Their really fine quality can be best appreciated by comparing them with those
of other painters of similar subjects.
To be original one needs to learn the ideas of
other painters in order to be different from them.
Whether people will just go study
with other painters or maybe the schools will turn around and start going back.
Their adherence to techniques long abandoned by
many other painters of his generation set them confidently apart.
The glaze I have used for years is no longer available but in the supply list in the post I linked up to a different one that was recommended
by other painters.
Throughout his life, the artist inspired
several other painters in the abstract expressionism era, and they came up with their own innovative techniques.
And I was learning about
what other painters were doing and I wasn't on the same page as most of the other painting students.
Here is the preliminary list they have compiled, but readers can vote
for other painters in the comments section.
I do not show the same painting in more than one competitive exhibition, and I would suggest
other painters do the same.
Then, I think, okay, for me it's not enough, a hundred thousand
other painters make the same thing.
I always thought that one of the reasons why a painter likes especially to have
other painters look at his or her work is the shared experience of having pushed paint around.
This question came up after
discussing other painters, but was in reference to the way I paint also, which can appear less «abstract» certainly.
The technique, though, may have been one way to make his work distinct when he did not have all the
resources other painters did.
This is what a painter's painter does: He opens a door for
other painters onto the history of the art and shows that history to be rich in possibilities.
An additional motive was his desire - like
many other painters - to construct an authentic American art, using only American images and themes.
In their own poetic way, these works propose to return to the past and pick up where
several other painters have left off.
A «painter's painter» has been defined as an artist whose emphasis on aesthetics, rather than content, means s / he makes paintings
for other painters.
While I don't try to emulate the work or style
of other painters, I continually take inspiration from many artists.
I was hoping you might expand on this a little on why being decisive like that is important in your work as well as what about so many
other painters who work with an opposite approach, who constantly revise and fuss over everything, do you find their work less interesting?
Her move to New York City in 1942 was followed by a period of study under Hans Hofmann, along with
other painters including Robert De Niro, Sr. (father of the actor) and Jane Freilicher.
This was a group that championed impressionism and naturalism against romanticism, influencing
other painters such as Isaac Israëls, Willem Witsen, and poets like Willem Kloos.
I can also say that this — in a general way — is not unlike what was happening in the paintings made by many
other painters whose names can be associated with Greenberg, not least Olitski & Poons.
Enormous and serious critical attention was paid to Stella's work during the sixties and his influence
on other painters both younger and older was profound - to say the least.
My background — coming to New York in 1959 and studying painting at Cooper Union Art School, in and out of the museums and the Cedar Bar,
knowing other painters, the Abstract Expressionists in particular — I had no choice but to be well versed.
Oskar Schlemmer,
among other painters, was amazed at the show's «record business», which saw it extended for two weeks and visited by 34,000 people during its nine - week run.
During the war years she would
meet other painters like Lucian Freud and John Minton at the Mandrake or the Gargoyle club, or at the Colony Club in Soho, a favourite watering hole of Francis Bacon and the subject of a famous painting by Michael Andrews.
Her works were shown in 1908 with seven
other painters at the Macbeth Galleries at the Ashcan School.
He showed us the development over time of Rubens's style, the debt he owed to the classical tradition, and the ways in
which other painters subsequently built on his contribution.
When people see my work and explain their feelings, they
mention other painters from history such as Manet, Goya or Francis Bacon, or maybe even a classical painter, but they can also see the contemporary.
So you measure your work and its success
against other painter's work, not against what is said about their work or where it is hung etc. but against good work.
Phrases with «other painters»