It's the classic dysfunctional family gathering, shot in the InDigEnt model, with handheld digital camera, practical lighting, lots of group scenes and the camera bobbing through what looks to be like controlled chaos of at least partially improvised scenes. (seanax.com)
By creating «portraits» of nonexistent black characters that she places in familiarly recognizable stock settings — ranging from African - inflected group scenes to fashion shoots to traditional above - the - mantlepiece paintings — she seduces viewers into «understanding» the figures that her canvases portray by mentally placing them received contexts, which raises the question of what those contexts are and how we process them. (artspace.com)