Sentences with phrase «for women in the arts»

Despite what might appear to be great progress for women in the arts, these societal expectations continue into the present.

After just a few weeks, 2016 is already a notable year for women in art.

Because things have shifted for women in the arts, maybe we need to start thinking about how to use the positions we're in to make change.

While things are getting better, statistics still show that opportunities are low for women in the art world, with women earning 29 % less than their male counterparts.

The National Museum for Women in the Arts in Washington, DC, displayed Mahlangu's BMW in 1994 and at the same time commissioned her to paint the façade of an annex building.

She has exhibited widely, with exhibitions in the National Museum for Women in the Arts in Washington, DC and the American Academy & Institute of Arts & Letters in New York.

POWarts founder Sara Kay opens Lower East Side gallery Sara Kay, a former director at White Cube in London and founder of the Professional Organization for Women in the Arts (POWarts), is now opening her own gallery, Artnet reports.

Other professional affiliations include the National Advisory Council of the Tang Museum, Skidmore College; the Advisory Committee for the Madison Square Park Art Program; ArtTable, a national organization for women in the arts; and together with Laurence Shopmaker, the Art Dealers Association of America (ADAA).

JF: A.I.R. Gallery is a thriving place for women in the arts.

The ICA's Barbara Lee Collection of Art by Women stands as a prime example of support for women in the arts and includes many favorites: Louise Bourgeois, Eva Hesse, and Kiki Smith, to name a few.

National Museum for Women in the Arts presents Fabulous!

She is represented by Sexauer Gallery in Berlin, and serves as a board member of SALOON, a network for women in the arts.

Did Richard Prince deliver the worst exhibition of the year or the best case for women in the arts?

The Waking the Feminists event at the Abbey Theatre drew 600 people together to call for equality for women in the arts.

Having done service for women in the arts through my work on the national board of the Women's Caucus for Art; I now hope to focus my attention on my own studio practice and exhibiting.

Feminist Art Late 1960s early 1970s movement that sought to increase opportunities for women in the art world and to rewrite the historical canon giving more importance to women artists.

Generously hosted by International Print Center New York with support provided in part by POWarts, the Professional Organization for Women in the Arts.

Shaffer has been a consistent advocate for women in art.

[1] Despite what might appear to be great progress for women in the arts, these societal expectations continue into the present.

Despite the misogynistic horror of Donald Trump's campaign and eventual election victory, 2016 was a great year for women in the art.

She has lectured widely on the contemporary art market and is a member of ArtTable, an organization for women in the arts.

Things have shifted for women in the arts.

The critic Linda Nochlin, in «Miriam Schapiro: Shaping the Fragments of Art and Life,» a monograph accompanying «Miriam Schapiro: A Retrospective,» another exhibition on national tour, said taht in the process Ms. Schapiro «has made a place for women in her art, and made it in a way that is completely contemporary and splendidly seductive in its sensuous pictorial fabric.»

Examples of Immi Storrs's work can be found in various private and public collections around the country, including the Albany Museum, Albany, Georgia; the Snite Museum, Notre Dame, Indiana; the National Academy Museum, New York; and the National Museum for Women in the Arts, Washington, D.C.

October 13, 2017 — January 21, 2018 Shinique Smith Magnetic Fields: Expanding American Abstraction, 1960s to Today The National Museum for Women in the Arts, Washington, D.C. Visit Website

Speakers include Iwona Blazwick (Director Whitechapel Gallery), Susan Fisher Sterling (Director National Museum for Women in the Arts), Ann Gallagher (Director of Collections, British Art, Tate), and collectors Valeria Napoleone and Floriane de Saint Pierre.

Adnan's artworks feature in numerous collections, including Centre Pompidou, Paris; Mathaf, Doha, Qatar; Royal Jordanian Museum; Tunis Modern Art Museum; Sursock Museum, Beirut; Institut du Monde Arabe, Paris; British Museum, London; World Bank Collection, Washington D.C.; National Museum for Women in the Arts, Washington D.C..

Adnan's works are included in many collections, such as the Pompidou in Paris, the Mathaf in Qatar, the Royal Jordanian Museum, the Tunis Modern Art Museum, the Sursock Museum, Beirut, l'Institut du Monde Arabe, Paris, the British Museum in London, the World Bank Collection in Washington D.C, the National Museum for Women in the Arts, and the Serpentine Gallery in London.

Matar's work has been widely exhibited in the U.S. and internationally, most recently at the MFA, Boston in She Who Tells a Story: Women Photographers From Iran and the Arab World, which toured to the Cantor Arts Center at Stanford University; Carnegie Museum of Art, Pittsburgh; and the National Museum for Women in the Arts, Washington DC.

Her work has also been included in group exhibitions at the 2016 Okayama Art Summit, Japan; the National Museum for Women in the Arts, Washington, D.C.; the 11th Gwangju Biennale; the 13th Fellbach Triennial, Germany; Fundação de Serralves, Portugal; Taipei Biennial 2014; 12th Biennale de Lyon; Museum of Contemporary Art, North Miami; Museum fur Gegenwartskunst, Basel; and Sculpture Center, New York, among other galleries and institutions.

Today A.I.R. is the oldest all female cooperative gallery in the US and has continued to advocate for women in the arts.

Her work is included in many museums and private collections, including, New Orleans Museum of Art and National Museum for Women in the Arts, as well as permanent outdoor sculpture installations at The Kreeger Museum, The Katzen Arts Center at American University, George Washington University, and upcoming installations at Montclair State University and The Wilmer Eye Institute at Johns Hopkins Hospital.

She has received several awards including the National Museum for Women in the Arts: Book Artist Fellowship, the Florida Artists» Book Prize and a New York Art Directors Book Design Award.

Etel Adnan has an international profile and features in numerous collections, including the Centre Pompidou in Paris, the National Museum for Women in the Arts in Washington D.C., and the British Museum in London.

Marina Zurkow is a 2011 Guggenheim Fellow and has recently shown work at SF MOMA, Walker Art Center, Wave Hill, and the National Museum for Women in the Arts.

Living Paintings We have been delighted to support the charity Living Paintings by commissioning three new Touch to See interpretations of paintings which are in the National Museum for Women in the Arts, Washington.

Etel Adnan's artworks feature in numerous collections, including Centre Pompidou, Paris, Mathaf, Doha, Qatar, Royal Jordanian Museum, Tunis Modern Art Museum, Sursock Museum, Beirut, Institut du Monde Arabe, Paris, British Museum, London, World Bank Collection, Washington D.C., and National Museum for Women in the Arts, Washington D.C, as well as within many private collections.

Exhibition: Selected Museum Group Exhibitions: Museum of the Gulf Coast, Port Arthur, Texas Arizona - Sonora Desert Museum, Tucson Wildling Museum, Solvang, California Newington - Cropsey Foundation, Hastings - on - Hudson, New York Gilcrease Museum, Tulsa, Oklahoma National Museum for Women in the Arts, Washington D.C.

She has exhibited widely, including the National Museum for Women in the Arts in Washington, DC, and the American Academy & Institute of Arts & Letters in New York.