But Fort Gansevoort flips the script on millennia of male - dominated athletics with art works by thirty - one
women made between the mid-twentieth century and now, from Elizabeth Catlett's jubilant 1958 print of a barefoot girl jumping rope to a just - finished collage of a pigtailed
boxer by Deborah Roberts, a
young artist who borrows the Dadaist strategies of Hannah Höch for the era of Black Lives Matter.