This assembly uses film clips to explore the reasons for a variety of cultural celebrations, and how
young people in films deal with celebrations linked to religious and cultural rites of passage.
Combining the wisdom of
the young people in the film with world - class thought leaders in positive psychology, neuroscience and mindfulness, the book is a synthesis of best practices in all these areas.
Sometimes the movie producer, Lynne Cherry, and some of
the young people in the films can attend your screenings.
Not exact matches
If you look at some TV
film of some of the events, you'll see
young people talking together, or dozing off, or trying to find shade from the sun, or drinking water, or walking off
in search of some necessity.
Founded
in 1998 by the creators of the Academy Award - winning short
film TREVOR, The Trevor Project is the leading national organization providing crisis intervention and suicide prevention services to LGBTQ
young people (ages 13 - 24).
It's why Steve
Young said he didn't work hard enough
in the
film room, why Fran Tarkenton called him a «pontificator,» why DeSean Jackson tweeted that you can't do great things «with basic
people,» and why Gruden benched him.
A day home schooler's, retirees and
young people in love go to
films.
Footage of educators, policy makers, and
young people at the center of our
film is complemented by a rich spectrum of individuals who are important to school lunch policy and administration but who are rarely included
in popular discourse on the subject.
LisaRaye McCoy, actress, makes her directorial debut with the
film «Skinned» which tells the story of Jolie, a
young girl that is so uncomfortable
in her own skin and the stigma of what society places on dark skinned
persons that she uses skin lightening creams to alter her complexion.
Top British
film star Keira Knightley has urged
young people to use their vote
in the EU referendum...
Top British
film star Keira Knightley has urged
young people to use their vote
in the EU referendum —
in order to «stop others fucking with your future».
Even when getting
in a fix about
young people who «make
films»
in Soho - the highlight of the conference speech - he emerges with his popularity enhanced, not diminished.
Nigerian writer and filmmaker, Onyeka Nwelue, whose debut documentary
film, The House of Nwapa premiered
in the US at Harvard University recently, has kicked - off a new political party, urging
young people in Nigeria to join hands with him to dethrone President Muhammadu Buhari.
The videos will be collated into a short
film that will be presented to the leading political parties and used to campaign for better representation of
young people in politics.
De Blasio, for his part, touted his various achievements at the city level, including his new $ 500 million life sciences initiative, his universal prekindergarten initiative, new programs the city has created to help
young people get jobs
in the
film and TV industry, the city's rent freeze program and the fact that the city now gives residents who are being harassed by their landlords a lawyer for free if they can fight the case.
In particular, they and the young people involved noted the lack of disabled characters as protagonists in video games, compared to other media such as television and fil
In particular, they and the
young people involved noted the lack of disabled characters as protagonists
in video games, compared to other media such as television and fil
in video games, compared to other media such as television and
film.
The project resulted
in the production of Children's and
Young People's Manifestos, the staging of several stakeholder events, a six - minute film, Ten Tips for the Insurance Sector on how to better support flood - affected children and young people, and the development of a flood suitcase «toolkit» for use in schools and youth cen
Young People's Manifestos, the staging of several stakeholder events, a six - minute film, Ten Tips for the Insurance Sector on how to better support flood - affected children and young people, and the development of a flood suitcase «toolkit» for use in schools and youth ce
People's Manifestos, the staging of several stakeholder events, a six - minute
film, Ten Tips for the Insurance Sector on how to better support flood - affected children and
young people, and the development of a flood suitcase «toolkit» for use in schools and youth cen
young people, and the development of a flood suitcase «toolkit» for use in schools and youth ce
people, and the development of a flood suitcase «toolkit» for use
in schools and youth centres.
In the wake of the Florida school shooting, politicians have raised concern over the influence of violent video games and
films on
young people.
Ellen's family sends her to a recovery program
in a group home for
young people, and the remainder of the
film's trailer focuses on her recovery.
Based on the 2005 feature
film When Song Ah -
young started dating her ex-boyfriend
in 2008, she thought he was one of the kindest
people she'd ever met.
