Scenario in the Shade explores the history of
youth subcultures of the San San International through a mise - en - scène of objects, architectural environments, and a 30 minute faux - ethnographic science fiction film, presented in the artist's signature labyrinth of immersive interiors.
The show explores the history of
the youth subcultures of the San San International (a parallel universe) through a mise - en - scène of objects, architectural environments and a 30 - minute faux - ethnographic science fiction film, presented in the artist's signature labyrinth of immersive interiors.
The photographs he took in ordinary settings such as clubs, friends» kitchens, and parks compose an unembellished document of Tillmans's life amid
youth subcultures of the 1980s and 1990s.
Not exact matches
The show continued with the theme
of past
youth subcultures.
The movie's tale
of a group
of street toughs has drawn comparisons to The Warriors, but I think the better analogy is Spielberg's E.T., not just in that alchemy between the fantastic and the absolutely mundane (South England's Lambeth neighbourhood), but also in the crafting
of a living
youth subculture alive with its own language, ritual, and custom.
He certainly does that in this production, satirizing
youth subcultures, the media, and the extremes that a government might take in order to control unruly parts
of the population.
But it's also a study in reinvention and the fluid definition
of identity and sexuality embraced by the
subculture around the music, the first
youth movement to openly accept and embrace ideas
of bisexuality and homosexuality.
Students fill in each page
of the pack including their
youth subculture's norms, values, origins, motives, fashion sense, music etc..
«Counterculture,» a survey
of the last thirty years
of «Alternative Information from the Underground Press to the Internet,» displayed some 1,000 - plus items organized around such general themes as «Students,
Youth, and the Rise
of the Underground Press,» «Black Panthers and Third World Struggles,» «Feminism and Gay Liberation,» and «Punk
Subculture and Zines.»
Yoshitomo Nara: Nobody's Fool draws connections between the artist's work and the sensibilities
of youth subcultures worldwide, focusing on themes
of alienation and...
This body
of work — a significant addition to the legacy
of American
subculture photography forged by the likes
of Peter Hujar, David Wojnarwicz, Philip - Lorca diCorcia and Nan Goldin — is characterized by McGinley's idiosyncratic admixture
of hopefulness and self - awareness, as well as his unembarrassed disclosure
of the melodrama
of youth, its inextricably intertwined joy and heartbreak: the artist shows us his debauched, frequently naked friends, laughing and weeping, taking drugs and having sex, tagging walls and pissing off roofs.
Luis Gispert's sculptures and photographs depict a «hip - hop baroque» aesthetic and a subject matter that touches upon themes
of American
youth culture, class and values, and status - driven
subcultures.
Cao Fei presents a real
subculture suffused in illusions through her work and reflects the dilemma
of youth existence and ennui emerging in the face
of Chinese urban and economic transformations.
Cao's art bridges into visual arts with the use
of popular culture and shifts through different
subcultures and phenomenon to create the surreal landscapes that she is most known for — actors incased in Burberry behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip - hop on the street, people dressed in Chinese shopping bags and a stage production incorporating Guangzhou's street
youths are just a few examples
of using the city's everyday life to analyze and render the current social situation where traditions and new influences are constantly in conflict.
However,
youths growing up in impoverished, inner - city neighborhoods face obstacles to conventional development.1, 2 Many African - American adolescents are caught up in the
subculture of «the streets» and, in the transition to adulthood, risk becoming school dropouts, premature parents, marginally employed adults, welfare recipients, and struggling family members.
Polsky summarized decades
of research on deviant
youth subcultures: «delinquents learn delinquent techniques from each other and overcome inhibitions about breaking the law by mutual stimulation and reinforcement.