Given In Good Company's small - screen aesthetic, it's ironic that Weitz lets out a sigh of relief that Grace (late of «That»70s Show») didn't need to break any «TV habits,» although he has grown enough as a filmmaker to have developed theories of camera movement, such as that left - to - right pans possess a more «melancholy air.» (filmfreakcentral.net)
Tracks with stereo imaging were equally as impressive, with the shaky left - right panning on Vulfpeck's Tee Time routinely impressing guests in our listening room. (digitaltrends.com)
Ok, I didn't use the right pan so I'm sure that was my issue. (debbiekoenig.com)