Sentences with phrase «commercial galleries»

We have worked with commercial galleries in hosting talks and exhibitions, but remain on the curatorial side of things.

As a time marked by underground political dissent, the 1970s was a decade when artists began working small, working privately, and working beyond the boundaries of commercial gallery system.

I have a consistent studio practice and upcoming exhibitions at non-profit, artist run spaces but have never had any luck with commercial gallery spaces.

Unlike a typical commercial gallery show, many of the pieces are on loan from museums and therefore unavailable for sale.

Through a historical accident I had arranged for students to do work experience at commercial galleries.

How many are represented by commercial galleries considered to be top tier?

I should mention that I have organized exhibitions for commercial galleries.

Other competitive award categories include traveling thematic show, architecture and design show, historical show, and commercial gallery exhibition.

His works hang in many private and corporate collections as well as commercial galleries.

It is becoming harder and harder to distinguish public collection spaces from commercial galleries.

I love to remind myself of how much of the city one misses, between cold winters and a narrow focus on commercial galleries.

One of my goals as an artist is to secure commercial gallery representation.

But no major commercial gallery or institution gave him the recognition he deserved.

Because AC is such a small, raw space with low overhead, we have the freedom that a larger commercial gallery does not.

At a point when it feels like more commercial galleries close than open every year, this is extraordinarily encouraging.

There is no art fair of significance here, and very few commercial galleries.

And none of the big commercial galleries has regular displays of it.

We work on a basis of sales percentage, as any other commercial gallery.

Unlike many commercial galleries, we are always interested in new talent to represent and nurture.

On the other hand, your work has been completely absent from any kind of commercial gallery environment.

Each exhibition is presented in collaboration with a well - known commercial gallery.

They're also one of the most prominent commercial galleries on the continent representing artists from other African nations and only work with international artists who engage with the African context.

It is rare nowadays to see commercial galleries mounting exhibitions for single artists or a coherent group of artists from the 18th and 19th centuries.

What were hard and fast boundaries between commercial galleries and museums a decade ago no longer exist.

These have proven popular in commercial galleries around the world.

Set up as a small project room for contemporary art, White Cube is now one of the most influential commercial galleries in the world.

-- museum curators joining commercial galleries for serious money, art fairs opening tomorrow, auction records set only to be set again.

Even in traditionally more conservative commercial galleries, programmes are diverse and anything goes in a city that feels flooded with art.

But seriously, give me some names of the best alternative spaces (and most progressive commercial galleries, too).

Could I leverage this 30,000 - square - foot commercial gallery and offer nothing for sale in 20,000 square feet of it?

Price's work has been much talked about, though not widely exhibited until relatively recently (and then only in group shows or in commercial gallery presentations).

With commercial galleries hiring from the museum sector, museums hiring from the commercial sector and private museums popping up like mushrooms, what is left of the distinction between public and private?

In the past few years commercial galleries have been doing some of the historical heavy lifting we usually associate with museums.

But do commercial galleries hold too much sway over contemporary art and artists?

Here's a refreshing alternative to the typical commercial gallery summer group show.

In the future, you may want to pursue commercial gallery representation, or perhaps have a museum show within the next five years.

All of which is in marked contrast to the numerous sophisticated commercial galleries that the Brazilian city boasts.

It is such an appropriate word for a strictly commercial gallery.

He rarely makes public appearances, refuses to communicate by telephone, doesn't turn up to his own openings — doesn't, for that matter, even have permanent commercial gallery representation.

What's wrong with using commercial galleries as satellite exhibition spaces?

There was a time when Roman artists were well represented in the main commercial galleries and museums.

The primary market is where contemporary art is sold for the first time; mostly commercial galleries which represent artists and have a direct working relationship with them.

I am at the point in my practice now where I feel ready to seek commercial gallery representation but have no idea where / how to even begin the process.

The international art market comprises commercial galleries, artists, art dealers and agents, art fairs, art consultants and auction houses.

It is a non commercial gallery, open free of charge to the public all year round, with wheelchair access.

Price Check is a weekly column that looks into the price of works currently on view at commercial galleries.