In Telephones (1995), he strung together short clips from Hollywood movies, each featuring an actor on the telephone, and in doing so, created a kind of single narrative from diverse sources. (artnews.com)
When it was first suggested that the theatrical release of the unique, twin - experience of «The Disappearance of Eleanor Rigby: His and Her» might require a distillation of two complementing films into a more traditional single narrative release, Jessica Chastain was less than pleased. (thewrap.com)
The pieces fit together well enough for a cohesive single narrative, but the odd shifts of interest lead one to imagine that DreamWorks split their resources into four groups and each were responsible for making an entertaining quarter - film. (dvdizzy.com)