Sentences with phrase «zero group»

Perhaps, then, poor spellers around the world should be grateful that vulnerability hunter extraordinaire Tavis Ormandy of Google's Project Zero group appears to have found what he described as a «high severity bug» before it was uncovered by anybody more malicious.

The Zero Group (Heinz Mack, Otto Piene and Günther Uecker) was founded in Düsseldorf, and it was making monochrome paintings and kinetic sculptures, while Fluxus artists staged the first Happenings.

These investigations aligned Aubertin with the ZERO group's search for «a zone of silence and of pure possibilities for a new beginning» for art.

After his return the last ZERO group exhibition took place, after which they finally disbanded.

In 1957 he founded the ZERO group together with Otto Piene and with him (and later Uecker) organised the legendary evening exhibitions in the studio in Gladbacher Straße in Düsseldorf.

Shown by the Belgian dealer Axel Vervoordt next to European postwar abstracts by Luciano Fontana and Zero group artists at the Venice Biennale beginning in 2007, his paintings were a revelation to American tastemakers like the Dallas collector and philanthropist Howard Rachofsky and Ms. Lévy, the New York gallerist.

These works underscore both Piene's fascination with the color as it relates to fire and the ZERO group's preference for the monochrome as a testing ground for light and its manifold effects.

Piene was featured prominently in the Guggenheim's 2014 — 2015 survey exhibition «ZERO: Countdown to Tomorrow, 1950s — 1960s,» as well as in major ZERO group exhibitions in Amsterdam, Berlin, and Istanbul.

In 1957, he had his first solo exhibition in Düsseldorf, and, along with fellow artist Otto Piene, founded the ZERO group.

He was one of the founders of the Zero Group and a member of the Gutai Group.

In 1957, he and Heinz Mack founded the ZERO group, which emphasized art void of color, emotion, and individual expression.

Aubertin joined the ZERO group in 1961, at which time he began to use fire in his work.

Beside exhibitions with the Zero Group, the artist's work participated in a number of important shows, such as Venice Biennale (1970) and his first solo exhibition when the American audience had a chance to see his kinetic New York Dancer was held at the Howard Wise Gallery on West 57th Street in 1966.

Maulberger (Munich), a specialist in abstraction after 1945, focuses on the artists of the Zero group.

Otto Piene was a German painter, printmaker, environmental artist, and co-founder of the ZERO group.

In 1960, Uecker became a part of the Zero Group, along with Heinz Mack and Otto Piene.

So the black gold from the mines is at the centre of this exhibition of large - scale installations and sculptures: The deep black of coal, its shimmering surface and tactile qualities were used as aesthetic resources by artists such as Marcel Broodthaers, David Hammons, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Bernar Venet or the ZERO group.

In 1957 he founded the ZERO group with Otto Piene (and later Gunther Uecker), and organized the now - legendary evening exhibitions at his studio at 69 Gladbacher Straße in Düsseldorf.

During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe.

A cofounder in 1960 of Nul — the Dutch complement to the German Zero Group — Schoonhoven (1914 - 1994) played an important role in the reductionist, materially conscious, and conceptually motivated European art scene of the»60s and»70s.

He participated in many of the Zero Group's exhibitions, along with Otto Piene, GuÌ?nther Uecker, Heinz Mack, Piero Manzoni and Lucio Fontana, among others.

Although she seems to share something with the reductive impulse of the Minimalists or, in Europe, the Zero group, Mikus is an anomaly that established a different set of terms by which to experience her art.

The first artwork in the latest gallery show of Heinz Mack — catalytic cofounder of the Zero group in the late 1950s and a firebrand ever since — is a systematic explosion of color.

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In New York the loan issue affected the Solomon R. Guggenheim Museum's major Futurism exhibition, but the museum's Zero Group show, as well as the founding of the Center for Italian Modern Art by art historian and collector Laura Mattioli, ensured increased attention for modern Italian art.

Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informel Group) and the Nul - groep (Nul Group)-- which were affiliated with the European Informel movement and the Zero Group, respectively — and was included in numerous important and related group exhibitions including Zero - O - Nul at the Gemeentemuseum Den Haag, The Hague, in 1964, and Amsterdam, Paris, Düsseldorf at the Solomon R. Guggenheim Museum, New York, in 1972.

The key to the connection between Carol Bove's works and those by the exponents of the ZERO group rests in her artistic approach, in her fascination for the social upheavals of the 1960s and 1970s, the intellectual world into which the artist was born in 1971.

