Sentences with phrase «younger generation of painters»

For this Tuesday Evenings lecture, Vassell presents DARK ART: A New Conversation with Abstraction, in which she proposes that «a new and grittier form of abstraction permits us to theorize that a younger generation of painters, consciously or not, is producing ruggedly electric paintings that tell somber and vicious tales... making a statement on the sociopolitical inevitability of a world gone mad.»

Wang Guangle (b. 1976, Songxi, Fujian province) trained at the Central Academy of Fine Arts, Beijing, where he graduated in 2000 and was awarded first prize in the annual academy contest for his thesis piece, 3 to 5 p.m. Regarded as a leader among China's younger generation of painters, he is a member of N12, a group of twelve graduates of the Central Academy of Fine Arts who began staging exhibitions together in 2003.

AT THE HEIGHT of the Abstract Expressionist movement, which has been referred to as the «Triumph of American Painting,» 1 a somewhat younger generation of painters, while interested in and often respectful of their predecessors, formed the conviction that an art based on the depiction of the natural world could make a serious and ambitious statement in the latter part of the Twentieth Century.

She also played an important role for younger generations of painters, many of them being invited to stay and work with her in Vétheuil.

Refiguring brings together a young generation of painters who have either studied or currently live in New York City.

A young generation of painters combines a sensual enjoyment of color and format, gesture and storytelling, with a complex understanding of how digital media shapes the present.

Sean Kelly announces From Pre-History to Post-Everything, a group exhibition that presents ancient objects alongside contemporary paintings, providing the opportunity for a visual dialogue between the forms found in ancient cultures and the forms being investigated by today's youngest generation of painters working with abstraction.

In addition to the recognition his worked received, Tworkov was a highly regarded teacher and mentor to younger generations of painters.

The Boston - based Lemieux got her start in New York in the early»80s, during which time, as an assistant to David Salle, she aligned herself with the young generation of painters and Conceptual artists associated with Mary Boone Gallery and Metro Pictures.

Not exact matches

Stefan Szczesny September 13 — October 9, 2012 The exhibit explores the early 80s, when Szczesny emerged as one of the protagonists of a young generation of bold figurative painters in the German - speaking world who came to be known as «Neue Wilde.»

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

A recent spell in Bali has affected John Hoyland, prompting violent clashes and disturbances, a use of acrylics that mocks the controlled slippages and seepages of younger generation abstract painters.

He has been at the forefront of experimentation and political debate within the visual arts — performance artist, painter, writer, Professor at the Slade School of Art — with an enduring influence on many of the present generation of younger British artists.

In New York City a new generation of young and exciting Modernist painters led by Arshile Gorky, Willem de Kooning, and others were just beginning to come of age.

Then came the 1980s and a generation of young painters, like Julian Schnabel, David Salle, Eric Fischl, Jean - Michel Basquiat and Keith Haring, and everything changed.

In March 1964, Hoyland was featured in Bryan Robertson's New Generation showcase of young painters at Whitechapel Art Gallery, joining a brilliant galaxy of rising stars including Patrick Caulfield (who became a lifelong friend), David Hockney, Paul Huxley, Allen Jones and Bridget Riley.

Critics and commentators had placed him among the group of young painters called the «Second Generation New York School,» a name that both indicated their debt to the original New York Abstract Expressionists and their new openness to representation.

In the 1990s they were joined by the younger Jonathan Forrest, whose work ranks with the best painters of his generation.

Puder especially has had enormous influence on a generation of younger painters both in Germany (Matthias Weischer) as well as Eastern and Central Europe.

Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford.

The immense influence on generations of young artists is additionally straitened by the fact that Eric Fischl is still innovative, progressive and one of the most influential figurative painters of the late 20th and early 21st centuries.

Guston not only effected key artists from a generation of (predominantly German) expressionist painters in the 1990s, but continues to have far reaching influence today, including younger artists in the gallery's own stable, such as Jessica Jackson Hutchins, Volker Hüller and Eddie Martinez.

Painting, however, continues to have a large public and young artists setting out to be painters now need more than ever to see how artists of earlier generations successfully resisted the status quo and remained outside what evolved into an academic style, for this is what much of the conceptual, film and photographic work has become; merely another academy.

«There's such excitement in the district, especially among younger people and this gallery may inspire a new generation, not just of painters and sculptors but architects.»

And you can really see your generation's influence on young emerging painters right now who are returning to the figure, to an almost surrealist representation of it.

