Sentences with phrase «young galleries such»

Young galleries such as Acme, Blum & Poe, Regen Projects and Richard Telles Fine Art have in part emerged into prominence by giving a platform to newly emerging artists who are women.

Alongside exciting young galleries such as Bridget Donahue, David Lewis and Simone Subal (all New York), newcomers from across North America include Essex Street, JTT (both New York) Château Shatto (Los Angeles) and Regards (Chicago).

Returning galleries include Acquavella Galleries, Tanya Bonakdar Gallery, Gavin Brown's Enterprise, Marian Goodman Gallery, Hauser & Wirth, Matthew Marks Gallery, Skarstedt, Sprüth Magers and David Zwirner; alongside exciting young galleries such as Bridget Donahue, David Lewis and Simone Subal (all New York) with newcomers from across North America including Essex Street, JTT (both New York), Château Shatto (Los Angeles) and Regards (Chicago).

Returning galleries include Acquavella Galleries, Tanya Bonakdar Gallery, Gavin Brown's Enterprise, Gagosian, Marian Goodman Gallery, Hauser & Wirth, Matthew Marks Gallery, Skarstedt, Sprüth Magers and David Zwirner; alongside exciting young galleries such as Bridget Donahue, David Lewis and Simone Subal (all New York) with newcomers from across North America including Essex Street, JTT (both New York) Château Shatto (Los Angeles) and Regards (Chicago).

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With over 350 member societies, run by local volunteers, the 92,000 members in the UK and mainland Europe support the fine and decorative arts through a variety of educational projects, gallery and museum visits, lectures and volunteering opportunities such as Church Recording, Heritage Volunteering, Young Arts and Church Trails.

An excellent mid-range option for those traveling with young kids, Scandic St. Olavs Plass puts your family within easy walking distance of major attractions such as Palace Park and the National Gallery.

The list is obviously far from comprehensive, and I consciously avoided blue chip galleries such as David Zwirner and Matthew Marks in favor of younger spaces.

It's been such a great experience working with these young women who are running such a smart curatorial program as well as working full - time in other galleries; in Bridget Donahue's case in her own gallery.

Such a vast footprint marks the emergence of Kordansky as a real player on the L.A. scene — his was one of the youngest galleries invited to the main fair at Art Basel this June — and his arrival may well establish a burgeoning arts district that already includes Kayne Griffin Corcoran.

Heejin No, Director of Skipwiths said, «As a young gallery, we're delighted to have had the opportunity to exhibit with START in such a beautiful environment as the Saatchi Ggallery, we're delighted to have had the opportunity to exhibit with START in such a beautiful environment as the Saatchi GalleryGallery.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

The gallery's roster includes established and highly influential artists, such as Paul Chan, Günther Förg, Guyton \ Walker, Rachel Harrison, Richard Hawkins, Jacqueline Humphries, Michael Krebber, Allen Ruppersberg, and Gedi Sibony, as well as a younger generation, including Trisha Baga, Bernadette Corporation, Helen Marten, and Haegue Yang.

During what is now commonly referred to as «Frieze Week» — such is the power of the art fair behemoth that is Frieze — the National Portrait Gallery have unveiled «Picasso Portraits», and proven that the Modern Masters beat the young pretenders to the art world throne hands down.

Tracey Emin is a notable and prolific British artist recognized for her place in the Young British Artists movement of the 1990s, and in particular for her provocative and controversial works such as Everyone I have ever slept with 1963 - 1995 and My Bed, which was on display at London's Tate Modern gallery as part of her nomination for the Turner Prize in 1999.

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

Over a quarter of exhibitors is French, including widely reputed specialists of modern art such as Galerie 1900 - 2000, Applicat - Prazan, and Le Minotaure, authoritative contemporary galleries such as Air de Paris, Art: Concept, and Thaddaeus Ropac, and galleries renowned for their capacity to detect young talents such as Galerie Allen, Balice Hertling, or Marcelle Alix, to name only a few.