How good or bad the standards are, is up to you, but the
film tricks you into thinking that it's about internet addiction, an ailment that maybe even some of us suffer, but it's actually about online videogames, MMORPGs to be more specific, and that's what you should expect, a movie about Videogame Junkies,
young people throwing their life away just to stay a couple of hours more
in front of the screen.
More than that, despite the surplus of violence
in the pilot
film, it is refreshing to see a television drama about
young people in which the protagonists are doing something besides drugs,
in which their concerns run deeper than clothes and dates... It could get terrific.
The Beijing - raised, London - and Mount Holyoke — educated filmmaker shares with the American Honey helmer an interest
in young people at the margins, a knack for eliciting fantastic performances from amateur or under - the - radar actors, and what
film critic April Wolfe described to me as a «dream - like realism.»
As the grimmer YA - literary cousin to «The Hunger Games» that also pits
young people against each other
in mortal combat, this dystopian fable set
in a post-apocalyptic Chicago treads much of the same ground as the first
film with a modest amount of new information and characters.
Now an indie darling and cult classic, the
film certainly resonates because of its following of a family's turmoil, but more importantly the role of the deadened senses of the
young, and how a
person in a quagmire really needs to grab at life for the good.
Christopher Nolan's WWII drama has been on
people's radar for a while now, and the
film will draw
in younger fans with its casting of Harry Styles.
But while director Oliver Hirschbiegel («DasExperiment») very effectively takes youdeep inside Nazi Germany's crumbling heart and brings many infamous momentsacutely to life, his
film doesn't offer much
in the way of new insight.The script is more of a textbook play - by - play than an examination of impulsesand psyches, and while the Hirschbiegel and his cast add those dimensionsthrough their fine work, it seems the only way he could invest the audiencein these events was by seeking out a sympathetic minor character — inthe
person of Hitler's
young secretary, Traudl Junge (Alexandra Maria Lara)-- and beef up her significance.
In 1992, the USC film school alumnus became both the youngest person and the first African - American ever to land an Academy Award nomination in the Best Director category for Boyz N the Hoo
In 1992, the USC
film school alumnus became both the
youngest person and the first African - American ever to land an Academy Award nomination
in the Best Director category for Boyz N the Hoo
in the Best Director category for Boyz N the Hood.
I think that a lot of
films that have
young people in them don't often explore that factor for various reasons.
Hoot isn't really trying to recapture a sense of nostalgia for these sorts of vacuous, sometimes - preachy little
films, but it does appear to be made by
people that haven't really matured past that era
in terms of what they think of when they conceive of movies aimed at
young adults.
As a window into the auteur's late - career preoccupation with adolescent angst, «Bertolucci Makes The Dreamers» is illuminating, bookended as it is by telling quotes («When I'm with these kids, I feel the same age» and «Maybe I didn't talk enough about
young people when I was
young») that make one wish Bertolucci would do a
film about the vanishing act of youth rather than these pitiful attempts to trap it
in a jar.
The political aspect of the
film, with its
people marching the streets for justice and a lack of understanding from local law enforcement, is reminiscent of another
film involving a plotline where a
young boy is ostensibly stolen
in a carjacking, Freedomland.
It's incidental to all of the above that the characters
in Hav Plenty are black; if memory serves, the first white
person to appear
in the
film is the
young man who introduces Plenty to the racially mixed audience after the screening
in the final sequence.
Filmed almost entirely
in first
person, Maniac follows a deranged
young man, Frank (Elijah Wood, Sin City, seen
in mirror shots and
in photographs), who hunts down beautiful women and takes their scalp back to his mannequin studio
in a horrifically violent ritual.
Paul Thomas Anderson for teaching me that it's ALL about the script and if you have the right actors directors don't have to do anything on set but be a fan, Lumet for his
films and his book, a
young directors» must read, Coppola for his courage
in filmmaking, Steven Soderberg for refusing to ever be put
in a box and pushing the form as far as he can, Kathryn Bigelow for giving masterclasses
in action, James Cameron for Terminator 2 and prove big budget cinema can still be perfect cinema, Sean Penn for bringing his acting chops to directing, David Mamet for his scripts and his dialogue, Nolan for having more heart than most
people seem to give him credit for (Memento, Rises, Inception and Interstellar all made me cry.)