The gallery has also hosted exhibitions with artists of older generations such as Michelangelo Pistoletto and Gianfranco Pardi and represents the works of British conceptual artist Stephen Willats, American feminist artist Mary Beth Edelson and Syrian born painter and sculptor Simone Fattal who have been showing since the 1960's and have greatly influenced many of the younger generation of artists.

By 1994 Saville's increasing profile enabled her to exhibit in several notable group shows: Young British Artists III, Saatchi Gallery, London (1994), Contemporary British Art» 96, Museum of Kalmar, Stockholm (1996) and the iconic Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, London (1997), positioning Saville as one of the foremost painters of her generation.

Painters LOIS MAILOU JONES and JOHN BIGGERS and sculptor and printmaker ELIZABETH CATLETT all aligned themselves with the younger generation of black artists, creating works that underscored their shared interest in African design sensibilities, the black figure, and the continuing struggle for civil rights.

While it's true that he was a slightly younger contemporary of painters like Julian Schnabel and Francesco Clemente, who were making a mark with figurative works at the beginning of the 1980s, most of the outstanding black painters of the generation preceding Marshall's own — Frank Bowling, Ed Clark, Sam Gilliam, Howardena Pindell, Jack Whitten — were committed abstractionists.

When Ann Purcell was a young painter and art teacher in Washington, D.C., she came to know two artists she now considers mentors — Gene Davis, famed for his vertical stripes, and Jacob Kainen, who influenced generations of artists with his wisdom, independence and work ethic.

His peers were the second - generation followers — «A host of younger painters like myself who were struggling, fighting, full of energy and argument and drive, demanding, assertive, trying to make an original mark.

Melville Price was one of the youngest of the first generation Abstract Expressionist circle of painters working in New York after WWII.

Riot Grrrls presents pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman.

She's gone from California surfer - girl ceramicist in the 1970s to New York abstract painter — with nods to both Pop and Punk — a decade later, to eminence gris, School of Visual Arts professor and a potent influence on a younger generation of artists today.

With works by the pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman, «Riot Grrrls» is part of an ongoing exhibition series featuring iconic works from the Museum of Contemporary Art Chicago Collection.

This approach is at the core of Lüpertz's creative process, one that continues to influence and inspire a younger generation of German painters today.

The overall impression is of the art of an earlier generation filtered through a young painter's own nostalgia for the era of her childhood.

When I was in art school in the late»70s, I saw it begin, but the young painters today, unlike my generation of painters, find it almost impossible to locate truly inspiring contemporary artists for whom painting's meaning can be derived from what a painting looks like.

These issues, however, had been redefined by a younger generation of abstract artists and theorists, the Minimalists and Color Field painters, into a question of painting's essential identity: was it a thing or a surface or both?

It is no exaggeration to say that wherever the current generation of young female painters may be headed, chances are Ms. Burkhart has already been there.

Bavington, who lives in Las Vegas, makes a good example of how younger abstract painters reinterpret the styles of an earlier generation.

Martin Kline and Melissa Kretschmer represent a relatively younger generation of American process / image painters whose hybrid sculpture / painting work embodies the inheritance of such a turn.

Parafin presents the British painter Justin Mortimer, widely regarded as one of the leading figurative painters working today, and an emblematic figure for a younger generation of artists.

Judith Linhares luminous oil paintings and works on paper have inspired a generation of younger figurative painters.

(And Stanley Lewis, although a significant artist, is out of place here, being a generation younger than the rest of the artists — and if he's included, then why not a lot of other younger painters, including a number of significant women?)

At a moment when there is considerable interest in the new generation of young British painters, Candlestar and the Hyatt Regency — the Churchill are delighted to present Generation 10, an exhibition of work by ten young artists who have this year graduated from three of the UK's leading art colleges — Camberwell, Chelsea and generation of young British painters, Candlestar and the Hyatt Regency — the Churchill are delighted to present Generation 10, an exhibition of work by ten young artists who have this year graduated from three of the UK's leading art colleges — Camberwell, Chelsea and Generation 10, an exhibition of work by ten young artists who have this year graduated from three of the UK's leading art colleges — Camberwell, Chelsea and Wimbledon.

Oehlen's works are influential to a generation of painters working today, and this exhibition is accompanied by a public programme that will draw out some of the strands running through Oehlen's work and their significance for painters from a younger generation.

Riot Grrrls included pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman.

The youngest member of the circle of first generation Abstract Expressionist painters, Robert Motherwell was unique in this group for his extensive writings on art as well as his prolific printmaking.

Most remarkably for an artist of his generation, Caulfield was hugely influential on much younger painters, such as Gary Hume and Paul Morrison, who found possibilities for their own work in the freshness and immediacy of his art.