"Global capitalism" refers to an economic system where trade and businesses operate on a global scale, with the goal of making profits. It involves the free flow of goods, services, and investments across international borders, driven by competition among companies and the pursuit of profit maximization. In this system, multinational corporations have significant influence, and the focus is on acquiring and accumulating wealth globally.
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Instead, he's making a more mundane claim: In these beginning decades of the twenty - first century, most of the pressing difficulties we face stem
from global capitalism.
There's no application of Catholic social doctrine to help us think in a disciplined way about how to respond to environmental threats, or how to
reform global capitalism.
In no way do I minimize the thousands of local efforts to bring some enjoyment to the world even now, in spite of the overwhelming dominance
of global capitalism.
As the modern, democratic nation - state is eroded
by global capitalism, we instinctively seek alternative ways to shape a political order.
We can judge them by their settled support
for global capitalism, inequality, authoritarianism and deception.
Unlike his book
on global capitalism, One World, Ready or Not (1997), his latest analysis of the economy is limited to an American perspective.
Jarrar participates alongside artists from India, Europe and the Middle East to query the hubris of
global capitalism which often operates in the guise of democracy.
An uncompromising portrait of
how global capitalism can exploit an area's resources to the point of near annihilation.
For forty years, Sekula produced deeply personal documents about labor, landscape, and the history and uses of photography
under global capitalism.
A pivotal figure in contemporary art from the early 1970s until his untimely death in 2013, Sekula continuously questioned the function of the documentary genre and the consequences of
global capitalism through his critical writings, photographic installations, videos, and films.
The greater freedom of governments would not ensure that the poor in their countries would benefit, but it would make possible the improvement of their condition — a possibility absent in
unfettered global capitalism.
This is especially true
where global capitalism sweeps through traditional societies, remaking them in a single generation.
«Global / National» made politics itself unfinished architecture, as artists like Kate Gilmore helped
identify global capitalism with «the order of chaos.»
However, the danger exists, as has happened on many occasions, that ESCR will pay a high price for a crisis caused by the excesses of
unbridled global capitalism which is allergic to any type of constraint or regulation (1).
Producing work over a period of extreme political tension, social anxiety and
rising global capitalism, Kienholz created a body of work that, in the words of Guy Brett, reviewing his 1971 exhibition at London's ICA, were «a protest against a dehumanized, fear - ridden society».
The exchange ends with a meditation by Furet on «the melancholy backdrop» of the end of the millennium, where he sees an unrepentant left seeking «the oldest dream of modern democracy»» to separate democracy and capitalism, when they run inevitably together» and a triumphant
global capitalism eroding cultural differences, with unpredictable but potentially tragic consequences.
Ironically and, I think, knowingly, it also revels in the loss, right down to the choice of taping in China,
now global capitalism's latest home.
To buy up other nations» assets is the essence of
Neoliberal Global Capitalism, and in playing within that system China is now vulnerable to the same nationalist and revolutionary forces as those opposing U.S. domination.
Grey also uses her feminist angle of vision to expose how
global capitalism destroys the «economy of care» between mother and child.
Defenders of
global capitalism argue that in time the impoverishment of the poor will end and the great abundance generated by the system will benefit all.
I don; t think the new spiritual voice coming out of the Vatican will
demolish global capitalism overnight but I am glad to hear it.
It is easy to discern how far these are from the competitive spirit of present
day global capitalism, that would crush a competitor and marginalize the poor.
Despite the fact that everyone, at some level, knows this, the point needs to be argued because we are all also partly brainwashed by a theory that suggests that
global capitalism strongly supports the overall well being of humanity.
And yet that's what happened, mainly because voters rejected the globalist assumptions that now
attend global capitalism.
Others have scolded me for
criticizing global capitalism, reminding me that it has lifted hundreds of millions out of poverty in the last generation.
This reinforces the general shift of public culture toward a technocracy that promises to
master global capitalism, limiting its excesses and channeling its dynamism toward the common good.
It may be that some of these claims are true, and if we want to become richer, we must
embrace global capitalism and its transcendence of national boundaries.
«In all these places,» write the Lappés, «we discovered people who are not accepting
corporate global capitalism as it is but are evolving it so that growing and eating good food — and economic life itself — is again embedded in life - affirming values and community.»
At the 2017 Whitney Biennial, the group Occupy Museums, a collective that exposes how
global capitalism co-opts culture for its own commercial ends, mounted an installation that examines the debts accrued by artists in the pursuit of their work.
As European empires and economies expanded during early modernity, demand for goods like sugar and rum depended upon the exploitation of the Caribbean and its people, setting the stage for
burgeoning global capitalism — the forces of which would eventually deliver Nikes to the streets of San Juan centuries later.
Postcommodity
challenges global capitalism and continuously evolving forms of colonialism through site - specific, temporary public projects and immersive sound and media installations that assert indigenous self - determination.