Sentences with phrase «zine culture»

The festival grew out of Morris's realization that POC tend to be underrepresented in DIY publishing and zine culture.

Rachel Errington incorporates her love for punk music and participation in zine culture, to drive her exploration of the «minor» body in relation to the contemporary cultural and political landscape.

At the time, zine culture was still predominantly by mail.

A stunning Harold Ancart in the back gallery bolstered our discussion about the prevalence of zine culture in contemporary painting.

Motifs reminiscent of modernism, outsider assemblage, thrift store paintings, psychedelic cartoons, and zine culture permeate the work.

She arrived to find a culture (and art world) in transition: rave and zine culture was in full swing; collaborations between artists, musicians, and magazine and book publishers were pervasive; and the dawning of the Internet age was upon us.

It draws upon zine culture from the same time period that helped establish radical queer communities, so now we see games about self - care, prison abolition, safe and consensual sex practices, and many topics we rarely see in epic games.

Featuring Curt McDowell, Tom Rubnitz and Robert Ford, with Seth Bogart, Rafa Esparza, Aimee Goguen + Brontez Purnell Press release excerpt: «Through expressive self - portraiture, utopian world making, and scene charting «zine cultures, the materials assembled in «THINGS» evince the intensely vital and political potential of craft to reflect the world as it appears or is perceived at immensely personal moments of artistic reflection.»

Not exact matches

In 1994, Nakamura started zine Giant Robot, featuring Asian pop culture.

The so - called «Venus Patrol Orientation Program» was the first event where Venus Patrol bared its face to the wider public, and included the release of the «Venus Patrol Orientation Manual», a print zine produced with the help of Oscar Barda and Théo Kuperholc that attempted to tune audiences toward Venus Patrol's particular wavelength & perspective on videogame culture.

The 7» will also come with a limited reprint edition of exp. - 3, the videogame culture zine created by Mathew Kumar.

All of the above plus a massive batch of physical goods, including: the Moon Grotto 7», a vinyl EP featuring «hidden» music & remixes from SWORD & SWORCERY EP composed by Scientific American — exp. - 3: a limited edition of Mathew Kumar's videogame culture «zine — an exclusive deck of «Monster Mii» trading cards from comic book artist James Kochalka — an embroidered Venus Patrol patch featuring a design by Montreal - based artist Devine Lu Linvega — and many more awesome bonus objects.

A / V CLUB - A bevy of indie game goodies from our friends at Venus Patrol, including a set of five prints from Double Fine artist Scott C, a rare vinyl Sword & Sworcery EP, a limited edition reprint of Matthew Kumar's videogame culture zine exp. - 3, and more.

Working across photography, installation, performance, drawing and zines, SADIE BARNETTE «is interested in consumerism, economics and quotidian aspects of West Coast hip hop culture.»

Treleaven's artistic origins are in small - gage filmmaking and self - published zines that made an enduring contribution to independent, queer, and underground culture.

Comics, band fliers, decorative prints, and other forms of popular visual culture inform the «zine - like nature of the works by Arturo Herrera and the bespoke patterned paintings by Ruth Root, as well as the riotous, colorful canvases by Carrie Moyer, a cofounder of the agitprop art project Dyke Action Machine!

DIY Cultures is a day - long festival of zines, artist books, comics, talks, films, animation, video art, exhibitions, workshops - the spirit of independence, autonomy & alternatives.

This book fair celebrates the unique process and culture behind transforming ideas into visual narratives, with stands by both emerging and established zine makers, self - publishers, graphic novelists and comic book authors.

She also writes critically about art and pop culture for Bookforum and Artforum magazine and recently donated her early zines and correspondence to the Riot Grrrl Collection at the Fales Library, NYU.

Nevertheless, this one is a must - see, because like the Brown Paper fest I attended in Baltimore, it focuses on artists of color — who are inexplicably, erroneously absent from the stereotypical popular image of zine nerd culture.

CULTURAL TRAFFIC is the UK's first annual fair for dealers in counter culture and independent producers of trade books, zines, prints, catalogues, vinyls and tapes in both current and obsolete format.

Turning away from the mega-watt, reality - cooking - show approach to food so prevalent in popular culture, this exhibition celebrates the «slower,» more niche presentations often found in zines.

Hardcore Architecture lays bear the homogenous suburban landscape of punk scenes, but it also speaks to the power of the zine: «A fanzine,» Fischer said, «was this way of participating in the culture no matter where you were based.»

This force has grown through a rich grass - roots culture; many of the artists exhibited here have been involved in or created their own project spaces, show rooms, zines, publications and forums.

Moscow illustrator, curator, collector, and author of samizdat Sasha Marshani will trace the development of the culture of printed micro-editions and discuss the original nature of zines by figures such as Raymond Pettibon, Mark Gonzales, Ari Marcopoulos, and Dash Snow.

He also presented a drop - in comics workshop in this gallery, in partnership with Canzine: Festival of Zines and Underground Culture, on Saturday, October 29.

Known for building sprawling assemblage environments that mimic counterculture settings — most famously an entire ramshackle meth lab — the art duo has made a splash at Unlimited with their newest installation, a warren of dusty waiting rooms, Asian fast - food stands (selling cameras made out of rice), and other psychedelic spaces that encircle a printing press for a fictional anarchist culture «zine called Artichoke Underground.

Although all three came into recognition with their underground work in film or journalism — first two with moving image and Ford with his black culture - focused zine THING — the exhibition inclines towards their less known object based practices.

Her zines are included in the Sarah Dyer Collection at the Sallie Bingham Center for Women's History & Culture at Duke University Libraries.