Sentences with phrase «zur auszeichnung»

and other instruments measuring quality of life (Münchner Lebensqualität - Dimensionen - Liste, MLDL), psychological distress (Brief Symptom Inventory, BSI) and social support (Fragebogen zur Sozialen Unterstützung, Kurzform, F - SozU - K22).

Der HFK wurde zahlreichen Vorprüfungen unterzogen und an insgesamt N = 739 Patienten hinsichtlich seiner Eignung zur Defizitanalyse im Rahmen von Qualitätsmanagement und an N = 136 Patienten hinsichtlich der psychometrischen Güte geprüft.

Die Dental Anxiety Scale ist ein ökonomisches Screening - Instrument zur Abschätzung des allgemeinen Zahnbehandlungsangstniveaus, während das Dental Fear Survey insbesondere bei hochängstlichen Patienten deren spezifische Dentalphobien erfassen kann.

Validity of the SSUK was examined using the questionnaire «Fragebogen zur Sozialen Unterstützung» (F - SOZU - K22) i. a., which showed significant correlations with the scales Positive Support (r = 0,74, p < 0,001) and Detrimental Interaction (r =.0, 41, p < 0,001).

529 patients (213 before and 316 after renal transplantation), treated at the University Hospital in Essen, have filled in the EFK measuring coping and other instruments measuring quality of life (Münchner Lebensqualität - Dimensionen - Liste, MLDL), psychological distress (Brief Symptom Inventory, BSI) and social support (Fragebogen zur Sozialen Unterstützung, Kurzform, F - SozU - K22).

The German «Fragebogen zur Erfassung von Ressourcen und Selbstmanagementfähigkeiten — Gesamtressourcen» (FERUS, Questionnaire for the Assessment of Resources and Self - Management Abilities — common resources), 51 consisting of the subscales «coping», «self - awareness», «self - efficacy», «self - verbalisation» and «hope» (44 items, 7 - point Likert scale), was applied for the assessment of personal resources.

A preschool center in Detmold was then founded by Pauline zur Lippe.

Legal support to the group is led by Dr Christian zur Nedden, who has oversight of the company's entire legal and compliance agenda in his role of general counsel and corporate compliance officer.

The transnational effect of the ne bis in idem principle (which is established in section 17, paragraph 1 StPO) is based on international agreements to which Austria is a party (see Birklbauer in Fuchs and Ratz, Wiener Kommentar zur StPO, § 17).

Nettesheim examines the legal feasibility of a European Redemption Pact, the much discussed proposal by German economic experts as potential future part of a solution to the ongoing European debt crisis («Der Schuldentilgungsfonds: Rechtliche Rahmenbedingungen eines umstrittenen Instruments zur Eurorettung»)(for more on the proposal, see here).

Probleme des Beitritts der Europäischen Union zur Europäischen Menschenrechtskonvention nach dem Vertrag von Lissabon»).

He serves merit review committees of the U.S. National Science Foundation, U.S. Department of Energy, U.S. Department of Agriculture and Schweischerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung (Swiss National Science Foundation).

In Vierteljahrshefte zur Wirtschaftsforschung.

Koch, J. (1901) «Beiträge zur Kenntnis der Wärmeabsorption in Kohlensäure», Öfversigt af Kongl.

Her writing has been published in Tank, The New Inquiry, Texte zur Kunst, Artforum and frieze d / e.

The principle of repetition recurs in the architecture of Kunste zur Text.

Von Bauhaus bis zur Gegenwart, July - September 1967, no. 67.

With Kunste zur Text, the Schirn Kunsthalle presents a first retrospective of Michael Riedel's work.

In the same year, 1990, Isabelle Graw and art historian Stefan Germer founded the art commentary magazine Texte zur Kunst in Cologne, a partner institution that was just as important for the artists exhibiting in the city as the galleries were.

In the art publication «Texte zur Kunst «(Texts about Art, number 55), he was defined as an example for a new German neo-conservatism.

