From a 1980 issue of Cahiers du Cinéma, David Davidson translates Olivier Assayas's rave review of Carpenter's The Fog. (parallax-view.org)
They were able to keep abreast of the new currents, not by having recourse to the latest issue of Cahiers d'Art as they had in the past, but simply by listening and observing. (visual-arts-cork.com)
The Bergman films flopped both critically and commercially, though for the young critics of Cahiers du Cinema they were models of personal independent filmmaking that would help spark the French New Wave. (chicagoreader.com)