Sentences with phrase «young sculptors in»

Depicting characters like the eponymous young sculptor in Roderick Hudson and spaces like the crowded galleries in The Wings of the Dove, Henry James's iconic novels reflect the significance of the visual culture of his society.

And Nari Ward, the young sculptor in Harlem, was still working on «Peace Keeper,» a huge installation consisting of a hearse, covered with grease and feathers, set inside an iron cage and topped by a cloudlike mass of mufflers tied with industrial burlap.

Geoffrey Clarke and William Turnbull were among the youngest sculptors in the exhibition, whilst Graham Sutherland was of an older generation.

Frink came to maturity as a young sculptor in the mid-Fifties, encouraged from the very outset of her professional career by the attentive if not always respectful climate of support established for British sculpture internationally by Henry Moore.

Not exact matches

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Ostensibly visiting so she can pose for sculptor Ian, her real purpose (in this dirty - old - man reverie of a flick) is to stir up the collective testosterone — old and young.

I suspect that there are, and that generations of teachers — from master sculptors to piano teachers to sports coaches to parents of very young children — have used these principles naturally in their everyday teaching.

Meet Wyna Liu, a young mixed media sculptor and fabricator I met at the Museum of Arts and Design in New York City.

In 1550, Michelangelo's younger friend and colleague Giorgio Vasari published the first edition of his Lives of the Most Excellent Painters, Sculptors, and Architects (usually shortened to Lives of the Artists), a magisterial collective biography of the greatest Italian masters of the last three centuries.

In addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disasteIn addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disastein the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disastein need of emergency support after a disaster.

RD: And then, then when I started getting into trouble with painting — I stay with it in spite of the trouble — but as a young sculptor now (chuckles) when I get into trouble, «No, no.

In addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disasteIn addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disastein the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disastein need of emergency support after a disaster.

He is one of the most important young sculptors working today, whose work has been included in the last two Whitney Biennials; the Lyon Biennale in 1997; and Sunshine & Noir exhibitions at the Louisiana Museum, Humblebaek; Castello di Rivoli, Italy; and the Armand Hammer Museum, Los Angeles.

This will be after taking in Robins sculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend the genre.!

So do young art stars like Nate Lowman, who did ashow in January with the 73 - year - old sculptor Keith Sonnier at Eneas Capalbo's tiny Manhattan gallery, the National Exemplar Gallery.

The young Israeli - American sculptor talks about her Orthodox background, her beginnings in art, inte...

He took art lessons when young, compared writing well to artistry, created an aspiring sculptor in Roderick Hudson, and lived and worked among artists.

In addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disasteIn addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disastein the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disastein need of emergency support after a disaster.

Kenneth Armitage was one of eight young British sculptors, including Reg Butler, Lynn Chadwick, Robert Adams and Geoffrey Clarke whose work, when first shown at the Venice Biennale in 1952, was dubbed by Herbert Read «the geometry of fear».

In addition to this initiative, other programs undertaken by the Foundation include the Painters & Sculptors Grant Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disasteIn addition to this initiative, other programs undertaken by the Foundation include the Painters & Sculptors Grant Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disastein the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disastein need of emergency support after a disaster.

While critics frequently compare Dona Nelson to far more celebrated postwar painters, «Painters Sculpting / Sculptors Painting» instead placed her work in conversation with that of a diverse group of younger artists.

European - born, Whitney - native curators Chrissie Iles and Philippe Berge organized the show and, in one section, traced the influence of Europeans like Martin Kippenberger and Thomas Schütte on a young American sculptors.

He questioned assumptions about form, material and subject matter in sculpture, and his work inspired a whole younger generation of British sculptors including Phillip King, Tony Cragg, Barry Flanagan, Richard Long and Gilbert & George.

In 1978 Peter HIDE, a young British sculptor, arrived to teach at the University of Alberta.

The first three ground - floor rooms trace Rodin's beginnings as a sculptor, from an early portrait of his pinch - faced father Jean - Baptiste Rodin (1860)-- the first sculpture he kept — to a terracotta bust of a Young Girl with Flowers on her Hat (1870), a vision as pretty as a Fragonard from his period in Belgium as an ornamental sculptor.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

The volume focuses on sixteen major works by the Young British Artists, a dynamic association of painters, sculptors, video artists, and photographers whose irreverent and genre - bending art first took London by storm in the late 1980s.

In 1980 she was the youngest female sculptor to be elected an Associate of the Royal Academy and in 1989 she became a full Royal AcademiciaIn 1980 she was the youngest female sculptor to be elected an Associate of the Royal Academy and in 1989 she became a full Royal Academiciain 1989 she became a full Royal Academician.

Mark Wallinger, born in 1959 in London, is a British sculptor, who belongs to Young British Artists, best known for his Ecce Homo sculpture in Trafalgar Square, and State Britain installation at Tate Britain.

During 2014, the Jewish Museum in New York staged «Other Primary Structures», a two - part update of their 1966 exhibition «Primary Structures: Younger American and British Sculptors», which established what would become the canon of minimalist sculpture.

Victor A. was born in the year 1982, and from a young age was led to art by his father, a sculptor.

