Sentences with phrase «younger filmmakers on»

These superficial descriptors of perceived quality evince an all - too - common perspective from younger filmmakers on a form of hard - edged cinema that values narrative jolts above the meaningful creation of a cinematic world.

There was also a study done that had data to prove we did not hurt the young filmmakers on KICKSTARTER either.

Not exact matches

Well just this morning I was listen to CBC's Information Morning radio show (Young Halifax filmmaker gets big break with Einstein) according to the filmmaker on the topic of Einstein, in the interview he suggests, this perspective of» working backwards» is how Einstein thought... not bad «likeminded» company to find yourself in!

Social impact «residents» that have been placed in coworking centres by All Good Work include BASE, which develops co-living residences for young adults with learning differences; RiF, which supports refugees and asylum seekers arriving in New York City; and AdaptLab — a team that helps filmmakers with autism and learning differences to work on productions and gain valuable skills for sustainable employment.

«My suggestions to young filmmakers would be to embrace and trust your strange and unusual ideas, and to not be afraid of disagreeing with others and stepping on people's toes, because that will inevitably happen every day you have to make executive decisions.»

After winning «Favorite Villain» for her role in Maleficent on Saturday, the actress and filmmaker hugged the two of her kids she brought with her, Shiloh and Zahara, and then delivered the young audience a brief message of hope to anyone who's ever felt out of place.

Once again, the filmmakers too often fall back on easy pop - culture gags, many of no consequence to a younger audience.

Like «American Honey» (2016), from another key British filmmaker, Andrea Arnold, «Lean on Pete» uses its young protagonist as a kind of search engine, looking for answers to his own fate and to the inequities at the heart of our nation.

In episode 103, a pair of segments that focus on the role of cameramen include an animated short from award - winning cartoonist Chris Ware («Jimmy Corrigan») and a young filmmaker who sets out to document his alcoholic stepfather.

Filmmakers Jake Paltrow (Gwyneth's brother) and Noah Baumbach (WHILE WE»RE YOUNG) keep things simple with this expansive retrospective on the 75 - year - old auteur's career.

Synopsis: Filmmakers Jill Bauer and Ronna Gradus shed light on Florida's amateur porn industry through the experiences of five young women in the business.

But perhaps it was the six award - winning films in MIFF's 50th Shorts Awards that most fittingly captured the hybrid nature of MIFF 2011, a selection of old and new forms of filmmaking, from a myriad of countries on a range of issues: A Fine Young Man (Kevan Funk, 2010) from Canada, winner of Best Short Film; Best Australian Short, The Palace (Anthony Maras, 2011); Andrew Kavanagh, winner of the Emerging Australian Filmmaker Award for At the Formal (2010); Green Crayons, (Kazik Radwanski, 2010) from Canada, winner of Best Fiction Short Film; Nullabor (Alister Lockhart, Patrick Sarell, 2011) from Australia, the Best Animation Short Film; Leonids Story (Rainer Ludwigs, 2011) from Russia, the Best Documentary Short; and A History of Mutual Respect (Gabriel Abrantes, Daniel Schmidt, 2010) from Portugal, winner of Best Experimental Short Film.

The critic, after referring to «Nick Gomez's astounding, explosive debut,» went on: «Director Gomez, 29, who made the picture on a minuscule budget of $ 38,000, is the newest (and maybe the most gifted) member of a young generation of filmmakers — Spike Lee and Oliver Stone among them — who watched Martin Scorsese's «Mean Streets» and came away dying to make movies.

The National Board of Review, which owes much of its visibility to its place early on the awards calendar, consists not of film critics but of «knowledgeable film enthusiasts and professionals, academics, young filmmakers and students» in the New York area.

Just as exciting as the film itself is the fact that Wright, one of Britain's best young filmmakers and a man on a mission to take over Hollywood, will be joining us at the Curzon Soho in London for an exclusive post-film Q&A.

On some level, perhaps the filmmaker has exhausted his capacity for cruelty; if Greenberg took that quality of his work to its outer limit, While We're Young offers a more charitable, less caustic vision of growing older.

