Balkenhol, when shrinking the scale of his works, playfully disrupts the
history of figurative sculpture by subverting the monumentality so often associated with it.
Complementing the paintings is a group
of figurative sculptures by Stephan Balkenhol, Huma Bhabha, Tom Friedman, Kendell Geers, Henry Moore and Yinka Shonibare, MBE.
Sullivan Goss is pleased to bring Allen Linder to the west coast for an
exhibition of figurative sculpture carved in marble, cast in bronze and inlaid with various metals and mother of pearl.
They drew as much upon the
traditions of figurative sculpture for this project, such as the group figurations of Auguste Rodin, Oskar Schlemmer and George Segal, as they did on popular music and its imagery.
Féminaire consists primarily of two bodies of work: a monumental
installation of figurative sculptures positioned on a single plinth and a gridded wall arrangement of dozens of ceramic wall pieces.
Working with a wide variety of materials, he has returned to and transformed the
genre of figurative sculpture at the beginning of the twenty - first century with works that explore the intersection between the human form, language, and technology.
Featuring a
group of figurative sculptures from York Minster, most of them recently restored and never previously exhibited, Romanesque: Stone Sculpture from Medieval England gives viewers a rare chance to come face to face with our artistic heritage.
On the occasion of «The Great Mother» and Phaidon's new book Body of Art, Artspace's Karen Rosenberg spoke to Gioni about the enduring
appeal of figurative sculpture, his influences from Catholic church statues to Mike Kelley, and why he thinks this art form is especially vital today.
This sculpture highlights Bhabha's long - term interest in revisiting the history
of figurative sculpture through the time machine of contemporary cinematic science fiction and horror.
Marrinon received the Anne & Gordon Samstag International Visual Arts Scholarship in 2001, which enabled her to attend the New York Academy of Art, where she was introduced to traditional
techniques of figurative sculpture and gained a greater technical understanding of human anatomy.
But many artists are making a
kind of figurative sculpture that feels new and transgressive, even though they're using forms and techniques associated with academic realism.
A remarkably prescient source revealed itself unexpectedly in 1965, during a trip across America: Jones happened upon a slot machine embedded within the form of a Vegas showgirl, a commercial
variant of figurative sculpture which struck Jones for its sexual presence and intensely non-art condition.
These works, as with so much of Gormley's oeuvre, show the artist revitalizing the
practice of figurative sculpture through his investigation of the body (often his own) as the locus of memory and transformation.
«With a kind of evident simplicity, Dewar & Gicquel practise an offshore
style of figurative sculpture that may be more or less easy to identify, but whose relation to an external referent is beyond doubt.
Night at the Museum, curated by Ryan Gander, will explore the collection's
holdings of figurative sculptures; and Drawing from Life: People on Paper, a drawings show that will feature surprising works from early careers such as a 1939 self - portrait by Richard Hamilton and Eduardo Paolozzi's Drawings from Rembrandt, 1945.
Taking its cue from the
resurgence of figurative sculpture in the late 1980s and early 1990s, and from Sigmund Freud's essay «The Uncanny» (1919), the exhibition brings together mannequin - related art works, mostly from the 1960s onwards, with objects from disparate cultural contexts that engender a similar sense of unease in the viewer: medical dolls, anatomical waxworks, religious statues, pagan figurines, ventriloquists» dummies, sex dolls, taxidermy and so on.
Ron Mueck's skill lies in the
creation of figurative sculptures that appear to be real, in a sense that they are made of flesh and blood, but moreover, have presence in a profoundly individual way.
Now, as then, The Uncanny brings together a wide
range of figurative sculptures, mannequins, dummies and sex - dolls, animatronic puppets, body - casts and anatomical body fragments and models, religious statuary, stuffed animals, photographs, film stills and photographic archive material; as well as Kelley's own oddball collections of ephemera, which he calls his «harems», and which are now in the possession of another Los Angeles collector.
Breaking away from the vertical or horizontal
orientation of figurative sculpture Bhabha tilts her plinth and figure at a 45 - degree angle, and places a simple welded metal stand underneath.
An in - depth interview with Gormley explores the development of his new work, as well as his relationship to the artists who have inspired him and to his contemporaries in the
field of figurative sculpture.
At a first gaze, the idea of reinterpretation of earlier movements within the genre
of figurative sculpture seems to be the main thread of the exhibition; the «Human Statues» by Frank Benson re-visit the classic models of sculpture with a post-modern attitude, suggestions of an archaic past revive in Schütte's warriors, while a Minimalistic taste gives shape to Georg Herold's haggard creatures.
The Fran and Ray Stark Sculpture Terrace Adjacent to the Museum's West Pavilion, outside the entrance to the Center for Photographs, is the Stark Sculpture Terrace, with works that depict the broad
outlines of figurative sculpture's move from representation to abstraction.
The final gallery has another excellent generational mix, this
time of figurative sculpture by Rodin, Medardo Rosso, Bruce Nauman, Louise Bourgeois, Rebecca Warren and Alina Szapocznikow.
When invited by curator Valerie Smith to partake in the international sculpture show in Arnhem, Holland, Kelley seized the opportunity to put on display The Uncanny, a
show of figurative sculpture he described as an «exhibition within an exhibition.»
Artist: Michael Ross Exhibition title: Selected Works 1991 — 2015 Venue: Ellis King, Dublin, Ireland Date: January 29 — March 5, 2016 Photography: images copyright and courtesy the artist and Ellis King, Dublin The story is often told of Alberto Giacometti's exile from occupied Paris in the early 1940's, as he whiled away the time in his native Switzerland working on a series
of figurative sculptures of literally diminishing returns.
It demonstrates that today, following detours into abstract sculpture and object art, there is no sculptor who is as exceptional as Thomas Schütte in picking up the extensive European
tradition of figurative sculpture, from the archaic right up to Rodin and Maillol.
Equally drawn to the
history of figurative sculpture as to a wide range of craft and artisan traditions around the world — from ceramic techniques to glass blowing, enameling to welding — Upritchard pushes these practices in new directions, bringing them together to create a striking and original visual language of her own.
In an interview with Artspace deputy editor Karen Rosenberg, the New Museum's associate director and director of exhibitions discusses the
appeal of figurative sculpture and the examples that have shaped his unique curatorial approach.
«Abstraction / Figuration,» a dense, various and luminous
exhibition of figurative sculptures and nearly 50 small works on paper, most from the past decade, reminds us just how fresh and exhilarating Abstract Expressionism, in the right hands, continues to be.
Unlike traditional
forms of figurative sculpture, Muñoz's figures don't perform, instead they are immersed in their own worlds and conversations.
In the 1960s, when the Abstract Expressionist and Pop Art movements were trans - forming artists» working methods, George Segal explored the long - established
genre of figurative sculpture.
The artist draws freely upon the history
of figurative sculpture, evoking Greek and Egyptian statuary, fertility icons, Rauschenberg's combines or the playfully sinister sculptural portraits of Marisol; indeed, the synthesis of science fiction, modernism and «pop» with the distant past underlies much of Bhabha's work as evidenced in her uncanny choice of materials.
Upritchard is equally drawn to the history
of figurative sculpture and to a wide range of craft and artisan traditions around the world.
Drawing parallels to the themes of the exhibition, Gander employs the traditions
of figurative sculpture to create a contemporary conceptual artwork.