Sentences with phrase «young painter today»

Recently restored to a wonderful condition, it could easily appear in the show of a up and coming young painter today.

And yet, perhaps surprisingly, he adds, «I don't think that if I were a young painter today I would win it.

For young painters today, Abstract Expressionism is ancient history; a few rooms in MoMA's permanent collection galleries, a handful of images from the pages of Gardner or Janson, all set before a backdrop of a now mythical Downtown Manhattan of $ 200 - dollar - a-month lofts.

He has really transcended any art movement and continues to really be influential for young painters today.

When I was in art school in the late»70s, I saw it begin, but the young painters today, unlike my generation of painters, find it almost impossible to locate truly inspiring contemporary artists for whom painting's meaning can be derived from what a painting looks like.

One is its capacity for what might be called beautiful sarcasm, a sly self - parody while still looking good that is cultivated by many young painters today.»

Not exact matches

Jack Whitten is a painter — a rarity among young artists being exhibited today.

ANDREW SALGADO (b. 1982, Canada) is one of the most promising young figurative painters working today.

Most important, it will serve as a reminder that many of the brightest and most gifted young painters working today have chosen this tradition, among all available options, to help define the future of visual arts.»

For Puder, his work is central to many of the leading Leipzig painters such as Matthias Weischer and today he is especially important to younger artists in Eastern and Central Europe.

In a disconcerting way, he remains relevant by being, like so many younger artists today, not necessarily a painter per se, but an artist who uses painting coincidentally, as one of many other potential mediums available at any time; a phenomenon which in itself would merit its own investigation.

In a 1958 essay on the legacy of Pollock, Allan Kaprow (well represented here) makes clear the need to move beyond rigid artistic categories: «Young artists of today need no longer say, «I am a painter» or «a poet» or «a dancer.»

During the 1980s and early 1990s he was one of the most influential young painters engaged in a representational idiom and is recognized for his role in revitalizing representational art and for being one of the great artists working today.

Even today, if you wanted to be a young figurative painter you may be discouraged because there's some other new movement that seems more compelling.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

Guest, Barbara, «Reviews and Previews», Art News (New York), April, volume 53, no. 2, p. 54 Devree, Howard, «About Art and Artists: Moderate Abstractions Make a Lively Exhibition at the City Center Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & 70 - 73

Guston not only effected key artists from a generation of (predominantly German) expressionist painters in the 1990s, but continues to have far reaching influence today, including younger artists in the gallery's own stable, such as Jessica Jackson Hutchins, Volker Hüller and Eddie Martinez.

Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists.

Sean Kelly announces From Pre-History to Post-Everything, a group exhibition that presents ancient objects alongside contemporary paintings, providing the opportunity for a visual dialogue between the forms found in ancient cultures and the forms being investigated by today's youngest generation of painters working with abstraction.

Is it any wonder, then, that many younger American painters and sculptors have long abandoned the bygone absolutisms of Minimalism on one hand and Hyper - Realism on the other and are making works today that hover in a hard to define space that might be called Abstract Figuration or Figurative Abstraction?»

The show opens with a row of portraits from 1980 of Hoffmann, looking radiant and determined, by Andy Warhol, and then jumps back to the beginning, when she was picking up the work of the Belgian avant - garde, whose participants are seen infrequently stateside, like Floris Jespers and Frits van den Berghe, whose punchily colored works here from the 1920s — respectively, a dandyish scene in a cafe with burning red walls and a terrifyingly gigantic floating above a rainbow — look curiously on point with what so many of today's mischievous young figurative painters are up to today.

A very distinct and continually evolving case in point is that of Jenny Morgan, a young contemporary painter who since emerging through Denver Colorado's gallery circuit in 2002 has developed her own particular attachment to the self to build a formidable career with a unique trajectory unlike any other in art today.

1972 Paintings on Paper, Aldrich Museum of Contemporary Art, Ridgefield, USA Painting and Sculpture Today, Indianapolis Museum of Art, USA The Topography of Nature: The Microcosm and Macrocosm, Institute of Contemporary Art, University of PA, Philadelphia, USA 40th Annual Exhibition, Whitney Museum of American Art, New York, USA Paintings on Paper, Bard College, Annandale — on — Hudson, New York, USA Alternative Landscapes, Contemporary Arts Center, Cincinnati, USA Seven Young Artists: Works on Paper, Corcoran Gallery of Art, Washington, USA Three Painters, Fine Arts Center, University of Rhode Island, Kingston, USA Landscapes, Museum of Modern Art, Art Lending Service, New York, USA

She's gone from California surfer - girl ceramicist in the 1970s to New York abstract painter — with nods to both Pop and Punk — a decade later, to eminence gris, School of Visual Arts professor and a potent influence on a younger generation of artists today.

