Sentences with phrase «pacing of the film»

This feeling, along with the slow pace of the film leaves the viewer feeling a bit detached as well.

This trailer captures the tone and pacing of the film better than the first one and shows off the glorious cinematography, costume and production design.

The «outsider» aspect and the nice pacing of the film just made it surprisingly enjoyable.

The music, the cinematography and the overall pacing of the film seem spot on.

What Sicario is will warrant you to all wear a mouth guard and some antidepressants, but the kinetic pacing of the film doesn't allow you time to bite all the way down.

The languid pace of the film is utterly perfect, reflecting the time investment that McCandless put into his journey, while the beautiful, subtly - played performances he gets from Vince Vaughn, Hal Holbrook, and especially Emile Hirsch as McCandless are nothing short of phenomenal.

But he never gets overenthusiastic for big events; even with 2001's always magnificent sometimes dramatic choice of music, the visual pacing of the film never changes.

The tedious pace of the film has an hypnotic effect, contrasting the primitive bestiality of our ancestors with the polite deceptions of our future relatives.

I enjoyed the easygoing pace of this film.

Though I think Gyllenhaal is easily one of the top actors working today, his performance (as great as it was) was not enough to save his film form the ping pong like pacing of the film.

This inherent likability carries the film forwards in sections, in which Citizenfour could easily have started to drag, once the initial pace of the film tails off.

Some add more back story, but likely would have ruined the taut pacing of the film.

And really, it's hard to understate the crazy pacing of the film.

There is something appealing about the walking - under - water pacing of this film that's anchored by a number of fine action set - pieces.

Senes, in his feature film directorial debut, has an understanding of how the story should play out, but the sluggish pace of the film causes this film to spiral out of control.

It's never hokey or over-the-top; the rapid pace of the film and its ever - quotable lines are ridiculously enduring — this is the kind of movie that never, ever gets old.

As you may have suspected from an additional 30 minutes of footage, the pace of the film is slowed down considerably.

Thrown in all of this is a subplot with a once - romantic interest of Declan's that drags the pacing of the film down tremendously.

The cast is outstanding as far as names go, but most of them remain somewhat underchallenged thanks to the (intentionally) bleak look and pace of the film.

This better balances the pacing of the film and grounds it in reality a little more convincingly, even though it appears to exaggerate out - of - control bachelor party scenarios — director Todd Phillips is convinced that there are real party stories out there that would make any element of «The Hangover» pale in comparison.

A whispering nutcase, the character is here to remind our heroes why they need to exit the planet as soon as possible, but Antal lingers on the protracted insanity, puncturing the pace of the film to stick to a subplot that adds little to the story.

Anyway, that's what I liken to the pacing of this film.

The pacing of the film is also excellent, as the intensity level of the film never wavers.

Something also needs to be said about how Josh Boone handles the pacing of the film.

Bone Tomahawk boasts a capable, experienced cast, without whom the already - slow pace of the film would feel interminable.

The pacing of the film is fairly breakneck; director David Yates stops for nothing in his quest to get to what he considers the important points of the story - not character development, not a sense of humour, not innovation or art direction — none of these piddling concerns are getting in the way of this train.

The film is never boring, or dull and theres always something going on to keep the pace of the film going.

The colors of the film are mesmerizing and the pacing of the film is fast enough to keep the kiddos interested for 90 minutes.

The pacing of the film is very deliberate, yet I didn't find it to be dull or meaningless.

While many parts of the film have minimalist tendencies — few images on screen, slower camera movements, decreased sense of timing and pace, accentuation of what is on screen — the pace of the film is not constant.

The editing and pacing of the film keeps you on your toes, and the quirky spirit Geffen brings to the indie film scene with Not in Tel Aviv is as refreshing and startling as a bucket of ice water to the face.

It is easy to see that some may not find the pacing of this film particularly exciting, as it is a story that takes time to unfold and make you invested in the characters.

But the pace of the film is so well done that you rarely feel any of the problems for more than a few moments.

If all of this seems rushed, this is matched by the rushed feeling in the pace of the film up to now.

While I did understand the general plot of trying to find the mole in the Circus, it was nearly impossible to keep track of the details, which made the pacing of the film rather jagged.

Some of the minor characters don't work as well for the film as they do for the book due to the pacing of the film and overall narrative.

The film is close to three hours long, and some may find the pace of the film to be excruciatingly slow and not stick with it.

The pacing of the film hardly pauses for such ruminations, but Cruise efficiently makes the most of every moment, letting the character breathe when the movie itself does not.

When you dub a film an action thriller, it can't just have a few impressive battle sequences; the pace of the film overall needs to reflect that, otherwise you'll end up with audience members checking their watches in between the exciting parts and that's exactly what happens here.

The pacing of the film reflects this, editor Marion Monnier not dwelling on the idea of closure; as the cuts mask a shift in time, we accept the new present, the new romance, the almost instant amnesia of previous love.

She's a great actor's director — the pace of the film, the size of the film.

We had to make difficult editing decisions because some scenes were just so gorgeous and the acting was fantastic, but we wanted to focus on the pacing of the film and had to cut them out.

The pace of the film is excruciatingly slow.

Though the fantasy sequences are brisker than in the original, they are also more bombastic and the pace of the film feels long and sluggish.

The pacing of the film is an issue.