The ground floor has been intricately reconfigured with arched passageways and small room in order to show the temporary exhibition — Africa is No island — bringing together 40
young photographers whose work conveys aspects of contemporary African lives and more than challenge the dark continent stereotypes.
Not exact matches
Judi Dench's cynical fashion critic and Steve Buscemi's seen - it - all war
photographer were highlights for me, and I was also impressed by some of the
younger actors on show, notably the Shakespeare - spouting David Oyelowo and Lily Cole,
whose extraordinary features were made for close - ups.
Young Aston Parrott, our new staff
photographer whose quiff it destroyed, possibly permanently — besotted.
Filling in the knowledge gap for
younger enthusiasts and rekindling recollections for those
whose memories of the era may be fading is a recently published book by Dave Friedman, at the time a
young photographer hired by Carroll Shelby to document what was happening.
The volume focuses on sixteen major works by the
Young British Artists, a dynamic association of painters, sculptors, video artists, and
photographers whose irreverent and genre - bending art first took London by storm in the late 1980s.
There is also an opportunity to preview a selection of artists representing countries in the Venice Biennale later in May, from Carol Bove, representing Switzerland,
whose work will be on view alongside the
photographer William Eggleston at David Zwirner's (New York, main) stand; the seminal artist Geta Bratescu, representing Romania, showing alongside experimental conceptual artist Lia Perjovschi with Ivan Gallery (Bucharest, Focus); and the sound and media artist Samson
Young, representing Hong Kong, showing with Galerie Gisela Capitain (Cologne).
Known primarily for her photo - and video - based work, Shirreff is part of a generation of
young artists
whose reflections on photography have revitalized the medium, but who eschew thinking of themselves as
photographers in the classical sense.
Venice Biennale Artists Frieze New York will also be an opportunity to preview many artists representing countries in the Venice Biennale, including: Carol Bove, representing Switzerland,
whose work will be on view alongside the
photographer William Eggleston at David Zwirner's (New York, main) stand; the seminal artist Geta Bratescu, representing Romania, showing alongside experimental conceptual artist Lia Perjovschi with Ivan Gallery (Bucharest, Focus); and the sound and media artist Samson
Young, representing Hong Kong, showing new work with Galerie Gisela Capitain (Cologne, main).
During the late 1960s
photographer Daido Moriyama (who was, incidentally, the first Japanese
photographer to be awarded the International Center of Photography's Lifetime Achievement Award) was associated with Japan's cult photography magazine Provoke,
whose are - bure - boke aesthetic (grainy / rough) remains a significant influence on
young photographers today.
The Dutch
photographer Rineke Dijkstra,
whose images have appeared in W, makes naturalistic portraits and videos of those
whose lives are in transition:
young adults, soldiers, new mothers.
Known primarily for her photo - and video - based work, Shirreff is part of a generation of
young artists
whose reflections on photography have revitalized the medium, but who refuse act as
photographers in the classical sense.
Taylor - Wood, Sam (b. 1967) Avant - garde filmmaker, video artist and
photographer, member of
Young British Artists movement,
whose works explore the difference between perceived appearance and actual being.
Dubbed «bright
young people» or «bright young things» by the media that sensationalized their antics and lavish lifestyle, and later in books such as Bright Young People: The Lost Generation of London's Jazz Age by D.J. Taylor, the high society group was extensively documented by photographer Cecil Beaton, whose images were a primary influence of Bas» w
young people» or «bright
young things» by the media that sensationalized their antics and lavish lifestyle, and later in books such as Bright Young People: The Lost Generation of London's Jazz Age by D.J. Taylor, the high society group was extensively documented by photographer Cecil Beaton, whose images were a primary influence of Bas» w
young things» by the media that sensationalized their antics and lavish lifestyle, and later in books such as Bright
Young People: The Lost Generation of London's Jazz Age by D.J. Taylor, the high society group was extensively documented by photographer Cecil Beaton, whose images were a primary influence of Bas» w
Young People: The Lost Generation of London's Jazz Age by D.J. Taylor, the high society group was extensively documented by
photographer Cecil Beaton,
whose images were a primary influence of Bas» works.
30, De
Young Museum) A 30 - year survey of work by a
photographer whose work has rare conceptual as well as visual elegance.