John Cameron Mitchell's rock opera about a transgender East German rocker made a surprisingly strong transition to the big screen — thanks, in no small part, to retaining Stephen Trask's great songs and retaining Mitchell in the lead role — in an adaptation that took advantage of the switch in medium by enlivening some of the musical numbers with quirky animations by Emily Hubley. (metacritic.com)
Galafianakis» stage persona, a taciturn hermit, makes a clean transition to the big screen with a magnetically weird presence that's occasionally as dumbfounding for his companions as their predicament. (pajiba.com)
The hand - drawn feature animation is the first feature from animation house Titmouse, Inc., a smooth transition to the big screen that borrows animated TV comedies» fast - paced style. (waytooindie.com)