Last year's Berlin Biennale, curated by the artist collective DIS, was highly contested (critics called it an «ultra-sarcastic,» politically insensitive show that ignored prescient issues like the European immigration crises in favor of the «ultra-slick» commercial aesthetics of post-internet art). (artspace.com)
Building upon his UNFRAMED series of borrowed photographs, SO CLOSE collapses history and geography, responding directly to the global immigration crises. (artdependence.com)
By providing a biblically based human face to today's immigrant, Christians at the Border asks us to formulate a Christian response to the current immigration crisis. (firstthings.com)