When the show «Primary Structures: Younger American and British Sculptors» opened at the Jewish Museum, New York, in 1966, it was a watershed event that launched careers and inaugurated minimalism as a major movement of modern art.

In a recent episode of his absorbing podcast, «Revisionist History,» cultural critic Malcolm Gladwell interrogates a statue modeled after a news photograph of a confrontation in 1963 between a police officer with a dog and a young black boy in Birmingham, Alabama.1 Made by African American sculptor Dr. Ronald McDowell, The Foot Soldier (1995) is far more horrific than the photo, Gladwell convincingly argues, because it bears an added imaginative potency: the narrative is told by a traditionally silenced voice, and for Gladwell this «is just what happens when the people on the bottom finally get the power to tell the story their way.&raquIn a recent episode of his absorbing podcast, «Revisionist History,» cultural critic Malcolm Gladwell interrogates a statue modeled after a news photograph of a confrontation in 1963 between a police officer with a dog and a young black boy in Birmingham, Alabama.1 Made by African American sculptor Dr. Ronald McDowell, The Foot Soldier (1995) is far more horrific than the photo, Gladwell convincingly argues, because it bears an added imaginative potency: the narrative is told by a traditionally silenced voice, and for Gladwell this «is just what happens when the people on the bottom finally get the power to tell the story their way.&raquin 1963 between a police officer with a dog and a young black boy in Birmingham, Alabama.1 Made by African American sculptor Dr. Ronald McDowell, The Foot Soldier (1995) is far more horrific than the photo, Gladwell convincingly argues, because it bears an added imaginative potency: the narrative is told by a traditionally silenced voice, and for Gladwell this «is just what happens when the people on the bottom finally get the power to tell the story their way.&raquin Birmingham, Alabama.1 Made by African American sculptor Dr. Ronald McDowell, The Foot Soldier (1995) is far more horrific than the photo, Gladwell convincingly argues, because it bears an added imaginative potency: the narrative is told by a traditionally silenced voice, and for Gladwell this «is just what happens when the people on the bottom finally get the power to tell the story their way.»

During a few years in the early 1980s, Wool worked as an assistant to the sculptor Joel Shapiro, and his early work clearly displays Shapiro's influence on the young artist.

Latham, sculptor, conceptual artist and intellectual provocateur died in 2006, but his reputation seems to be getting ever stronger as a younger generation of artists catch up with his ideas.

Ken Noland came to London in 1964, where, through Caro, he met John Hoyland as well as the exciting young sculptors David Annesley, Michael Bolus, Phillip King, Tim Scott, William Tucker and Isaac Witkin.

Gaining notoriety in Europe as a promising young sculptor, Pierme had many solo exhibitions and showed alongside creative giants, including Pierre Cardin.

«There's such excitement in the district, especially among younger people and this gallery may inspire a new generation, not just of painters and sculptors but architects.»

Originally staged in São Paulo earlier this year, as Nostalgia para o futuro, this newly - configured exhibition celebrates the multigenerational programme of the gallery, ranging from its representation of significant British sculptors from Anish Kapoor and Richard Wentworth to a younger generation that includes Angela de la Cruz, Ceal Floyer, Ryan Gander and Haroon Mirza.

Ben Young is a self - taught sculptor raised in Waihi Beach, New Zealand currently living...

At the end of the 1950s Caro, a young and promising sculptor, was visited in his studio by the American art critic Clement Greenberg, an extraordinarily powerful observer of art who had championed Jackson Pollock before anyone else.

Claire Barclay is a leading figure in a generation of young sculptors that have defined a re-engagement with materials and the process of making artwork.

Mapplethorpe, a native New Yorker lived and worked in New York City in the 1960's and 80's when the city's art scene was a dynamic collective of bright stars: young and established painters, sculptors, writers, dancers and photographers, all eager to establish their vision and proclaim their creative voices.

A scholarship from the National Arts Foundation allowed her to travel to Paris as one of the young Argentine artists featured in Pablo Curatella Manes and Thirty Argentines of the New Generation, a 1960 exhibit organized by the prominent sculptor and Paris Biennale judge.

In 1975, Robert Motherwell bought a chair from a young sculptor and designer named John E. Scofield.

Two years later, as well as featuring at the Venice Biennale, Turnbull's work was included in the Young Sculptors exhibition at the ICA.

Joseph Glasco was an American Abstract Expressionist painter and sculptor, best known for being one of the youngest artist represented in the permanent collection of The Museum of Modern Art...

She distinguished as a successful female figure in a stereotypical male sculptor's profession and her work inspired numerous young artists, primarily those involved in installation art and Feminist movements.

Is it any wonder, then, that many younger American painters and sculptors have long abandoned the bygone absolutisms of Minimalism on one hand and Hyper - Realism on the other and are making works today that hover in a hard to define space that might be called Abstract Figuration or Figurative Abstraction?»

On the other hand, though he did cause a lot of young sculptors to make abstract sculpture in welded steel, his example led others to find their own methods and idioms, even to reject formal sculpture altogether — for example, the young Barry Flanagan, Bruce McLean and the Gilbert and George partnership.