Sentences with phrase «part of the viewer»

Phil Carlsen and Devon Hubbard at neuromarketing company MindSign in San Diego, California, are also using fMRI to see how active different parts of a viewer's brain are during a screening (see diagram).

The noir - ish feel of the film will undoubtedly impress some, and Cave's notoriety is certainly a huge part of a viewers interest as well, but anyone expecting the raw uncut Nick Cave will find the opposite — a polished, well - placed, and perfectly poised version of the man.

The piece will take the form of a composition of genetics labs with their unique signage and equipment, files of legal documents related to genetic engineering, and a facial recognition booth that identifies vital parts of the viewers» identity.

But the title is a clue as to what parts of the viewers» body should be prioritized when experiencing this current body of work.

And so, for example, the Belgian colonial history, or scenes from the 1942 film The Moon and Sixpence, or my own everyday scenes and surroundings (Summer is Over), become part of the viewer's history, its scenes haunting them.

There is a great deal of shock and sadness on the part of the viewer, which comes simply from the way in which people talk about these things so candidly.

They have decent chemistry, mostly thanks to Kendrick's enveloping charisma, yet it feels like just another example of Mr. Right presuming no real discernment on the part of the viewer.

Well, it's there, even if it requires a bit of intellectual cogitation on the part of a viewer, something that most Americans (and American critics) are unwilling to give.

On the rare occasions it does, there's always some handy switch - back, or last minute reprieve or redemption or moralistic salve to help alleviate any potential suffering on the part of the viewer.

It requires conscious adjustment on the part of the viewer, because Wiseman is interested in conversations, not soundbites; when he puts you in a room, you know you're going to be there for a while.

Rather it is, without doubt and with great gratitude on the part of the viewer, Dame Maggie's deliciously eccentric turn, gamely covered in flour, or mistaking a cow patty for a cushion with exquisite aplomb, she finds her own magnificent way.

The major plot twist which occurs in the second half necessitates a huge leap of faith on the part of the viewer, but I was happy to go along with it as Boyle handled the fallout from this revelation with some assurance, creating a powerful sense of tension and seemingly building to an affecting climax.

If it sounds remarkably similar to «Training Day», it's because much of it is — only with a weaker script and no guesswork required on the part of the viewer.

It's like a perfect movie Swiss cheesed with gaping holes — some big, some tiny — that requires some forgiveness on the part of the viewer to fully enjoy.

This intense involvement on the part of the viewer — clearly the reason the film works so well as a suspenseful prison drama — can be attributed to Bresson's respect for the limitations of the narrative first person.

It stumbles primarily in assuming too much knowledge on the part of the viewer.

In general, photo essay consists of a set of photographs combined by some unique theme or emotion on the part of the viewer.

The task is not only to combine photos on the basis of this or that theme, but also to evoke certain emotions and feelings on the part of the viewer.

Mizuguchi speaks in English throughout the interview, although some parts will benefit from a bit of common sense on the part of the viewer.

Individually, each painting demands conjecture on the part of the viewer and as a group they are far reaching.

Schaffner says that because his work is so complex, and engaging on many levels, it requires a certain interpretation on the part of the viewer in order to appreciate how systematic and organised the seeming chaos actually is.

Kassay's mirror - like paintings reference minimalism, not only through the use of industrial materials, but also because the work forces bodily awareness on the part of the viewer.

The medium of ceramics is shared by Craft, Goldberg, and Jaeger, and although each artist develops it in a different direction, the experience of determining the shape, color, and texture of this material stimulates an attention to tactility on the part of the viewer.

Even now they are not easy to «understand», because they require an investment on the part of the viewer.

His method is often described as highly experimental: typically working on a large scale, Ruff has said that he likes the physical presence of a monumental work, making size just as much a part of the viewer's experience as what is depicted in the photograph itself.

In the second floor's center room, the Oh's sculpture occupies the entire expanse creating a total environment that requires constant looking and moving on the part of the viewer.

A deep appreciation of Tanner will involve some work on the part of viewers, and will require them to set aside late 20th and 21st century taste and consider a subject that may be one of the few that we find truly unacceptable: religious faith.

Together, the three ruins at the heart of each work in Sound Speed Marker represent three different aspects of cinema: the theater in Grand Paris Texas is the site of its experience, the locus of projection and immersion on the part of the viewer; Movie Mountain (Méliès) indicates the site of its making, the locus of action; and in Giant, the set represents the site of direction, the locus of ideas becoming form.

Janssens sees her installations as a form of hypnosis, requiring focused attention and awareness on the part of the viewer.

The tension set up between these two seemingly distinct worlds, the world of reality and the world of art, elicited an active, open - ended response on the part of the viewer and suggested a middle ground in which a multiplicity of preconceptions and implications co-existed in a rich, questioning ambience.

His sculptures have long challenged the division between flatness and relief as well as what is visual and what are mental leaps on the part of the viewer, who must fill certain perceptual or conceptual gaps.

As a kind of prayer, these complex paintings are at once contemplative and celebratory, bearing evidence of the concentration and discipline necessary to their making, and requiring quiet study or contemplation on the part of the viewer to be perceived on any meaningful level.

furniture invites a certain level of intimacy and curiosity on the part of the viewer.

Departing from the idea of sculptures as self - sufficient and autonomous, he creates work that responds through scale and form to its immediate environment, demanding active engagement on the part of the viewer — not only through seeing but also through embodied experience.

In its place, the show presents an alternative vision of art's recent past that locates figuration and personal narrative front and center... Accusing contemporary abstraction of offering «a site for infinitely shallow projection on the part of the viewer» is a serious, and — in my opinion — pertinent charge given the critical attention heaped upon it over the past few years.

They explore black as a material, a method, a mode, and / or a way of being in the world, necessitating complex thinking and sensorial engagement on the part of the viewer.»

Yet Lyons» MCA show was called, somewhat ironically (and then again, somewhat not), «Abstraction in the 21st Century,» a title that was clearly designed to provoke a certain amount of bemusement and even incredulity on the part of viewers, given the relatively short history of 21st century painting in general.

Via the exhibition, «These images encourage a narrative on the part of the viewer.

Installed together, the effortless and endless variation of curves and negative space on multiple planes seen throughout Clement's works implore further exploration on the part of the viewer.

This curatorial strategy also necessitates participation on the part of the viewer, inviting them to physically engage and interact — as opposed to standing at a distance and surveying all the faces in a single sweep.

Rather than invoking a distanced look, Barlow's work requires a more up - close and personal involvement on the part of viewers.

The slow, meditated - upon processes that underlie Marden's paintings encourage an equally contemplative approach on the part of the viewer.

Indeed, they seemed calculated to provoke distaste, and an almost uncomfortable degree of emotional involvement on the part of the viewer.

This publication shows how Canadian artist Jeff Wall (born 1946) generates provocative visual performances that require active participation on the part of the viewer.