Just completed, this engineering and architectural modern masterpiece is a one - of - a-kind residence made from the highest
level of architectural formed concrete, glass and steel.
Architectural firm MVRDV has revolutionized perceptions of the built environment through the use of digital technologies, such as for Glass Farm in the Netherlands (2008 — 13) that broadens the aesthetics and vocabulary
of architectural form through digital experimentation.
A
concentration of architectural forms at the center is built in firm black outlines: remember her niece's admonition that this is an artist of line and its calligraphic potential as much as color.
The firm's perceptive
integration of architectural form, materiality, and new technology has earned them particular acclaim in their collaborations with artists and arts institutions.
The show features a recent body of work that represents a creative shift for MacPhee, known for her
use of architectural forms to explore the concept of dystopian realities.
For example, the largest work in the show — March (2008), an oversize male portrait with a simple gray sky and
hints of architectural forms — is paired with the smallest — Brown with Purple Shape (2011), an intimate abstraction at a mere five by six inches with a similar neutral - and - plum color palette.
While human figures appear, the stories this artist - flâneur tells us focus on the interplay between the solid
geometry of architectural forms and the transient, evanescent effects of light.
The labyrinthine
path of architectural forms is superposed to a strict narrative, closing the gap between the challenges of monochromatic perception and the visualization of a memory palace.
Every part of the city reflects the aestethic, cultural, political and philosophical values influenced by the
production of architectural form, and shows fragmented pieces of urban life.
In this book «The Projective Cast» (1995) completed shortly before his death, the architect, teacher and historian Robin Evans, explores the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and
realizing of architectural form.
Joanne Greenbaum's prints are an energetic profusion of overlapping techniques and colors, featuring
clusters of architectural forms, irregular shapes, and doodle - like lines.
These concepts wrestle for meaning and order on the two - dimensional surface, combining a
lexicon of architectural forms, geometrical shapes and painterly expression.
These works on paper, informed by the planes and
angles of architectural forms, represent a shift in Mang» ong» o's practice from his early figurative work to pure abstraction.
Her works range from conceptual to commercial and show a particular interest in using dialectical methods to create
studies of architectural forms - be that in lines of the human body, manmade structures, or natural scenes - as well as on dynamics between the social and the private, gender rolls and body language.
The Pritzker winner from 1998, Renzo Piano, has gained greater visibility because of the graceful
combination of architectural forms and light - filled spaces in his newly built Modern Wing addition at the Art Institute of Chicago.
Slovenian artist Miha Å trukelj is interested in the linear elements of urban landscapes and the geometric building
blocks of architectural forms.