Additionally, Natkin was featured in a number of important group shows, such as Young America (Whitney Museum of American Art, New York, NY) in 1960, New Talent (Institute of Contemporary Art, Boston, MA) and Carnegie Biennial (Carnegie Institute of Modern Art, Pittsburgh, PA) in 1961, Lyricism in Abstract Art (Washington Gallery of Modern Art, Washington D.C. and the Institute of Contemporary Art, Boston, MA), and Ways and Means (Houston Museum of Fine Arts, Houston, TX) in 1962.

There were a few arresting installations, nonetheless, such as Danh Vo's floating gilded cardboard segments that comment on moral transgressions, for which the Marian Goodman gallery eliminated its walls; Liu Wei's architectural Library at Lehmann Maupin that collapses a metropolis to outrageous effect and, among the young artists who showed gripping promise, Aki Sasamoto's Luncheon Field, which livened the Focus section with a table perforated to suspend forks that bobbed in the breeze of a fan, and Eddie Peake's rumination on past and future that filled the Lorcan O'Neill booth with a tinted Plexiglas and steel installation involving a bear, a robot and lost Atlantis viewed through a meandering cut - out.

Under the watchful eye of her two gallery - dwelling whippets, the enterprising young dealer has positioned Gianni Manhattan as a showcase for emerging talents such as Barbara Kapusta, Nils Alix - Tabeling, and now Simon Mathers.

After all, with Cecily Brown and her latest paintings, a trendy «young British artist,» living in New York, in such a posh gallery, almost aspires to abstraction.

Such temporary spaces allow younger galleries to get a foot in the door, and in recent years more and more young blood has been coming into London's Old Master market.

This exhibition also will look at younger artists such as video artists Michael Joo and Regina José Galindo, who carry on many of these practices and themes decades later, reconfiguring the work of their predecessors into performative displays of ritual through film and gallery installations.

The magazine covers both well known, institutional realities — such as museum exhibitions, established galleries and foundations — and alternative, young spaces.

Several exhibitions I've curated in the past have had quite poetic, allusive names, such as «How to Endure» at the 2007 Athens Biennale, «Handsome Young Doctor» at Cubitt Gallery, and «Deceitful Moon» at the Hayward Project Space.

At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one - person exhibition, at the Konrad Fischer Gallery in Dusseldorf.

¬ † Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Mus √ © e d'art contemporain de Montr √ © al; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

When asked why he didn't choose to open a gallery on the Lower East Side (where Ursuta's previous gallery, Ramiken Crucible, was located), Lindemann says, «It's a little too young for our programme, which includes several historic shows,» such as the gallery's homage to William N. Copley, the Los Angeles - based dealer and painter who died in 1996.

Guston not only effected key artists from a generation of (predominantly German) expressionist painters in the 1990s, but continues to have far reaching influence today, including younger artists in the gallery's own stable, such as Jessica Jackson Hutchins, Volker Hüller and Eddie Martinez.

A lot of energy was being expended around this time, and the art world soon witnessed a flourishing of young gallery spaces such as Independent Art Space in Chelsea and Robert Prime in Warren Street.

The gallery then added American artists such as Frank Stella, Ellsworth Kelly, Sol LeWitt, Robert Rauschenberg, Roy Lichtenstein, and Tom Wesselmann and representatives of a younger generation, including Keith Haring, Michael Basquiat, Kenny Scharf, Robert Longo, Bill Beckley and Tony Oursler to its programme.

In addition, the gallery presents a more future - focused selection of artists including young Italian and Belgian visual artists such as Liliana Moro, Eva Marisaldi, Mario Airò, Grazia Toderi and Sylvie Eyberg, Sophie Nys, Catharina Van Eetvelde and Koen van den Broek.

The Young British Artists revitalised (and in some cases spawned) a whole new generation of contemporary commercial galleries such as Karsten Schubert, Sadie Coles, Victoria Miro, Maureen Paley's Interim Art, and Jay Jopling's White Cube.

