Sentences with phrase «zombie formalism»
"Zombie formalism" refers to a style of contemporary art that prioritizes abstract and repetitive patterns over meaningful content or originality. It has been criticized for lacking depth or substance and appearing soulless, like the walking dead zombies. Full definition
Maybe the paintings in the background of some of Trosch's works are sly examples of zombie formalism, or what Rob Colvin calls «like art.»
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Rad's equally colorful artist statement is larger - than - life, featuring a mythological hybrid of Ab - Ex legends, «Jackson Johns», who returns from exile in the midwest as a millennial in order to do battle with zombie formalism, and this anecdote from AFC's very own SPRNG BRK Fundraiser:
Sola constructs a layered parody of trends here (successful in spite of itself and its overextensions), taking aim at zombie formalism, institutional critique, and interspecies communication.
Friday night, Nic Rad's solo show at Victori + Mo imagines an art - historical alter ego to combat zombie formalism with Ab - Ex passion and millennial pop references.
However, alongside zombie formalism, the motif of the tropical is once again being hyped.
He's right to shift the onus onto curators rather than blaming artists for the market - driven phenomenon that has come to be known as zombie formalism.
The legacy of modernist abstract painting has morphed into something called zombie formalism that, despite critical derision, has become a bankable art style legitimated by museums and, to a greater extent, the art market.
Despite the hue and cry about zombie formalism, there is a lot of very good painting going on these days.
Maybe the problem isn't zombie formalism, but zombie curators.
Much of the buzz has been backlash: painters accused of zombie formalism, sleepwalking through hackneyed styles and gimmicks that speak to market desires.
Critics could complain of «zombie formalism,» but at its best it has little space for either zombies or formalism alone.
Ms. Imhof's main efforts are shiny acrylic monochromes (black, white or turquoise) on aluminum with impulsive flurries of scratches — variants of zombie formalism that imply vandalism.
All these artists belong to the revival of abstraction, but without the formulaic scale and brushwork of «zombie formalism.»
Does one have to have «zombie formalism»?
An elegant wall - mounted ceramic version of zombie formalism could be found with Brie Ruais's work at Nicole Klagsbrun, offered at $ 22,000.
But the truth is, those works of «zombie formalism» that do indeed take up a decent amount of real estate down at Basketball City, well, they're not exactly setting the internet on fire.
What the kids are wearing this spring seems to be a mutant variant on «zombie formalism,» which is more undead than ever.
While there are some talented artists working in this vein ---- Richard Aldrich and Joe Bradley, to name two ---- much of the stuff is so hopelessly bland and devoid of meaningful content that it has garnered the moniker «zombie formalism.»
It's disdained by some as «zombie formalism,» but I love it.
«The Forever Now» has emerging art thinking big, but Walter Robinson sees only «zombie formalism.»
The critic and founding editor - in - chief of Artnet magazine for 16 years, he has chronicled the «radical masquerade» of the avant - garde, heralding new talent, skewering the deserving, and identifying epochal shifts in the art scene, from his pronouncement that «there are no art movements, only market movements» to his lament about the rise of «zombie formalism» in contemporary painting today.
Where others speak of zombie formalism, they approach subjectivity for the living dead.
Call everything out there derivative art if you like, but then it has plenty to draw on, or call it «zombie formalism,» but then the dead can walk again.
Who is not sick and tired of what Saltz calls «good imitations of bad art,» Schjeldahl a «pastiche of installational foofaraw,» and Walter Robinson «zombie formalism»?
The art world today is filled to overflowing with bright - idea, quick - execution art — usually assemblage or collage, although some «zombie formalism» (imagine a graffiti - covered Mark Rothko with one stretcher bar removed) qualifies.
The term for this art is still being sorted out, but Walter Robinson's «zombie formalism» seems to have stuck.
If there is a «zombie formalism,» here it still haunts the night.
Not by coincidence, their analysis is based on the two examples: the works of Oscar Murillo and Lucien Smith, artists favored by the art market insiders and frequently connected to the aesthetic principles of zombie formalism.
Where «The Forever Now» upstairs deadens abstraction, to the point of «zombie formalism,» the second floor does the same for political art.
For several years, older artists and critics have ridiculed the return of formalist abstract art with a bevy of insults, e.g. «zombie formalism.»
But this has inevitably invited more caustic labels such as «slacker abstraction» or «zombie formalism».
It helps that both Saccoccio and Maine shy away from the big gesture and quotation of «zombie formalism.»
Recent terms such as «zombie formalism» (aka zombie abstraction) appear to confirm that we are living in an age of post-historical malaise.
Dully handsome and all too plentiful, such collector bait has inspired a lot of colorful nicknames — «crapstraction» is a personal favorite — but the most enduring has been «zombie formalism,» coined by the artist and writer Walter Robinson (who, it must be said, is known for his figurative paintings).
COMPOSITION 5 / ZOMBIE FORMALISM A tweed and leather tunic dress with a brass and steel Essential V earring and black patent - leather Half boots LOUIS VUITTON
It could well be the original «zombie formalism,» but without the formalism.
Dubbed «slacker abstraction», «provisional painting», «neo-formalism», «casualism» and «zombie formalism» (as coined by artist and critic Walter Robinson), many of the works in question share an affinity for flatness, process - based approaches, improvised gestures and, at times, a playful sense of humour.
Walter Robinson has coined the term «zombie formalism» to describe contemporary art and the collectors and art advisors who flip it.
«Abstraction and Its Discontents» in East Williamsburg did hint at a zombie formalism, with subjective geometry that approaches a house style for Brooklyn.
AF Given what's happening in the world and where the art market is, abstraction is too easily lumped in with a zombie formalism that caters to market demand.
Can it be written off as «zombie formalism» or are innovative approaches to abstraction really being developed?
They foreshadow, in a sense, the «zombie formalism» debate that has been raging recently, and while many have a more positive outlook on painting today than Stella and Judd did at the time, their arguments feel remarkably contemporary.