Similarly, Harmony Hammond employs strips of canvas, grommets, and oil paint to build up the near - monochromatic surfaces of her canvases, a process which she calls «material engagement.» (alexandergray.com)
From 1966 to 1969, Ruscha painted his «liquid word» paintings: Words such as Adios (1967), Steel (1967 — 9) and Desire (1969) were written as if with liquid spilled, dribbled or sprayed over a flat monochromatic surface. (en.wikipedia.org)
Slowly built, incremental distillations of time spent, their rich, monochromatic surfaces contrast the immateriality of the digital workspace. (vandorenwaxter.com)