Perhaps that's the world these films operate in now, but when body image is already a difficult issue for many young teens, this sort of body worship smacks of blatant irresponsibility on the part of the filmmakers.

The filmmaker really broke out internationally with «Heavenly Creatures,» his poetic tale of magical realism that centered on the dangerous romance between two (ultimately) murderous teen girls played by a young Kate Winslet and a young Melanie Lynskey.

Most twentysomethings think they'll live forever, but the one - night stroll through Vienna of young Celine (Julie Delpy) and Jesse (Ethan Hawke) is marked by both the filmmaker's and the characters» constant awareness that their time, both here and on earth, is limited.

Hot on the heels of the Alice Lowes and Ben Wheatleys of this world, are an entire new movement of young, cult - driven filmmakers, pushing old - school movie monsters and pitch black dark comedy to the very front of their repertoires.

Hot on the heels of the Alice Lowes and Ben Wheatleys of this world, are an entire new movement of young, cult - driven filmmakers, pushing old - school -LSB-...]

It was especially poignant to see Robinson, a lesbian filmmaker who's been working in the industry for years on various projects including The L Word, present such a radical film to both older audiences who were familiar to the character and young audiences who are growing up with the chance to see a complex women - centric narrative propelled by her.

CHINESE CINEMA NOW By Bérénice Reynaud A new wave of younger filmmakers move to center stage, ready to build on the Sixth Generation's hard - won freedoms.

Similarly premised on a tipping point between synthesis and disarray was the Kiwi anthology Waru, an unprecedented collaboration among eight Maori women filmmakers, each contributing a 10 - minute short film linked in more and less obvious ways to the funeral of the title character, a young boy who died amid dubious circumstances.

0:00 — Intro 10:20 — Headlines: Woman Sues Over Drive Trailer, Werner Herzog to Play Villain in One Shot, Disney to Re-Release Four More Movies in 3D, Tower Heist to Get Comcast VOD Release 33:45 — Review: The Ides of March 56:00 — Review: Real Steel 1:21:45 — Trailer Trash: Young Adult 1:26:55 — Other Stuff We Watched: Catching Hell, The Real Rocky, Halloween II, Blood Feast, A Nightmare on Elm Street 2: Freddy's Revenge, A Nightmare on Elm Street 3: Dream Warriors, The Innocents, Pulp Fiction, Jackie Brown, Black Sunday aka The Mask of Satan, Black Sabbath, The Blair Witch Project, The Living Corpse aka Dracula in Pakistan, Horror of Dracula, The Lion King, The Beaver, The Company Men, Pee - wee's Big Adventure, Miracle, Charlie and the Chocolate Factory, Submarine, Mimic, George Harrison: Living in the Material World 2:23:00 — Junk Mail: Supporting Filmmakers You Like, The Disney Vault, LOTR Theatrical vs. Extended Editions, Fantasy Films Piggybacking on Harry Potter, Henry Rollins and Kobe Bryant, Mathematical Equation for Determining the Best Directors, Friend in Me Remix 2:57:40 — This Week's DVD Releases 2:59:30 — Outro

But the Scottish filmmaker ultimately has on her mind concentric cycles of abuse that stretch back across centuries, epitomized today by the devaluation of young and powerless women.

The «dissident Revolutionary Lettrists,» as Wollen called them, were led by two young filmmakers, Guy Debord and Gil Wolman, who went on to become situationists.

Not that any of the young filmmakers at the Overlooked were trying to claim their work was on par with these cinematic masters, but you could tell from their films that Ozu and Bresson really mean something to these guys, their influences genuinely and thoroughly absorbed into the cinematic sensibilities of another generation.

It's a film that still bears the mark of a young filmmaker looking for his voice (Scott largely based the photography on what Kubrick did in Barry Lyndon), but this tale of two military officers and their decade - long rivalry is thrilling nonetheless.

