Long - running Eat Me is both a trendy restaurant and a gallery, with regular local and international
exhibitions organized in its space.
The works will be exhibited on the site of the festival in a pop -
up exhibition organized by the contemporary art gallery White Cube.
Nadja Bournonville is included in a traveling
group exhibition organized by the Goethe - Institut, and her work was mentioned in the Washington Post.
«Six Panels,» a new series
of exhibitions organized by guest curators in the Glass House Painting Gallery, opens Saturday, May 31.
To mark the centennial of Auguste Rodin's death on November 17, the Barnes Foundation will host the only US presentation of Kiefer Rodin, a
major exhibition organized in collaboration with the Musée Rodin in Paris.
Beginning 15 February, Hauser & Wirth will present «Serialities,» a group
exhibition organized with Olivier Renaud - Clément which examines notions of seriality and repetition, and ways in which artists explore linear and non-linear narratives through iterations.
It is the first
solo exhibition organized by Guangdong Times Museum since its inauguration, and the first of Jiangzhi's solo presented by a museum in China.
More recently, his work was shown in a traveling
retrospective exhibition organized by the Dia Art Foundation, New York and the Center for Curatorial Studies, Bard College (CCS Bard), Annandale - on - Hudson, New York.
«There was more interest in [Tschabalala's] work than in anyone else's in the exhibition, even Picasso and Picabia,» said Jeffrey Deitch of «Desire,» the group
exhibition he organized at Art Basel Miami with Larry Gagosian and curated by Diana Widmaer Picasso.
Sandback's work is on permanent display at Dia: Beacon, New York, was the subject of a travelling
survey exhibition organized in 2005 by the Kunstmuseum Liechtenstein, Vaduz, and is held in major museum collections in Europe and the United States.
This catalog accompanies a
touring exhibition organized with the estate of Jan Matulka and the Montclair Art Museum (September 2004 - June 2006).
«Passive Collect» A group
exhibition organized around contemporary notions of data collection Curated by Jesse Stecklow With works also by: Morgan Canavan, Lucy Chinen, Jesse Stecklow, Carlos Reyes
He produced Editions with — among others — Pieter Downsbrough, Peter Hutchinson, and Rob Scholte; was a guest curator of
exhibitions organized for the Prague Biennial, and many galleries and museums, and published books about Fluxus and Multiples.
Beginning June 6, 2012 the Barneys New York Madison Avenue flagship store's windows will be transformed into dynamic vitrines for a public
art exhibition organized in collaboration with DESTE Foundation for Contemporary Art, based in Athens, Greece.
Current and
recent exhibitions organized with Center support include Barbara Kasten: Stages, a survey of the work of Chicago artist Barbara Kasten, and Endless Shout, an interdisciplinary, multi-artist project exploring the role of performance in museum spaces.
The collection includes the archives of Segura Publishing Company (a mainstay of the local and international artistic community) and selected works
from exhibitions organized by SMoCA.
Black in the Abstract, Part 2: Soft Curves / Hard Edges is one in a six - part series of
exhibitions organized under Outside the Lines.
As a curator at the Musée d'Art Moderne de la Ville de Paris, France since 2000, among many
other exhibitions he organized solo shows with Jonas Mekas (2003), Anri Sala (2004), and Cerith Wyn Evans (2006).
Posthumous print made from original negative on the occasion of the Garry
Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco
Among the seminal
exhibitions he organized as curator and director of the Pasadena Art Museum were the first retrospectives of Marcel Duchamp and Joseph Cornell; he also mounted the first exhibition devoted to Pop Art, New Painting of Common Objects (1962).
Shock Wave, which will include recent acquisitions from the DAM's permanent collection, is the
inaugural exhibition organized by Florence Müller, the DAM's Avenir Foundation Curator of Textile Art and curator of fashion, who joined the museum in 2015.
«Occupied Territory,» a presentation of archival material and artworks, charts the development of three New
Museum exhibitions organized in response to the unsettling climate of globalization in the early 1990s.
They are on view at the entry to «Cindy Sherman: Imitation of Life,» the first
special exhibition organized by the Broad museum since it launched last fall.
In 2010, the Whitney Museum of American Art organized «Festival» a one -
person exhibition organized around Marclay's «graphic scores,» works to be interpreted by musicians as scores for performances.
The Zimmerli's works can be seen all over the world, as the museum frequently loans art from its collection to national and
international exhibitions organized by other universities and museums.
Exhibitions presented in The Brown Foundation Gallery feature work by leading internationally - recognized artists working at the vanguard of contemporary art, as well as
thematic exhibitions organized around questions central to the nature of art and life today.
He also curated September 11, a group
exhibition organized on the occasion of the tenth anniversary of the terrorist attacks in 2011, and oversaw MoMA PS1's expanded presentation of Mike Kelley in 2013, which was the largest solo exhibition in the institution's history.
1876 - 1957,
[exhibition organized by the Musée national d'art moderne, Centre Georges Pompidou, Paris, April 14 - August 21, 1995 and the Philadelphia museum of art, October 8 - December 31, 1995]
La Biennale di Venezia is invited at the International Symposium to present the most significant aspects regarding the Historical Archive of Contemporary Arts (ASAC), which expands and evaluates - also thanks to the
several exhibitions organized over the years - the conservational and documentary assets of La Biennale di Venezia, gathered from 1895 to the present.
This show is a selection from a
larger exhibition organized by Miami Art Museum and curated by Assistant Director for Programs / Senior Curator Peter Boswell.
Gathering together extensive documentation and rare archive material on the numerous
exhibitions they organized together from 1995 on, the book is introduced by art theorist and friend of the artist Max Wechsler, who followed West's work closely for many years, and whose illuminating foreword begins: «Without doubt, he was an odd bird, a gifted idler, a Vienna man sui generis and eccentric par excellence.»
Among the
seminal exhibitions he organized as curator and director of the Pasadena Art Museum were the first retrospectives of Marcel Duchamp and Joseph Cornell; he also mounted the first exhibition devoted to Pop Art, 1962's New Painting of Common Objects.
The In situ project is part of the Matter of
Time exhibition organized by design collective Dutch Invertuals, under the curation of Wendy Plomp.
His forthcoming essay «David Novros's Painted Places» will be published in the catalogue for Novros's
current exhibition organized by the Museum Wiesbaden and Museum Kurhaus Kleve.
«Deborah Roberts: The Evolution of Mimi,» an
original exhibition organized by the Spelman College Museum of Fine Art, features more than 50 collages, paintings, and hand - painted serigraphs.
In 2011 her pearlescent paintings were featured in «Venice in Venice,» a
satellite exhibition organized for the 54th Venice Biennale, «Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture» at the J. Paul Getty Museum, and Read more