«There's such excitement in the district, especially among younger people and this gallery may inspire a new generation, not just of painters and sculptors but architects.»

Linwood's work has been exhibited in venues such as the Alternative Museum and Artists Space in New York City; the Center for Photography in Woodstock, New York; Randolph Street Gallery in Chicago, Illinois; the Institute of Contemporary Art in Boston, Massachusetts; Diverse Works in Houston, Texas; Intersection for the Arts, SF Cameraworks, the de Young Museum, and Yerba Buena Center for the Arts in San Francisco, the John Thomas Gallery and Highways Exhibition Space in Santa Monica, and the Palm Springs Art Museum, in California.

Apart from the galleries» presentations there are artist projects by The Bruce High Quality Foundation, Rirkrit Tiravanija, Aaron Young, and others, and public programs such as a book signing with Ida Applebroog, performances and discussions.

Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

His work is in the permanent collections of many institutions worldwide such as The Saatchi Collection, London, England; the San Francisco Museum of Modern Art; the Solomon R. Guggenheim Museum, New York; the Tel Aviv Museum of Art, Israel; the Art Gallery of New South Wales, Sydney, Australia; the Philadelphia Museum of Art; the de Young Museum, San Francisco; and the Centre Georges Pompidou, Paris, France.

He was also involved in the establishment of art venues such as The Studio Museum and the Cinque Gallery that supported young minority artists.

The gallery has also hosted exhibitions with artists of older generations such as Michelangelo Pistoletto and Gianfranco Pardi and represents the works of British conceptual artist Stephen Willats, American feminist artist Mary Beth Edelson and Syrian born painter and sculptor Simone Fattal who have been showing since the 1960's and have greatly influenced many of the younger generation of artists.

The gallery shows a plethora of artists from around the globe such as Marina Abramović, Ai Weiwei, Liu Xiaodong, Tatsuo Miyajima and Santiago Sierra, but it also represents many younger ones of this stature, including Allora & Calzadilla, Nathalie Djurberg and Hans Berg, and Ryan Gander.

1 Georges Seurat (National Gallery, London): The story of the complex evolution of the quotidian but disturbing Bathers at Asnières was told through drawings and oil sketches on small panels in such a way that you felt you were following the young Seurat's ambitious progress, moment by moment, draft by draft.

In a single devoted gallery, the de Young tries to pin thematic tails on recently acquired contemporary works by artists such as Bruce Nauman, Mildred Howard, Masami Teraoka and Doris Salcedo.

In addition to established artists whom the gallery has represented, such as Fiona Banner, Uta Barth, Charline von Heyl, Jack Goldstein, Ann Veronica Janssens, Philippe Parreno, Jessica Stockholder, Pae White, and Paul Winstanely, 1301PE also works with young artists including Jan Albers, Fiona Connor, Kirsten Everberg, Jorge Mendez Blake, Blake Rayne, SUPERFLEX, Kerry Tribe, and Ana Prvacki.

The gallery's program features young international artists interspersed between historically researched exhibitions, such as Desire of the Other, a critique of contemporary collecting and our recent Dash Snow exhibition, for example.

As a young artist in the 80s, Salzman showed his work in artist - run galleries and in downtown nightclubs in the East Village, such as Mo David Gallery and the infamous Pyramid Club.

The gallery represents a diverse, international group of artists working in all mediums including pioneering figures who emerged in the mid-20th Century such as Robert Watts, Agnes Denes, Michelle Stuart and Kunié Sugiura, and established younger artists such as Amy Cutler, Laurel Nakadate, Malerie Marder, Dean Byington and Ian Davis.

The gallery's programme features young international artists interspersed with historically researched exhibitions, such as Desire of the Other, a critique of contemporary collecting, and Dash Snow Hello, this is Dash, the artist's first solo exhibition in London.

Many big names such as James Cohan, Sikkema Jenkins and Thaddaeus Ropac are new, while a multitude of younger European and Asian galleries, both new and returning, will be showing fresh talent coming to light.