Funny Games U.S. is Austrian director Michael Haneke's shot - for - shot American remake of his 1996
film of the same title,
in which a middle - class family are terrorised
in their holiday home by two effete, creepy
young men (played by Michael Pitt and Brady Corbet), who occasionally break the fourth wall for Brechtian asides intended to point out that we're watching
people suffering for our entertainment.
The
film follows
young Nathan (Arnaud Valois) and Sean (the forceful, extraordinary Nahuel Pérez Biscayart) as they fight for recognition from the French government and the pharmaceutical industry, all while falling
in love, as
young people are wont to do.
«
People forget, you see, especially the
young,» Altmann notes early on
in the
film.
The most honest moment, however, is saved for «The Anonymous Art of the Character Actor,» which focuses on McMillan,
Young, and Page, who urges
people not to go to the bathroom
in the middle of the
film lest they miss her.
Easily the most sophisticated and thoughtful franchise
film of 2013, Lawrence's adaptation of the second novel
in Suzanne Collins»
young adult series is all - things - to - all -
people entertainment, a follow - up that intensifies the first
film's thrills while simultaneously developing its characters and, even more crucially, expanding its themes.
The
film's first act is often very funny as it lampoons the (admittedly low - hanging fruit of) know - it - all, shame - it - all
young people, mostly through details
in their behavior.
For all those worried about it being too juvenile and not up to the dramatic standard of Wall - E or Up... you are failing to see that the trailers are meant to sell the
film to the biggest possible audience and the first
people they need to rope
in are the
younger crowd.
Even so, a
young person seriously interested
in film has little sense, these days, that he is part of a community.
After an unsuccessful attempt with a «Cat
People» remake at Warner Bros, Bill Condon and producer Michael Laughlin decided to collaborate on Condon's early version of «Dead Kids,» and with assistance from Hemdale and tax incentives from the New Zealand government, began production
in northern New Zealand, with an eclectic mix of American actors: Dan Shor had recently appeared
in John Huston's «Wise Blood»; Dey
Young had just debuted
in «Rock and Roll High School»; Michael Murphy was a Woody Allen alumnus; and Mark McClure had achieved a kind of immortality as Jimmy Olson
in the «Superman»
films.
Many
young people may be unfamiliar with or uncaring toward some of the great dancing
films (like Dirty Dancing, Flashdance, and Strictly Ballroom) and revered classics (like An American
in Paris, West Side Story and 42nd Street) that have come before.
Some speculated, since it's a trendy thing to do on several other
young people's franchises, and the fact that Lawrence himself was a replacement for Gary Ross (who directed «Hunger Games»), that Lionsgate might continue to shake things up and bring
in a new director for each
film in the highly - successful movie series.
At the
film's recent press day, Costner talked about the appeal of playing Coach White, Niki Caro's directing style, the bond that developed between all the actors during
filming, the pivotal role a coach can play
in a
young person's life, the Jim White - type coaches who influenced Costner's life
in a positive way, what he learned about Latino culture growing up
in Visalia, why he waits for projects to come along that he can really respond to irrespective of genre, the biggest cultural gap he experienced on this
film, and how sports movies allow us to address other issues within the wider society.
In the same vein as Juno and Young Adult, Tully explores topics that some people find uncomfortable, and genuinely depicts aspects of life that have been sensationalized in film and televisio
In the same vein as Juno and
Young Adult, Tully explores topics that some
people find uncomfortable, and genuinely depicts aspects of life that have been sensationalized
in film and televisio
in film and television.
Night Moves, the latest
film by Kelly Reichardt («Meek's Cutoff»), is a personal story about three
young people attempting to impact a society
in which they no longer feel a part.
Davies»
films have always supplied strong female roles (think Gena Rowlands
in «The Neon Bible,» Gillian Anderson
in «The House of Mirth» and Rachel Weisz
in «The Deep Blue Sea») and this story, which followed an ordinary farm girl
in the 1910s with a dream of being a teacher, who begins to assert her independence
in the face of cruelties dealt by
people ranging from her abusive father (Peter Mullan) to the initially sweet
young man (Kevin Guthrie) who falls
in love with her marries her, only to come back from the horrors of World War I irrevocably changed.