«Baby Driver» is Edgar Wright's fifth film and he once again demonstrates his auteurship by splicing musical numbers with action sequences. (donttalkaboutmovies.net)
The telltale signs of their auteurship are still there — the comic regionalism, the genre pastiche, the arresting (if sometimes sterile) cinematography — but increasingly these elements feel like gimmicks in search of a movie. (theatlantic.com)
I argued the other day that auteurship might have its potential pitfalls too, and this all seems to loop back to games and trees. (ramiismail.com)