Critic John Russell of The New York Times wrote: «In his new exhibition, [Tworkov] shows himself as the master of a «late style» all his own, in which an elegant and resourceful geometry is made to work together with suffusions of tender glowing color.» (jacktworkov.com)
The Neon Demon is, in other words, rapturous to look at, saturated with intense colour suffusions that make the blood in it textural somehow, thick and crimson and slow. (filmfreakcentral.net)
For this exhibition, Rowe presents a new large - scale installation Suffusion Screen (her thoughts, means, and ends), 2014 that bisects the gallery in a series of accordion - shaped screens. (jamescohan.com)