Sentences with phrase «climactic sequence»

There isn't too much surround usage, as the film is primarily dialogue, but there is some life to the tracks particuarly in climactic sequences.

A murder in the surf reminds so much of Mann's climactic sequences from Manhunter that it could be a lost scene from that film.

That made the whole climactic sequence a mess and pretty stupid seeing her up on the balcony.

This particular strip of Broadway provided the location for a key climactic sequence in Gilroy's latest movie, «Roman J. Israel, Esq.,» a character study and legal drama starring Denzel Washington.

Tierney's acting is laughably bad and in the final climactic sequence all sense of continuity is thrown out the window as Belle rides in one direction and Scott in the other.

Both ultra-violent and super-scary, this little genre pic offers up one of the most disturbingly beautiful climactic sequences in recent memory.

But at the end of the video, while I was playing through a rather climactic sequence, something a bit weird happened.

This all builds up to a big climactic sequence (usually a boss fight) that compounds on what you know and acts as a showcase for the Capture abilities you've been practising with.

The film wastes such formidable laugh - getters as Patton Oswalt (virtually his entire role is in the trailer) and Rob Corddry, while ladling on the schmaltz in a climactic sequence with Martin Sheen as Dodge's long - estranged father.

The talk - heavy bent of Perry's script admittedly diminishes the impact of the film's climactic sequences, and yet it's impossible to deny the effectiveness of many of the movie's late - in - the - game twists and turns (most of which are much, much darker than one might've anticipated).

The performances are also exemplary, but it is primarily a film of great moments — the climactic sequence of the young conscript reaching out for a butterfly in the sun — that, once seen, are never forgotten.

During the climactic sequence, we have no idea what she's thinking or feeling.

Collins» character plays a part in the climactic sequence in New York (storyboard above), where Mija and Okja go for unknown reasons.

To be fair, the climactic sequence, with Polynesian footbridge systematically disintegrating as the survivors seek to cross over a river of molten lava, is such primally cinematic stuff that the palms can't help sweating as intended.

Sure the heroine should have been changed out and the climactic sequence was way too nutty to be believed, but Jake Gyllenhaal is a wonderful hero and Kingsley as the villain serves as the perfect snake in the grass.

During the climactic sequence, she shows up again — she's strapped to the back of one of their bikes.

Statham provides a few laughs of his own in a climactic sequence featuring both an action sequence and babysitting.

Add to that a climactic sequence that feels conspicuously movie - ish — with a race down the tarmac that turns the Iranian authorities into Rosco from The Dukes Of Hazzard — and Argo looks more like an efficient time - waster than one of the best of the year.

The film is worth watching alone for Tracy Letts» performance as an awful LA dad, and for Ellen Burstyn, who brings levity and dark humour to a climactic sequence that borders on the macabre.

The climactic sequence, which pits a flood of water against a burning tower, is an especially sterling example of great technical filmmaking.

And the climactic sequence is an inspired collision of mind - bending effects and inventive humorous touches (Thomas the Tank Engine nearly steals the whole film).

By the film's climactic sequence, a frantic and deadly affair that is observed in part through the impassive eye in the sky that governments deploy via satellite and in part out the window of a speeding SUV, Syrianahas become as deeply disturbing as any conspiracy thriller, even if it's less satisfying than most of the good ones.

I don't pretend to entirely understand the intended metaphor but I enjoyed its repeated presence, and although the mix of dramatic modern dance and deadly gunfire could easily be considered tasteless or trite, the climactic sequence works thrillingly well.

The script builds gingerly over the course of the two - plus hours, until we reach the climactic sequence, which is atypical compared to most hostage / rescue movies.

The climactic sequence is a thing of utter beauty, as the camera takes us around half a block: up, down, across, around ambulance and fire truck, never cutting, and with every actor on their mark, which for some is multiple marks in different locations, doling out savory, pitch - perfect resolution while Mark Mothersbaugh's suitably versatile score swells with children's choir accompaniment.

«Thoroughbreds» builds to a climactic sequence, immaculate in its framing and sound design, in which suspense, horror and poignancy commingle in one extraordinary single take.

Dive into these climactic sequences presented in retro video - game format.

The climactic sequence is a no - holds - barred assortment of «vehicular warfare» (between cars, a drone, and a helicopter), fistfights, and a flipping and free - running foot - chase (featuring Tony Jaa and providing the most noticeable example of Walker's absence).