathtakingly beautiful portrait of a young black woman dealing with the daily struggles that come with having her husband incarcerated.

The filmmaker continues to be a bastion for finding young comedic voices and giving them a huge stage to work on — this time with stand - up and sketch comedian Schumer, who wrote the sole writing credit on the film (think about how rare that is for comedies these days).

The first couple of episodes were more along the lines of The Apprentice, showing the various young filmmakers learning to work together and dealing with the pressure of deadlines.

Asked about his advice for young filmmakers looking to make money from their work, Carpenter responds, «Find a time machine and come back when I started.»

Though Krasinski has strong moments in slapstick - y scenes opposite Clooney, on and off the football field, the film was another one that helped construct Krasinski's desired, if synonymous film image: an all - American guy, who often played working class folk (even when he was a Hollywood filmmaker in Ry Russo - Young's indie drama «Nobody Walks,» he was a sound designer).

How was working with Albert Serra different from the other young filmmakers you've worked with, such as Olivier Assayas, Bertrand Bonello, Tsai Ming - liang?

What You Need To Know: After 2012's palate - cleansing «Frances Ha,» perhaps the filmmaker's best - ever work, Noah Baumbach has returned to working with big names again, with the long - gestating «While We're Young.»

The filmmaker discusses Au Hasard Balthazar's influence on his new film, working with younger actors, and more

The young Polish filmmaker Roman Polanski came to London to make his second film — and first in English — and cast 21 - year - old Catherine Deneuve as Carole, a fragile young Belgian woman living in South Kensington with her sister and working in a local hairdressing salon.

The film didn't emerge from Tony Richardson and John Osborne's Woodfall Films, which produced «Saturday Night and Sunday Morning», «A Taste of Honey» and «The Loneliness of the Long Distance Runner», but it was very much part of the same movement of filmmakers coming to drama from documentaries and theatre, and looking to represent the lives of young working - class men and women more truthfully.

John Singleton, the youngest and first African American filmmaker to be nominated for an Academy Award ® for his work directing Boyz n the Hood, discusses his process, influences, and inspirations, from the work of acclaimed playwright August Wilson to pioneering directors Spike Lee and Federico Fellini.

Filmmaker and Into Film Young Reporter alumna Molly Harding discusses her work for the Ajyal Youth Film Festival in Qatar.

One of its tenants is Gitterman, a gallery devoted to photography and now showing the work of Khalik Allah, a young filmmaker and photographer.

Keith Haring (1958 - 90) was one of the most renowned of the young artists, filmmakers, performers and musicians whose work responded to urban street culture of the 1980s.

Kate Macgarry brings the talented young filmmaker Samson Kambalu, whose short works are based on a whimsical set of rules and play with the traditions of both European and African cinema.

Celebrating the life and legacy of painter, curator, and visionary artist Noah Davis (1983 — 2015), Young Blood places Davis» work in the context of an ongoing visual dialogue with his elder brother, artist and filmmaker, Kahlil Joseph.

Taylor - Wood, Sam (b. 1967) Avant - garde filmmaker, video artist and photographer, member of Young British Artists movement, whose works explore the difference between perceived appearance and actual being.

For the young filmmaker this marked a turning point in his career: forty years on a presentation encompassing the last fifty years of his work at Richard Saltoun Gallery marks another - the first solo exhibition of his work in a commercial gallery.