David Leiber is Director at David Zwirner, whose expertise lies in postwar European art, with a focus on Italy in the 1950s to the 1970s, and the international ZERO Group, which culminated in Leiber's groundbreaking exhibition ZERO and New York (1957 - 1966).

Here are a few standout pieces from Germany's venerable art - connoisseur magnet, from a radical feminist tree - sitter to the leader of what may be the next Zero Group.

Cardi gallery's expertise in Italian modern, post - war contemporary art, and more specifically in Arte Povera, Minimalism and Zero Group, has helped shape significant private European and American collections.

Sperone Westwater is spotlighting the work of Otto Piene (1928 - 2014), a founder of Germany's Zero group, who made his minimalist forms in glamorous glazed ceramic during his last years.

Together with Piero Manzoni, who had ties with artists throughout Europe, he was an active member of the Zero group; he founded the magazine «Azimuth» and a gallery of the same name.

The seasonal shows and involvement in art fairs highlight the gallery's comprehensive holdings of Italian modern and post-war contemporary works from the artists such as Alighiero Boetti, Alberto Burri, Pier Paolo Calzolari, Enrico Castellani, Luciano Fabro, Lucio Fontana, Piero Manzoni, Mario Merz, Jannis Kounellis and Michelangelo Pistoletto, but also the focus of the gallery on Minimalism and Zero Group artists.

Tags: Ad Reinhardt, Anonima Group, Columbus Museum of Art, Ed Mieczkowski, Ernst Benkert, Francis Hewitt, GRAV, Gruppo N, Ohio, Optic Nerve, Responsive Eye, Zero Group

Castellani was prominently featured in Zero group shows in Amsterdam and Philadelphia in the 1960s.

It was with the Zero group, based in Düsseldorf but equally international in its outlook, that Castellani found his greatest affinity.

Also at Sperone Westwater is the first American exhibition of Zero Group artist Nanda Vigo, whose Cronotopi (1963 — 69), are minimalist structures of glazed surfaces that play with light and form.

Together with fellow German artist Otto Piene, Mack co-founded the ZERO group in 1957, which sought a renewal in art amidst the ruins of post-war Germany.

In 1959 Piero Manzoni and his then fiancée, fellow Italian artist Nanda Vigo, drove from Milan to Düsseldorf to meet the German artists Heinz Mack and Otto Piene, the founders of the Zero group.

Piene, whose auction prices are creeping up to $ 1 million, was a founder of the radical ZERO group in 1957.

Newsseek's Abigail Esman locates Vervoordt's style in the birth of the Zero group and an appreciation of Japanese ideas.

Burri's performativity recalls many European contemporaries: his use of fire connected him to Yves Klein and the Zero Group; the photographs of him shooting a beer - can, and the subsequent exhibition of the can, link him to Niki de Saint - Phalle; and his desire to transform materials connects him to Joseph Beuys, who met Burri in Città di Castello in 1980.

Curated by Heinz Mack, our exhibition at Frieze Masters focuses on the period between 1957 and 1966 and features the work of Bernard Aubertin, Agostino Bonalumi, Enrico Castellani, Lucio Fontana, Heinz Mack, Otto Piene, Gerhard Richter, Jan Schoonhoven and Günther Uecker, who was a powerful influence on the ZERO group.

With artist Otto Piene, Mack founded the Dusseldorf - based ZERO Group in 1957, responding to Germany's post-war rubble, economic miracle, and creative vacuum.

The Sakip Sabanci Museum, Istanbul presented another exhibition of the ZERO group in 2015 - 16.

Works by Gerhard Richter and Georg Baselitz can be found at the stand of Andreas Binder, while the post-1945 focus at Galerie Maulberger includes Zero group artists Heinz Mack, Otto Piene and Günther Uecker.

Linked with the Zero group in Düsseldorf is Adolf Luther, whose work is on display at Berlin's 401contemporary.

Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informal Group) and the Nul - groep (Nul Group)-- which were affiliated with the European Informel movement and the ZERO Group respectively.

David Leiber, a director at the David Zwirner Gallery, organized a watershed reassessment of the Zero Group in 2008 at the Sperone Westwater Gallery, when he was its director.

Of particular interest is a coterie of European artists known as the Zero Group that originated in the 1950s in Düsseldorf, Germany, and forged a spirited response to the devastation caused by World War II.