This approach is at the core of Lüpertz's creative process, one that continues to influence and inspire a younger generation of German painters today.

【 Concept 】 As a critic Barry Schwabsky observed after Caivano's solo exhibition in 2011: «with exhibition Voice, Caivano has moved from being one of London's most promising younger painters and established herself as one of the best painters, of any age, anywhere today» (Art Forum, May 2011, p297), she continues presenting internationally and is currently participating in The Encyclopedic Palace, 55th International Art Exhibition at the Venice Biennale.

Barry Schwabsky observed of her solo exhibition in London in 2011: «with the exhibition «Voice», Caivano has moved from being one of London's most promising younger painters and established herself as one of the best painters, of any age, anywhere today,» (Art Forum, May 2011, p. 297).

There is, in van Velde's work, a quality of indecision and incompleteness, of being improvised rather than planned, of being left in a transitional stage, in other words, of Provisionalism — as defined by Raphaël Rubinstein in his now famed article from 2009 — which makes it relevant to today's state of affairs in abstract painting as well as to the young painters loosely grouped under the name of New Casualists.

14 Feb 2000 Further Displays from the Outsider Art Collection at the Irish Museum of Modern Art An exhibition showcasing further displays from the Musgrave Kinley Outsider Art Collection has just gone on show at the Irish Museum of Modern Art. 25 Jan 2000 Irish Museum of Modern Art - Programme for 2000 The inauguration of a series of new climate - controlled galleries with exhibitions of works by Picasso and Francis Bacon, the largest presentation in Europe to date of the work of the distinguished American painter Leon Golub, an exhibition from a major donation of graphics and prints from North, South and Central America and the development of further international links by the Museum's Education and Community Department are all part of an exciting and wide - ranging programme for 2000 announced today (Tuesday 25 January) by the Irish Museum of Modern Art. 24 Jun 1999 Exhibition selected by Young Curators at the Irish Museum of Modern Art An exhibition of some 22 artworks, selected by eight secondary school students from Waterford, Meath and Dublin, goes on show at the Irish Museum of Modern Art on Tuesday 13 July 1999.

Parafin presents the British painter Justin Mortimer, widely regarded as one of the leading figurative painters working today, and an emblematic figure for a younger generation of artists.

Photograph of a painter in her studio, Young Painter in Greenwich Village, by Berenice Abbott from Greenwich Village Today and Yesterday by Abbott and Henry W. Lainer published ipainter in her studio, Young Painter in Greenwich Village, by Berenice Abbott from Greenwich Village Today and Yesterday by Abbott and Henry W. Lainer published iPainter in Greenwich Village, by Berenice Abbott from Greenwich Village Today and Yesterday by Abbott and Henry W. Lainer published in 1949.

This is the case in the works of many young abstract painters today.

PROCESSED SPACE (9th October — 2nd November) is the inaugural exhibition for Lacey Contemporary bringing together the works of three outstanding young British painters working today — Ross M Brown, Geoff Diego Litherland and Merlin Ramos.

Oehlen's works are influential to a generation of painters working today, and this exhibition is accompanied by a public programme that will draw out some of the strands running through Oehlen's work and their significance for painters from a younger generation.

I like the idea of recontextualizing work by the old guys and giving some weight to the work of younger artists, but maybe the mix should be more contemporary, sloppier, and sexier — especially with all the excellent female painters exploring abstraction today.

Featuring works by 11 young carioca painters, including PIPA Prize nominees Gustavo Speridião and Daniel Lannes, the exhibition displays a panorama of the possibilities of painting today.

Armed with an in - depth knowledge of art history and deft technical skills, Rappaport is simply one of the most exciting young painters out there today.

These remarks were made in the course of a Third Program BBC broadcast, The Younger American Painters of Today, during the winter of 1956, on the occasion of the Museum of Modern Art's London exhibition, Modern Art in America.

Today he's one of the most highly acclaimed young painters in the U.K. Making his New York gallery debut with five large, figurative canvases, the innovative Brit reveals his talent for art - historical fusions and gestural mark making, which have made him a darling of the London art press.

LG: What advice might you give a young painter in terms of surviving as a painter in today's art world?

Admired by many young artists today, the endlessly inventive German painter Albert Oehlen combines formal diversity with superb technical skills.

Oehlen's works are influential to a generation of painters working today, and this exhibition will be accompanied by a public programme that will draw out some of the strands running through Oehlen's work and their significance for painters from a younger generation.