Beginning with early and ending with quite recent works — from the publication Gedruckte und ungedruckte Poster (Printed and Unprinted Posters, 2003 — 2008) and the sequence of poster and PowerPoint paintings (2010 ---RRB-, Vier Vorschläge zur Veränderung von Modern (Four Proposals for Changing Modern, 2007 ---RRB-, and Frieze (CMYK)(2007) to Filmed Film Trailer (2008)-- the exhibition at Schirn for the first time juxtaposes various of Riedel's work series to form a new installation, which offers an insight into the artist's manifold production methods.

: Zurück zur Figur.

Germer, Stefan, «Raymond Pettibon,» Texte zur Kunst, June, Edition Heft, Nr 70, p. 266.

His writing has appeared in publications by Texte zur Kunst, Frieze, Harvard Design Magazine, Sternberg Press, and Printed Matter, as well as many artist monographs and exhibition catalogs.

She has published essays and fiction in Frieze, October, Sarai Reader, Texte zur Kunst and Transition, among other magazines and journals.

Beshty's writing has appeared in Texte zur Kunst, Afterall Journal, Artforum, Aperture, Art Review, Parkett, Dot Dot Dot, and The Exhibitionist, in addition to several exhibition catalogues and anthologies.

His writing has been published in numerous exhibition catalogues and art magazines, including Parkett, Texte zur Kunst and Artforum.

Das Fenster zur Kunstwelt.

Her writing has been published in The New Inquiry, Texte zur Kunst and frieze d / e, among other magazines, and in her book Dark Pool Party (Dominica / Arcadia Missa).

Im Karussell der Diakonservierung», Hamburger Kunsthalle, Amburgo 2017 «Performance lecture», Lothringer13, Monaco 2017 «Artist's Books», Hamburger Kunsthalle, Amburgo 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», San Paolo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbona 2016 «Par Tibi, Roma, nihil,» Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Amburgo 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Bruxelles 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8a Biennale Internazionale di Arte Contemporanea di Göteborg (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Ginevra 2014 «T293 - in - residence», Sadie Coles HQ, Londra 2014 «Un Nouveau Festival», Centre Pompidou, Parigi 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcellona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.

Reviews and features have appeared in journals including Artforum, Frieze, FlashArt, Texte zur Kunst, Artext, and Springerin.

Atelier Philip Pocock, Cologne, Germany (curated by Philip Pocock) New York Painters: Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, Richard Prince, David Reed, Peter Schuyff, Philip Taaffe, Christopher Wool, Sammlung Goetz, Munich, Germany Eight Painters: Abstractions in the Nineties, Carl Solway Gallery, Cincinnati, Ohio, USA Byron Kim, David Lasry, David Reed: Paintings, Quint Gallery, La Jolla, California, USA Panorama, Galerie Martina Detterer, Frankfurt am Main, Germany; traveled to Galerie Jousse - Seguin, Paris, France New American Abstraction: The Conscious Gesture, Marion Locks Gallery, Philadelphia, Pennsylvania, USA New Moderns, Baumgartner Galleries, Washington, D.C., USA Der zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting, Museumsquartier Messeplatz und Kunsthalle Wien, Vienna, Austria; traveled to Deichtorhallen, Hamburg, Germany (curated by Kasper Köing and Hans - Ulrich Obrist) Silent Echoes, Tennisport Arts, Long Island City, New York, USA (curated by Christian Haub) Prospect 93: Eine Internationale Ausstellung aktueller Kunst / Prospect 93: An International Exhibition of Contemporary Art, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main, Germany (curated by Peter Weiermair) Plötzlich ist eine Zeit hereingebrochen, in der alles möglich sein sollte (Teil 2), Kunstverein Ludwigsburg, Germany, (curated by Udo Kittelmann) «I am the Enunciator», Thread Waxing Space, New York, USA (curated by Christian Leigh)

He is a frequent contributor to Artforum, October, and Texte zur Kunst, among other publications.

Cotton has contributed to various publications, including Artforum, Frieze, Mousse, and Texte zur Kunst, and is a member of the Jury for the 2016 Turner Prize at Tate Britain, London.

Paul Chan: Selected Writings 2000 — 2014 collects the critical essays and artist's texts that first appeared in Artforum, October, Texte zur Kunst and Frieze, among other publications, as well as previously unpublished speeches and language - based works.

