It follows other loans of Renaissance portraits of enigmatic women: Raphael's «La Fornarina» (from the Galleria Nazionale d'Arte Antica in Rome) and Parmigianino's «Antea» (from the Museo di Capodimonte in Naples). (nytimes.com)
But with Paulo Coelho's latest endeavor, The Spy, the life of «one of history's most enigmatic women» is drawn in poignant, vivid detail. (mindbodygreen.com)