Sentences with phrase «bass presence»

The drums on this track receive a heavier - than - usual dose of bass presence, but it's never unpleasant.
The drums on this track get some added bass presence, giving them far more depth than they typically have, but the boosting never sounds unnatural.
Powerful, distortion - free audio performance with deep bass presence.
It does a good job of keeping the sound balance and having a strong bass presence.
As for those black bases the metallic towers sit on, each houses a 3 - inch low frequency driver and a passive radiator, which helps add a little extra bass presence.
The drums on this track get just the ideal amount of bass presence, rounding them out and giving them a fullness and body.
This is not to imply they lack bass response — especially on this track, they deliver a very healthy deep bass presence.
The drums on this track sound huge and thunderous — this is notable because they don't necessarily possess such a powerful bass presence when listening through a less boosted earphone pair.
The MA750 monitors from UK - based RHA are most notable for their warm and lush sound, spacious presentation, and good bass presence.
There's no real bass presence, and the top - end gets a little shrill at high volumes, but it's easily among the best tablets around for sound.
The drums on this track get a slightly boosted bass presence, but in a subtle enough manner that it merely lends them a bit more body and richness — things are not boosted to unnatural levels.
Classical tracks like John Adams» «The Chairman Dances» follow the above trends even more drastically — the lower register strings and percussion lack the depth and roundness that a more substantial bass presence would bring to the equation.
There's not much bass presence to the Arctis 7, the result being a treble - heavy mix that sounds a bit shrill or radio-esque after a while.
The drums on this track can sound overly thunderous on bass - forward earphones, but through the Hero, there's a solid bass presence without sounding over-the-top.
On tracks that happen to have gobs of intense sub-bass content, like The Knife's «Silent Shout,» the Mode EQ brings plenty of deep bass presence even in the treble - focused EQ mode, but the sound is a more natural, less Beats - style bass boosting.
The drums on this track get a subtle bass presence — nothing that sounds thunderous or overly boosted, but a natural sound with a soft low frequency presence and a solid mid-range focus.
His baritone vocal delivery also gets a healthy bass presence, with boosted high - mids and highs that let his voice to retain its treble edge and clarity.
Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, receive more added bass presence than most classical music listeners will want.
Despite the sound signature featuring a strong bass presence, it does little to upset the balance of the headphones, which also devote plenty of attention to the higher frequencies.
Again, this isn't a muffled or muddy sound, but some listeners will wish it had a bit more brightness to balance out the powerful bass presence.
Well, they sound good for a premium pair of speakers, but there are drawbacks including thinner mid range, and high bass cut off at 70 Hz, which means while there's good bass presence, you might be missing the really low stuff.
The sub-bass synth hits that punctuate the beat are delivered with gusto, but they never approach subwoofer - in - your - skull levels of bass presence.
At moderate volumes, the deep bass presence in the mix is dialed back a tad — the X12i can reproduce the sub-bass frequencies, but it doesn't necessarily push them to the forefront like many earphones do.
The drums on this track can sound overly thunderous on bass - heavy headphones, but here they sound somewhat modest — it's Callahan's baritone vocals that get the bulk of the bass presence, sounding rich and crisp simultaneously.
Classical tracks, like the opening scene in John Adams» «The Gospel According to the Other Mary,» receive some added bass presence, to the point that the lower register strings occasionally sound unnatural.
The guitar strums and higher register percussion stand out — there's some added brightness here, while the bass presence seems located more in the lows and low - mids and less in the sub-bass realm.
Orchestral tracks, like the opening scene from John Adams» The Gospel According to the Other Mary, receive some added bass presence that pushes the lower register instrumentation forward in the mix somewhat, but the higher register brass, strings, and vocals remain crisp, bright, and in the spotlight.
The A10 has excellent audio, though, with its bass presence especially surpassing what competitors offer in this tier.
On a more modern mix with more bass presence, like Radiohead's «Staircase,» the mids and highs still take center stage, with the high percussion and guitar picking grabbing the spotlight, while the bass line that mimics the guitar part fills things out nicely.
Its audio didn't have as strong a bass presence as that of other gaming headsets (which often amplify the bass to give a vibration effect), but it definitely didn't sound thin.
There's a pleasant level of bass presence, but the lows play a supporting role to the higher register instrumentation.
At moderate volumes, the bass presence is still prominent, but the Bose sound signature means there's also plenty of high - mid sculpting to balance things out.
On instrumental tracks, like John Adams» classical piece, «The Chairman Dances,» the bass presence is much more subtle, but still lends a nice bit of deeper resonance to the lower register strings.
The sub-bass synth hits that punctuate the beat and often sound thunderous on bass - forward earphone pairs are powerful here, but the bass presence isn't insanely strong like it often is — we hear just as much of the synth's raspy top notes as we do its depth.
On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation receives added bass depth, but it isn't overwhelming like you might expect — most of the bass presence exists in the lows and low - mids, not in the sub-bass realm, and it's the sub-bass that the earphones really seems to boost with bravado.
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