Cinematographer Christopher Doyle, following in Renck's serious - as - cancer lead, keeps things dour with a bug -
zapper aesthetic of massively over-lit whites and swampy blue - greens, the former being aggressively employed in the home Nancy shares with suburban
zombie husband Albert (Rufus Sewell), who conspicuously chugs diet Pepsi and tends to the minutia of his epitome - of - blandness airport - hotel miniature golf business, while remaining oblivious to his wife's furious masturbating to her own imagined demise in the computer room.