While reading, you can use one of five themes to alter the font style, text accent color and
background texture of each book, ranging from a simple black - and - white theme to a colorful and modern design.
As such, you can expect to see occasional visual oddities, some
blurred background textures (which may have been intentional, despite looking odd) and lengthy frame freezes.
Playing on console offers a good experience, but crowd and
background textures appear a bit muddy even in gameplay on some tracks — on the other hand, the track and car animations and textures are as good as it gets, with dirt, damage, and even the tarmac beneath you showing some serious attention to detail across all console iterations.
Layers gives you a solid set of beginner tools for customizing layouts, colors and fonts, but what if you want to do something more specific, like
add background texture to inside pages, or change the hover color on your nav menu?
The graphics are really pretty overall, I noticed a few flaws in
the background textures but everything else is crisp and clean.
We also played the game on PS4, where
the background textures looked much cleaner and the game itself felt more polished.
While the foreground of the action looked clean and crisp,
the background textures were noticeably fuzzy and choppy.
-LSB-...] e-Book Cover Design Awards, July 2016 —
The background texture is built from a variety of images and... but do note that the title is poorly placed within the red band and ought to be vertically centered.
Besides a few moments (like the Japanese garden) the game just looks pretty bland and uninspired which isn't that big of a deal since I'm here for the gameplay, not to look at how
the background textures look.
There's only one problem though, as great at the characters and enemies look,
the background textures can be a bit bland and boring.
The graphics and
background textures are cartoonish and fun.
Their surfaces remain visible, becoming integral to the work as drawn lines, latticed grids, and
background textures.
His latest exhibition «Powder of Light currently on at Jonathan Levine Gallery in New York, combines acrylic, ink and spray paint on
a background texture of tea - stained canvas.