In June 2017 Texte zur Kunst published a portfolio of Ojo's work titled «Become What You Fear.»

She has written numerous articles and is the author of «Kunst, Symbol und Seele: Thesen zur Kunsttherapie,» (2014, fourth edition); and «Psyche und Ästhetik.

Dall has recently contributed to journals such as Kunstkritik, Texte zur Kunst, Cura, Frieze, Spike Magazine, Bulletins of The Serving Library, and Mousse.

Doig can be extraordinarily hit - and - miss: some of his compositions, such as Gasthof zur Muldentalsperre, seem woefully misjudged.

In terms of style, his general idea is to bring writing about art into public discourse and away from the near - incomprehensible academy (represented by most of the pedantic grad student analyses in Artforum, or anything in Texte zur Kunst, for example).

T.J. Demos writes widely on modern and contemporary art and his and is also a critic, writing for magazines such as Artforum, Texte zur Kunst, and Art Press and Art Journal.

In 2012, when the Netzwerk freier Berliner Projekträumen und Initiativen (formed in 2009) successfully managed to agitate for a no - strings - attached funding system in the form of the Preis zur Auszeichnung künstlerischer Projekträumen und - initiativen — a significant development, since funding in the form of a prize means funding that does not require acquittal — i.e. the project space has complete autonomy over how the money is spent.

He is also a critic, writing for magazines such as Artforum and Texte zur Kunst.

Since 1985, Koether has also worked as a reviewer and editor for many magazines and journals such as Spex, Texte zur Kunst, FlashArt and Artscribe.

In addition to her book, Pop or Populus: Art between High and Low (Sternberg Press, 2009), her writings on contemporary art and its production have been published widely, in both artist monographs and magazines, including Afterall, Artforum, Bookforum, Speculations, and Texte zur Kunst.

Texte zur Kunst article is reflecting on cryptocurrency in the art world and its relation to the value of art.

His writing has appeared in magazines such as OCTOBER, Texte zur Kunst, frieze d / e, and Ilinx; and he has lectured at institutions including the University of Cambridge, the Courtauld Institute, EIKONES / Basel University, Harvard, Princeton, Oxford, Secession Wien, Stanford, University College London, the Warburg Institute and the Zentrum für Literatur - und Kulturforschung Berlin.

His texts are regularly published in Artforum, Camera Austria and Texte zur Kunst.

Blinky Palermo's Mappe zur Wandmalerei, Hamburger Kunstverein, 1973 is a group of three prints that layout of his solution for a mural created for the Hamburg Art Association.

2014 «Parrottree, Building for Bigger Than Real», The Renaissance Society, Chicago 2013 «Stative auf der Flucht / The tripods» escape», Isabella Bortolozzi Galerie, Berlin «A Moveable Feast - Part IV», Campoli Presti, Paris «Rug Import», Campoli Presti, London 2012 «Portikus Printing Plant and Portikus Sounds», Frankfurt, Germany 2011 «COMMA 35», Bloomberg Space, London «Figurazione / Substituzione», Pavillon, Luca 2010 «Avere luogo», Fondazione Giuliani, Rome «Tunnel» Sutton Lane (Campoli Presti), London and Paris «Hebezeug», Galerie Isabella Bortolozzi, Berlin Fondazione Galleria Civica - Centro di Ricerca sulla Contemporaneit, Trento 2009 «Nora Schultz», solo show as part of «Non-Solo Show, Non-Group Show» project, Kunsthalle, Zurich Art / 40 / Basel, Art Statements with Sutton Lane (Campoli Presti) «10 9 8 7 6 5 4 3 2 1 0», Koelnischer Kunstverein, Cologne 2008 «Nora Schultz», Reena Spaulings, New York «Hidden Fox», Dependance, Brussels 2007 «Zero Ruler», Sutton Lane (Campoli Presti), London «Carriers in Search of the Time - Tilted Weight», Isabella Bortolozzi, Berlin «Nora Schultz», Kjubh, Cologne 2006 «The Metal Magazine», Galerie Meerrettich, Berlin 2003 Turmgalerie Hochheim, Hochheim am Main «Fenster zur Stadt», Garage 13, Frankfurt / Main