Sentences with word «yupo»

«Ventana Origami Sculpture,» 2017 Mixed - media on YUPO paper, painted figurines, custom wallpaper 10 1/2 x 30 x 12 inches Courtesy of the artist

Left: Firelei Báez, Zafa Fukú (April 30th, 2012), 2015, acrylic and ink on yupo paper, 60 x 72 inches.

She currently works in acrylic and mixed media on a synthetic paper called yupo, and on canvas.

Pictured above: Ventana Origami Sculpture, 2017, mixed - media on YUPO with painted figurines, custom wallpaper.

One of her most recent works («Albers» House») is a 36 - foot - long oil painting on yupo which was featured in a retrospective at the Grace Museum in Abiliene.

I recently sat down with Mary at her Dallas studio where we discussed early inspirations, Berkeley in the «60s, her love of art history, the evolution of the Meadows collection, her impact on generations of art students, her love of yupo and a run - in with Georgia O'Keefe.

I've been using the same paper for years - I will try new substrates, such as yupo.

Acrylic on yupo paper mounted on wood, 23 x 35 inches, Courtesy Tibor de Nagy Gallery, New York.

Flashe, pencil and cardboard on yupo paper attached to panel.

This hands on physical process grew into her current studio practice incorporating rubbings, gestural painting and obsessive line drawing on yupo, raw canvas and wood.

All of the works are painted on the Japanese plastic paper «yupo» which allowed the artist to travel with her materials and upon return mount them to board.

Eas a» Ranca waterfall, 2017, 14 x 11 inches, oil on yupo, now on view at Sophienholm, Lyngby, Denmark as part of the 2018 Corner Exhibition.

All the art on view were painted on the Japanese plastic paper «yupo» and mounted on board.

Sara Leibman's Seasons of Trees depicts the beauty of the earth primarily in oils, but sometimes incorporating media that includes collage and yupo paper.

Harriet D. Kline «s watercolor shines with color, the yupo paper resisting the pigment enough so as the water evaporates the residue leaves the illusion of liquidity.

Saccoccio's work first caught my eye in a 2013 group exhibition called Let's Get Physical, curated by the painter Rick Briggs at Ventana 244 in Williamsburg, Brooklyn, where she showed a grid of four paintings in gouache and ink on yupo paper, dominated by drips and spatters and networks of bleeding color.