Sentences with phrase «numerous exhibition catalogues»

Her writings have appeared in numerous exhibition catalogues as well as art publications such as Spike, Metropolis M, Mousse, Kaleidoscope, ArtReview, Flash Art, among others.

Having curated more than fifty exhibitions, he has been the primary or sole author of numerous exhibition catalogues, including Artists at Continent's End: The Monterey Peninsula Art Colony, 1875 - 1907; Edgar Payne: The Scenic Journey (Pomegranate); A Touch of Blue: Landscapes by Gregory Kondos; Armin Hansen: The Artful Voyage (Pomegranate); David Ligare: California Classicist; and E. Charlton Fortune: The Colorful Spirit (forthcoming from Pomegranate).

Stoops has authored numerous exhibition catalogues including essays on Tony Feher, Martha Rosler, Kiki Smith, and David Thorpe.

She has written numerous exhibition catalogues and articles in popular and scholarly publications.

She has written for Frieze, Sculpture, and Art Papers, as well as numerous exhibition catalogue essays, and she works as a staff writer at the University of Pennsylvania.

Phillips has authored or coauthored numerous exhibition catalogues, including Daido Moriyama: Stray Dog (1999), Crossing the Frontier: Photographs of the Developing West, 1849 to the Present (1996), and Dorothea Lange: American Photographs (1994).

His paintings and prints are discussed in numerous exhibition catalogues from museums throughout the world.

Maloney has written for Artforum, ArtChronika, the Brooklyn Rail, Meatpaper, and SFMOMA's Open Space, as well as for numerous exhibition catalogues.

Mr. Fairbanks initiated the Catalogue Raisonné on the French Post-Impressionist painter, Henri Lebasque (1865 - 1937), wrote the monograph on the artist, published in 1988, and has been the author of numerous exhibition catalogues and articles.

Phillips has authored numerous exhibition catalogues and book works; her writings appear in Artforum, Canadian Art, C Magazine, and Fillip.

Highly regarded as artist, curator, and scholar, Driskell has authored seven books on African American art, has contributed to many more, and has written numerous exhibitions catalogues.

She has contributed to numerous exhibition catalogues, Art in America and ArtForum.

Morton's writing has appeared in numerous exhibition catalogues, and in journals including frieze, Bidoun, and Metropolis M.

She is also the founder of the online publication artcore journal and has contributed essays to numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.

His writing has been published in Artforum, Camera Austria and Texte zur Kunst, as well as in numerous exhibition catalogues.

Over the last two decades she has contributed essays to numerous exhibition catalogues, and written extensively on contemporary art for ARTnews and ArtNexus magazines.

Morton's writing has appeared in numerous exhibition catalogues, and in journals including frieze, Frog, Bidoun, and Metropolis M.

He has written for numerous exhibition catalogues and has published in Art History, Nineteenth - Century Art Worldwide, and the Berkeley Review of Latin - American Studies.

He has worked as a curator at Cubitt Gallery, London and the Hayward Gallery, London, and his writing has appeared in numerous exhibition catalogues and anthologies.

Her critical writing has been published in numerous exhibition catalogues and art journals including Canadian Art, Art Monthly Australia and On Curating, as well as peer - reviewed academic journals such as Canadian Journal of Disability Studies, Disability Studies Quarterly, Journal of Literary and Cultural Disability Studies, Journal of Visual Art Practice, Museums and Social Issues: A Journal of Reflective Discourse and The Review of Disability Studies: An International Journal.

Having published more than a dozen books and numerous exhibition catalogues, TYFA is dedicated to advancing the careers of their artists while contributing to the contemporary art dialogue.

Estévez has written for numerous exhibition catalogues and art publications, and has independently organized exhibitions in Belgium, France, Mexico, Spain, and the United States.

Engberg has authored numerous exhibition catalogues, as well as two Walker - published catalogues raisonnés: one on the prints and books of Edward Ruscha, and the other on the prints of Robert Motherwell.

His writing on photography has appeared in FOAM, TIME Lightbox, The Telegraph, The Sunday Times, Photoworks, The British Journal of Photography, as well as in numerous exhibition catalogues and photobooks.

He has curated exhibitions for the past twenty - five years, including the 2015 Lyon Biennale, and has contributed essays to numerous exhibition catalogues and books on artists such as David Hammons, Paul McCarthy, Raymond Pettibon, Luc Tuymans, Mike Kelley, and Anthony Hernandez (Anthony Hernandez: Pictures for Rome, 2000).

He is the author of Art, Politics and Ireland and Picasso's Women, as well as numerous exhibition catalogues.

As a writer, critic, and editor, Enwezor has been a regular contributor to numerous exhibition catalogues, anthologies, and journals.

Her writing has appeared in The New York Times, Artforum, Frieze, The Exhibitionist, and numerous exhibition catalogues.

Maloney has written for Artforum, ArtChronika, the Brooklyn Rail, and Meatpaper, as well as for numerous exhibition catalogues.

Prior to becoming the Met's publisher in 2010, Polizzotti worked as a translator and editor of numerous exhibition catalogues, including several dedicated to the work of French artists, such as The Private Collection of Edgar Degas (1997), Cézanne to Van Gogh: The Collection of Doctor Gachet (1999), and Pierre Bonnard: The Late Still Lifes and Interiors (2009).

Dziedzic is the founder of the online publication artcore journal and has contributed essays to numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.

Her work has appeared in numerous exhibition catalogues and Art in Print.

He also has contributed to numerous exhibition catalogues for museum and art centers.

Edwards is a contributor to numerous exhibition catalogues and art publications, including

In addition to contributing to Artforum and numerous exhibition catalogues, she publishes Pep Talk, co-runs the non-commercial exhibition space The Finley, and is the author recently of Lee Lozano: Dropout Piece (Afterall Books, 2014).

His writing has been published in numerous exhibition catalogues and art magazines, including Parkett, Texte zur Kunst and Artforum.

Publications include Matthew Ritchie: More than the eye (Rizzoli, 2009) and The Situation (Moscow Biennale, 2009), and essays for numerous exhibition catalogues.

Among the numerous exhibition catalogues available are Barbara Haskell's Claes Oldenburg: Object into Monument (1971) for an exhibit at the Pasadena Art Museum and Oldenburg: Six Themes (1975) for an exhibit at the Walker Art Center in Minneapolis.

Ferrer is the author of Lola Alvarez Bravo (Aperture Foundation, NY), named as a New York Times notable book of the year, as well as of numerous exhibition catalogues and essays published nationally and internationally.