The Tate Gallery gave her a retrospective exhibition in 1983 - a late recognition of the quality of her work and her significant place in art history as one of the first British artists to embark on a lifetime exploration and development of abstraction. (tate.org.uk)
The exhibition should grant this artist (once the sole female protagonist in Leo Castelli's gallery) her rightful place in art history alongside male peers such as John Chamberlain, Robert Rauschenberg, and Jasper Johns. (sculpture.org)
[18] In an interview with Hyperallergic, Nesbit describes her approach to thinking as being based in the «set of developments that took place in art history in Europe and the United States in the 1970s and 1980s», referring to structuralism and later postmodernism, post-structuralism, and deconstruction. (en.wikipedia.org)