Sentences with phrase «music in the film»
This film contains some of, if not the best use of music in a film ever.
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This track provides clear dialogue and the incidental music in the film sounds very good.
There isn't much music in the film either than the typical documentary music.
Both movies used rock music in films set in centuries without electricity.
I absolutely loved the acting and the unconventional music in this film.
The constant music in the film sounds great, most notably in a scene which takes place in a dance club, where the subwoofer really comes to life.
This isn't so much a behind - the - scenes look at Signs as a celebration of M. Night Shyamalan's M. Night Shyamalan - ness, with the hyphenate bemoaning CGI (because it's the one aspect of the production he can't micromanage), delivering lectures on marketing, doubting the need for music in his films as it only clouds «the poetry of the writing,» and, finally, freely admitting to being a hardcore capitalist.
Similarly, none of the conversations about music in this film comes with any passion — only cold knowledge and memorized facts.
Also fascinating is Anderson's 20 - minute discussion with James Ivory about music in the film, the influence of Satyajit Ray on both filmmakers, and Anderson's first experiences with the Merchant Ivory collection.
Bunuel disliked using music in his films, and the dialogue in «Belle de Jour» is spare, so there's room for Bunuel scholar Julie Jones to speak during the movie.
He quotes Salieri's envious description of Mozart's music in the film Amadeus: «Displace one note and there would be diminishment.
The direction is on autopilot with no interesting shots being stuck in limbo and the film score is forgettable to the point the closing credits remind there was actually music in the film.
With new host Seth MacFarlene, it was a good show with great moments, mostly because they honored music in film.
YAMATO: Talk about working with your sister, Eve Egoyan, on the classical piano music in the film, and with your longtime composer, Mychael Danna.
The original music in the film is fantastic.
At the Sundance Film Festival, the Program raises the profile of music in film through a series of concerts, events and panels.
And it's crazy when music in film is used as «wallpaper,» rather than with scene - purpose precision.»
Thanks to the support of The Max and Victoria Dreyfus Foundation, Sundance Institute's Film Music Program has continued to offer innovative programming to showcase the art of music in film at the Sundance Film Festival, and to provide year - round support to Music and Sound Design Lab participants and alumni as they develop their careers in the field of film music.
Larry Groupé, the Emmy Award - winning film score composer for the short film Residue and composer for feature films including Straw Dogs and The Contender, will discuss the role of music in film production.
There's some great music in the film, including the Sonny Terry track «Lost John.»
On ABC News, Ellie has officially announce her work for music in the film.
So when it's Terrence Malick or Roman Polanski or Stephen Frears who calls me, I can't say no, because I've admired their cinema and I've always been thrilled by the way they use music in their films.
The Sundance Institute Music And Sound Design Lab at Skywalker Sound connects composers and directors, giving them first - hand experience of the collaborative process, with the goal of nurturing the development of music in film.
Music in films is seldom consciously heard - its purpose is to underline drama and to bring to the fore what can not be expressed in dialogue or action.
If you're looking around for something to watch this Sunday evening that complements the Oscars, the World Science Festival has a great video which features the Coen Brothers, film composer Carter Burwell, Alec Baldwin, and neuroscientist Aniruddh Patel discussing the emotional effects and role of music in film.
The music in the film includes «You're Great To Me» by Jon Hans (yes, the groom!)
The music in this film is something you will never forget once you have seen it from beginning to end.
The music in the film is good.
For those who enjoyed the music in the film, the DVD provides two Animated Slug Songs and a Flushed Away Jukebox.
I mean, it is just wonderful to hear all the music in the film and it would have worked well if the film only dealt with Evan (Freddie Highmore) being a music prodigy.
There is no music in the film, save for church singing, until the church organ is fixed.
The music in this film has a masterpiece atmosphere that controls characters» feelings scene - by - scene but the cinematography and jump - cuts is also a masterpiece that nobody would ever find a British film with a masterpiece cinematography like this classic mid-90s flick but one of the Danny Boyle's Best Of British.
Haunting though it is, I don't think the music in the film matches up to Baker's.
There is almost no music in the film (and when there is, it's little more than an ambient throb), and there are long stretches devoid of dialogue.
«There is a silent side of the characters, and the music in this film is trying to connect with the silence,» Iglesias said.
According to the Hollywood Reporter, T. Bone Burnett and The Punch Brothers are involved in producing the music in the film, and Marcus Mumford and Justin Timberlake are collaborating together on a song for the soundtrack.
The DTS - HD Master Audio Mono track included works well with the dialogue and music in the film.
I only note the score (composed by Arthur Benjamin) because there is almost no music in the film.
Berney said that the music in the film has been a «real driver» for the title's momentum.
According to the Hollywood Reporter, T. Bone Burnett and The Punch Brothers are involved in producing the music in the film, and Marcus Mumford and JustinRead More →
Most importantly, the sound is excellent featuring an DTS - HD MA 5.1 track and it really scores with the music in the film.
The music in the film is provided by Ry Cooder, who is a tremendous slide guitarist and has worked with some of the all - time greats in the music business — The Rolling Stones, Van Morrison and Neil Young, among others.
The 5.1 track is best option for sure and works best with the music in the film and well - balanced dialogue.