This critique of modernist visuality and then simultaneous critique of representation and narrative become two central strategies of your work. (artspace.com)
Beginning in 1926, when Magritte first aimed to create paintings that would, in his words, «challenge the real world,» and concluding in 1938 — a historically and biographically significant moment just prior to the outbreak of World War II — the exhibition traces central strategies and themes from the most inventive and experimental period in the artist's prolific career. (arthaps.com)