His composite digital photographs, embracing
multiple experiences of space, were taken from many perspectives and merged into single monumental images.
In other words, because we have a seemingly
unified experience of space and time, it is assumed that there is one single theater for the whole thing.
Visual perception and bodily movement are central to her practice; through her architectural interventions a
cinematic experience of space is created.
Later, in New York, she joined a group of artists that included Richard Serra, Sol LeWitt, Eva Hesse, Robert Smithson, Dan Graham and Brian O'Doherty, who used drawing as a primary tool to further examine
phenomenological experience of space though geometry.
In 1947 Fontana signed the first Manifesto dello Spazialismo, which demanded the evolution of artistic means in the search for
new experiences of space and the fusion of different artistic disciplines.
The exhibition's title is taken from philosopher Gaston Bachelard's book The Poetics of Space (1958), which describes the
lived experience of space and where he contended «it is better to live in a state of impermanence than in one of finality».
Serra continued to produce large - scale steel structures for sites throughout the world, and became particularly renowned for his monumental arcs, spirals, and ellipses, which engage the viewer in an
altered experience of space.
Richard Serra is well known for his monumental steel sculptures which arc and spiral, altering a viewer's
experience of space as they move around them.
For previous site - specific installations, Halley has delivered mural - sized variations of his vibrantly - colored geometric conduit imagery, which he links to the deconstructionism of Jean Baudrillard and Michel Foucault and the
social experience of space in our society.
Visiting during the de-installation, these pilgrims sought one last visual memento, however inadequate, of the
shifting experience of space and time conjured by Sequence's winding pathways.
Lucia Koch (Brazil) challenges the viewer's perception and
experience of space using diverse tactics within architectural settings.
In the words of British art critic Guy Brett, Weiss «provides an
alternative experience of space and time, which is not end - driven but steady and enduring, establishing and deepening a human presence».
The materials chosen by Oderbolz often fluctuate between stability and ephemerality and have a particular influence on the viewer's physical and
mental experience of a space.
Focusing on the
perceptual experience of space, the exhibition offers opportunities for discovering public architectural features and galleries throughout the newly expanded building.
Phenomenology, for example, is there from the very beginning: those first geometric explorations of colour and form reveal the same engagement with the viewer's
sensorial experiences of space and matter as the early «penetrables» — walk - in spaces constructed from monochrome painted boards — and the expanded participatory installations, which Oiticica continued making until the very end of his life.
«The Artists Studio's inaugural lineup further enriches the
audience experience of the space, and provides performers with a new platform for pushing the boundaries of their craft.»
This attitude was then eschewed by a new generation who, craving individualism, constructed buildings which allowed for a more
intimate experience of space.
Colombo was drawn to the idea of transformation: an unexpected paradigm in which space acquires the ability to show us the way we experience it
The mirrored, joint exhibitions offer an eclectic overview of the artist's probing intellectual and existentialist pursuits, subjects that range as widely as the semantic structure of language to our
comparative experience of space, the exploration of individual identity, art historical tropes, and a personal (and formative) obsession with chess.
Soo Sunny Park creates a
tactile experience of space in Silver Linings, a site - specific installation that winds and twists through the Courtyard Gallery at Nashville's Cheekwood Botanical Garden and Museum of Art.
In 1990, Rosalind Krauss published her seminal essay on museums of contemporary art, arguing that the increased scale of museum architecture led the viewer's attention to focus on a
sublime experience of space itself, rather than to the works of art displayed within it.
The concrete floor has been covered with a thick, wool carpet — transformed into something to be touched, the new surface changing the visual and
sonic experience of the space.
By stretching lengths of yarn horizontally, vertically, or diagonally at different scales and in varied configurations, the artist developed a unique body of work that elaborated on the
phenomenological experience of space and volume with unwavering consistency and ingenuity.
The Villa, Daniel Libeskind's first signature series home, creates a new dialogue between contemporary living and a completely
new experience of space.
The Poetics of Space muses on a
lived experience of space, as distinct from an architect's hypothesis of how space will affect an individual.
He continues to produce large - scale steel structures for sites throughout the world, and has become particularly renowned for his monumental arcs, spirals, and ellipses, which engage the viewer in an
altered experience of space.
Alexis Duque Imaginatively charting the
psychological experience of space, Alexis Duque produces paintings and drawings of buildings and domestic interiors stacked and conglomerated...
Connected visually and conceptually to his previous works, this immersive environment will emphasise the viewer's
physical experience of space, focusing attention on the way light almost imperceptibly changes along the horizon as the earth turns.
Part of his work, encouraged by his influential instructor Joseph Beuys, involves the
social experience of space and form with site - specific sculptural works.
You could see how with some organism
its experience of space arose out of this.
Like the work of Mitchell Jackson and Amina Gautier, the writing gave me an insider's
experience of these spaces and moments.
A new HUD has been introduced to improve
the experience of space combat.
Though
the experience of space and light in the studio, one can imagine, is essential for a painter, Neel's developments were certainly the fruit of many years of practice and gaining freedom of expression — as an individual unbound to conventions in figuration.
By stretching lengths of yarn horizontally, vertically, or diagonally at different scales and in varied configurations, the artist developed a singular body of work that elaborated on the phenomenological
experience of space and volume with unwavering consistency and ingenuity.
Throughout the course of his career, yarn enabled the artist to elaborate on the phenomenological
experience of space and volume with unwavering consistency and ingenuity.
The group moved throughout London, constantly shifting
its experience of space.