His autobiographical «8 1/2,» made three years after «La Dolce Vita,» is a companion - piece, but more knowing: There the hero is already a filmmaker, but here he is a young newspaperman on the make.

Whitaker makes a point of passing his luck on, not just to younger filmmakers like Coogler but also through the growing social - service foundations he's midwifed in Uganda, SouthSudan, Mexico and elsewhere.

Two years ago, in the same venue, a young unknown filmmaker was about to emerge on to the Irish film scene with his debut feature, Pilgrim Hill.

Building on the idea of frustration through separation, Jones keeps the sci - fi and ventures into Hitchcockian thriller territory with Source Code, a stunningly crafted suspense tale of alarming surprise and resonance, elevating the young helmer to a level of accomplishment few filmmakers are able to achieve.

McGarry, a first - time filmmaker, spent five years in production on Code Black while simultaneously working the hectic schedule of a young doctor in training.

«I steal from everyone: Wiseman, Maysles, Pennebaker,» Ben Stiller's frustrated documentarian admits in While We're Young, Baumbach's feature - length riff on how generations of filmmakers squabble amongst themselves.

Accused masturbator and Woody Allen collaborator Louis C.K. has begun principal photography on a film in which he plays a TV writer - producer whose nubile teen daughter establishes an unclear relationship with an older filmmaker known to prey on young women.

Imagine the clusterfuck of controversy that would've erupted if Deadline had ran an item announcing, «Accused masturbator and Woody Allen collaborator Louis C.K. has begun principal photography on a film in which he plays a TV writer - producer whose nubile teen daughter establishes an unclear relationship with an older filmmaker known to prey on young women.»

The Gist: Two years after «Frances Ha» debuted on the fall festival circuit, Noah Baumbach re-teams with «Greenberg» star Ben Stiller for a $ 10 million Scott Rudin production («While We're Young») about an uptight documentary filmmaker (wait, Ben Stiller playing someone uptight?)

But filmmaker Jason Reitman did just that with his new comedy drama «Young Adult,» which is now in limited theatrical release and is set to expand wide on Friday, December 16, 2011.

Notably absent the kind of condescension that can occur when an experienced filmmaker takes on a high school story, here Famuyiwa doesn't just reorient the high school film around the experience of a young black self - confessed geek, but riffs on social and class issues, and the riddles of perception versus reality during those difficult teenage years too.

She offers tidbits about exploitative nude scenes, hard - earned experience, and she even closes out by encouraging young filmmakers and creatives to contact her on social media.

Don't miss out on another heartpounding A24 production from a young filmmaker that NEEDS to be on everyone's radar.

Fast forward to Franco's appearance on Colbert's show, where the two chatted about his portrayal of filmmaker Tommy Wiseau in «The Disaster Artist» and welcomed Franco's younger brother, actor Dave Franco, on stage for a cameo.

No word yet on whether this version of Johnny Utah is still «young, dumb, and full of come,» but one suspects that the filmmakers won't mess with that little bit of cinematic history.

With a final budget of between $ 500,000 and $ 750,000 dollars, Blair Witch ending up grossing just under $ 250 million, a quite extraordinary return on the young filmmakers» investment.

What's more, it's refreshing to hear the young filmmaker talk honestly and passionately about such a traditionally maligned industry, while also finding a moment to namedrop Downey's Putney Swope and ruminate on the state of modern action films.

The prolific filmmaker is embarking on his farewell tour, and, as always, it's significant to acknowledge that every film from here on out becomes something of an event for the young retiree.

As with Magnolia and Punch - Drunk Love, the filmmaker has created another vivid Los Angeles, one that doesn't lean too hard on its pop - culture references to TV's Adam - 12 or Neil Young's gentle Harvest album.

The three Mexican filmmakers honed their craft together as young burgeoning directors in Mexico and have frequently offered notes on each other's work throughout the years, so it's kind of a beautiful thing that these three visionary directors would all go on to earn the top prize in their craft.

The Australian filmmaker has previously served as a producer and creative designer for Will Young Live in London and worked on the visual effects for...