Planet Terror is Robert Rodriguez's idea of a fantasy drive - in movie: a scruffy, over-the-top
zombie action film starring Rose McGowan as a go - go dancer with a machine gun leg.
You quickly get the sense that Williams is trying to do more of
a zombie action film, rather than a straight - up loveletter to the videogames.
Not exact matches
More an
action blockbuster than a horror squelcher, it contains spectacular crowd scenes that have an Hieronymus Bosch quality, but the
film lacks strong meat — of the emotional and bloody
zombie - cannibal sort.
This
film seems to be following the latest games more closely where the
zombies have been replaced by monsters and allot more
action is thrown in.
mmm... a protagonist who complete dominates a long
film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely
zombie character, an intelligent, articulate
zombie, but still a
zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «
action» but somehow the context is missing and after seeing the
film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the
film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the
film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
In these
films, the world has usually turned against humanity in some way — a
zombie apocalypse, an alien invasion, or simply the indomitability of nature itself — and the relative resourcefulness of characters who were previously reliant on now - absent tools or technologies provide the major dramatic beats as outside forces close in, driving these characters into
action.
The series was well out front of the
zombie craze that preceded The Walking Dead and WWZ, and it became one of the rare
action film franchises anchored by an actress.
Ryuhei Kitamura — director of the
action - packed Japanese
zombie film Versus, as well as Alive, Godzilla: Final Wars, Lionsgate's Clive Barker adaptation of The Midnight Meat Train, and WWE's slasher No...
The Cannes
Film Festival has proven a fertile space for the release of the best the country has on offer to Western markets, and following the success of Yeon - Sang - ho's extraordinary
zombie film Train to Busan in 2016, Cannes» Midnight Screenings this year featured Jung Byung - gil's high - octane female - centred
action movie The Villainess.
It gives the idea of consumerism run wild the short shrift that it deserves (and the cynicism that an intervening quarter - century demands), touching on the original's explanation of the
zombies» affinity for the shopping mall and the human heroes» delight at their newfound material wealth before becoming a bracing
action film that, like Marcus Nispel's reworking of The Texas Chainsaw Massacre (the source of which didn't need updating as much as Dawn arguably did), is more firmly entrenched in the James Cameron Aliens tradition than the Seventies institution of disconcerting personal horror
film.
Together with director Edgar Wright, actors Simon Pegg and Nick Frost created two of the funniest and most loving tributes to genre
films in recent memory: The
zombie spoof «Shaun of the Dead» and the
action movie «Hot Fuzz.»
«Pride and Prejudice and
Zombies» has unleashed a new U.K. trailer that deftly blends the themes of Jane Austen's classic with the tropes of the horror and
action genres, while laying out the
film's premise.
Shaun Of The Dead was a REAL
zombie film AND the funniest
film I had ever seen (until Hot Fuzz), Hot Fuzz totally changed the way I look at story arc, the way it escalated and escalated and then jumped into intense
action was fantastic!
Two of the most frightening
zombie films come together in one
action - packed collection: the Dawn of the Dead & George A. Romero's Land of the Dead 2 - Movie Collection!
Cargo isn't the kind of
film that you think demands a spinoff or its own cinematic universe but... come on, once you see those flashes of
action, you may spend the next few moments with Andy wondering why we're following this dude when there are — I repeat — Indigenous
zombie hunters in this movie!
If only he could deliver when the
film needs that shot of adrenaline for the
action scenes as he fails to connect us to the immediacy of the moment as characters get overrun by avalanches of poorly - animated CGI
zombie hordes while keeping the focus on Gerry, the one character we're all but assured is safe.
As the biggest budget
zombie film in history, WORLD WAR Z showcases some truly breathtaking
action sequences involving a Philadelphia outbreak, a
zombie wall pile - up and a mid-flight airliner with a few unexpected passengers.
Milla Jovovich has carried the RESIDENT EVIL franchise as Alice for five
films now and they have all displayed some of the best
zombie - killing
action to ever grace the big screen.
On another more amusing note, ZOMBIELAND is also perhaps the first supernatural
action film that actually makes a
zombie apocalypse look fun and enjoyable.
This is perhaps the first
zombie film that portrayed realistic and relateable characters to the audience, therefore making the
action sequences all the more intense because you actually care about them and fear for their safety.
The
film's spectacular finale set in the fictional theme park Pacific Playland is one of the most thrilling
action sequences involving
zombies that I have seen in a long time when the
film was released in 2009.
It will be hard for a quality
film to emerge from the endless rewrites and extensive reshoots (not to mention crazy run - ins with the law), but when Brad Pitt stars is in a
zombie action movie, you have our attention.
Director Edgar Wright has previously delivered is parody of
Zombies (Shaun of the Dead), his parody of buddy - cop -
action films (Hot Fuzz), and now takes on Sci - Fi in this latest... a worthy conclusion with the trademark quick cuts and rapid fire witty / silly dialogue.
Initially screening at a number of art house theaters across the U.S., the first live
action film from director Yeon Sang - ho drew in scores of watchers, infecting both critics and
zombie enthusiasts.
In fact, despite the addition of «
zombies» to the title, the
film works better as an adaptation of «Pride and Prejudice» than the
action comedy it strives to be.
The long - running, live -
action Resident Evil
film franchise came to an end with The Final Chapter in 2016, but much like a
zombie, this series just won't stay dead.
: «Looking for B - plots and C - spots, scanning backgrounds of
film scenes and surface of celluloid, dust of beats, flip sides of everything including dust (dust of vinyl records including;) looking for unclassified acts of emergence, obscure transmissions, extinct specimen and specimen with no species, operational codes of irreproducible
zombies, impossibility of
action, attraction; extracting the DNR of inextractable and unleashing it on new demand of irreproducible, full stop moon.»
For example, his collaborative
film project, Feature (2008), which relocated the
action of a traditional western to the English countryside, slipping into other sub-genres such as the
zombie - flick, and Wagnerian opera, as well as South Asian god - flick.