Sentences with phrase «budget horror»

"Budget horror" refers to horror movies that are typically made with low production budgets. These films often have limited resources for special effects, sets, and actors. They are known for their simplicity and sometimes may not be the highest quality or scariest, but they can still provide entertainment and a sense of fear. Full definition
Low budget horror films are a funny thing sometimes.
There's a reason so many low budget horror movies are made each year - the audience is faithful.
I love a good low budget horror movie that feels a bit realistic.
It looks less like a house than the movie set of a low budget horror flick....
It's the big - budget horror games that tend to grab most of the media attention.
Also known for his collective no - budget horror short films.
Then it's on to his beloved slideshow of budget horrors: a $ 10 billion state deficit!
I thoroughly enjoyed this film and it's a fine piece of low - budget horror cinema that is guaranteed to be a memorable viewing experience.
-- What ridiculous budget horror movies do you all love?
She loves making no - budget horror flicks with her friends, cooking, crafting, exploring, and being silly with her two kids, awesome husband, and lazy cats.
That's a summer blockbuster right there, or at least a low - budget horror film.
When I first saw the trailer for Get Out, I thought it was going to be another stupid low - budget horror movie.
But then it does have a solid cast and a producer who has a proven track record of profitable box office success with low budget horror.
He's also known for his collective no - budget horror shorts.
John Krasinki's low - budget horror goes for $ 50 million; «Ready Player One» still # 2; «Blockers» opens strong; could «I Can Only Imagine» reach $ 100m?
Making its world premiere at Fantastic Fest on September 22, The Void marked a departure in style for two members of Astron - 6, Jeremy Gillespie and Steven Kostanski, a group known for lower budget horror comedies.
A Quiet Place, of course, is a modestly budgeted horror film released on a rare weekend free of spandex, tights, and world - saving superhero vs. super-villain slugfests.
With so few big budget horror games on the way and the remaining kings (Silent Hill, Resident Evil, Dead Space) either dying slow deaths or losing much of what made them special in the first place, The Evil Within stands out as a potential «savior» for the survival horror genre.
Low - budget horror fare like Blumhouse's Truth Or Dare, for example: Starring Pretty Little Liars» Lucy Hale and Teen Wolf's Tyler Posey, the film looks like an appealingly unserious blend of the Final Destination and Ouija movies with a dash of It Follows, as a gang of teenagers starts dying one by one in diabolically clever ways after playing «a seemingly harmless game of truth or dare.»
Two other new films landed on the top 10 this week: Eli Roth's low - budget horror picture The Green Inferno was ninth with $ 3.49 m, thanks to a release strategy that targeted cinemas popular with fans of genre films; and Denis Villeneuve's Tex - Mex border thriller Sicario was 10th, earning an impressive $ 1.77 m from just 53 cinemas on limited release.
In the midst of the Viacom - CBS merger melee, Paramount Pictures is turning itself around and can celebrate the fact that their low budget horror thriller A Quiet Place has bested Universal / Blumhouse's Get Out at the domestic box office, $ 176.5 M to $ 176M.
It would appear though that the two - week reign for the Stephen King adaption is about to end as two high - profile releases (The LEGO Ninjago Movie and Kingsman: The Golden Circle) and one small budget horror flick (Friend Request) hit screens.
With Get Out, Split and The Purge behind it, low - budget horror studio Blumhouse can do no wrong at the moment.
After producing mostly budget horror flicks, the studio released a low - rent version of War of the Worlds to coincide with Steven Spielberg's 2005 big studio adaptation.
Quite a pleasant surprise, a deft and intriguing low - budget horror item that deserved much better handling than it received.
and «The Incredible Shrinking Man,» and Donna Arkoff Roth, whose father (Samuel Z. Arkoff) ran American International Pictures, once a cornucopia of low - budget horror epics.
Low - budget horror under studio auspices seems to work more often than not.
We've witnessed something of a low - budget horror resurgence in recent years and this eerie indie looks set to join It Follows, The Witch and this year's Get Out as a notable example of an original film making the leap from midnight screenings to the multiplex.
Low - budget horror fans will find little to complain about in the straightforward first half - hour, which stacks up an entertaining series of episodic mishaps — an overpowered Pec Deck machine pushes a guy's ribs out through his torso; ceramic tiles fly off the walls of a fully - occupied women's locker room as steam blasts out of the shower heads; and, in the quickest and most brutal tableau, an unfortunate patron gets a Friday the 13th - style arrow through the back of the neck.
Producer Jason Blum of Blumhouse Productions has made a career out of taking low - to - moderately budgeted horror films like Paranormal Activity, Sinister and Oculus and turning them into profitable box office offerings - often with promise of sequel and / or franchise opportunities.
Twenty years on and Slater is starring in a low budget horror named STRANDED, which revolves around four isolated astronauts on board a bio-dome space craft, who experience a ghostly intercession after a meteor storm, leading to paranoia, fear and death.
What really stands out about «Maggie» is its cast, as the ex-governor continues his return to acting with something different for him: a low - budget horror drama that's more of a character study than an action picture.
Based on the low - budget horror franchise from the»80s, this will surely make a bloody profit during its theatrical campaign and snag even more during its DVD / On - Demand run as the massive cult following will need to own this.
Sure, films like Jeepers Creepers and Eli Roth's Cabin Fever weren't as well - realized or memorable compared to earlier films by the likes of John Carpenter or Wes Craven, but it's from these retro auteurs that early millennial low - budget horror appropriated its aesthetic.
With the rise in popularity of zombies, it was about time for a remake of the classic low budget horror fest known as The Evil Dead.
Truth or Dare (PG - 13) marks the first time the Blumhouse low - budget horror assembly line puts its name out front, after years of hits including the Paranormal Activity, Insidious and Purge series.
The Lazarus Effect, the latest bit of low - budget horror fluff from the producers of Paranormal Activity, The Purge and so on, is the movie version of Frankenstein's monster.
When Insidious was released back in 2011, it marked the resurgence of low budget horror after a decade of big budget remakes and...
Shaky camerawork and shakier plotlines collide in this low - budget horror adventure set in the Paris catacombs
He's made what is not only the smartest and best release that low budget horror label Blumhouse has ever had the fortune to put its name on, but an accomplished piece of horror that stands on its own as an irresistible thrill ride.
Developed by Bethesda, this will be a big budget horror title for current and past generation video game consoles.
With a $ 400M box office gross, it's put this $ 120M - budgeted horror action film into profit territory.
Though a bit overlong and at times needlessly difficult, Alien: Isolation is the strongest big - budget horror experience in years.
Insidious was one of the early signs that Blumhouse's strategy of turning modestly budgeted horror movies into box office hits would be viable going forward.
By George Wolf Back in'the early 80s, a low budget horror flick called The Evil Dead got an unexpected boost from legendary author Stephen King.
As a low - budget horror comedy outing, Severance is an impressive film that is original and lots of fun from start to finish.
We passed over a couple of fine animated features (at that point, Avatar was still a dark, threatening mass on the horizon) to give the award to a Venice premiere: Joe Dante's The Hole, a modestly budgeted horror film that displays an effortless mastery of the third dimension.
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